Difference between revisions of "Video art"

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* Barbara London, "[http://www.torusgallery.com/ncet/pdf/london_video_chronicle_1963-1983.pdf Video: A Selected Chronology, 1963-1983]", ''Art Journal'', Vol. 45, No. 3, Video: The Reflexive Medium (Autumn, 1985), pp 249-262.
 
* Barbara London, "[http://www.torusgallery.com/ncet/pdf/london_video_chronicle_1963-1983.pdf Video: A Selected Chronology, 1963-1983]", ''Art Journal'', Vol. 45, No. 3, Video: The Reflexive Medium (Autumn, 1985), pp 249-262.
 
* Ira Schneider, Beryl Korot (eds.), ''Video Art an Anthology'', New York and London, 1976.  
 
* Ira Schneider, Beryl Korot (eds.), ''Video Art an Anthology'', New York and London, 1976.  
 +
* James A. Nadeau, ''[http://dspace.mit.edu/bitstream/handle/1721.1/39146/123349020.pdf The medium is the medium : the convergence of video, art and television at WGBH (1969)]'', Massachusetts Institute of Technology, Dept. of Comparative Media Studies, 2006. Thesis.
 
* Kate Horsfield, "[http://www.vdb.org/sites/default/files/Kate%20Horsfield%20-%20Busting%20the%20Tube;%20A%20Brief%20History%20of%20Video%20Art.pdf Busting the Tube: A Brief History of Video Art]", in ''Feedback: The Video Data Bank Catalog of Video Art and Artist Interviews'', 2006.
 
* Kate Horsfield, "[http://www.vdb.org/sites/default/files/Kate%20Horsfield%20-%20Busting%20the%20Tube;%20A%20Brief%20History%20of%20Video%20Art.pdf Busting the Tube: A Brief History of Video Art]", in ''Feedback: The Video Data Bank Catalog of Video Art and Artist Interviews'', 2006.
 
* Nancy Cain, ''Video Days and What We Saw Through the Viewfinder'', Palm Springs: Event Horizon Press, 2011.  
 
* Nancy Cain, ''Video Days and What We Saw Through the Viewfinder'', Palm Springs: Event Horizon Press, 2011.  

Revision as of 16:38, 16 December 2013

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