Chto delat, No. 35: Language at/of the Border (2013)

“The idea for this issue arose when we begin working on our film A Border Musical, whose screenplay is also printed here. This film is based on a study of the situation on both sides of the Russian-Norwegian border: we were interested in how a range of differences, which inevitably serve as sources of conflict in border areas, shape the subjectivity of people in daily contact with each other.” (from the Editorial)

Published on the occasion of the Barents Spectacle 2013 in collaboration with Border Aesthetics.

Edited by Dmitry Vilensky
Published in February 2013
Creative Commons License
24 pages

authors

Download
Previous issues

Mediascape, catalogue (1996)

Catalog of an exhibition organized by the Solomon R. Guggenheim Museum in association with ZKM/Center for Art and Media, Karlsruhe, and held at the Guggenheim Museum SoHo, June 14 – September 15, 1996.

Exhibiting artists: Ingo Guenther, Jenny Holzer, Toshio Iwai, Marie-Jo Lafontaine, Bruce Nauman, Nam June Paik, Bill Seaman, Jeffrey Shaw, Steina and Woody Vasulka, Bill Viola.

With texts by Heinrich Klotz, Ursula Frohne, Oliver Seifert, and Annicka Blunck.

Publisher Guggenheim Museum Publications, New York; with ZKM, Karlsruhe, 1996
ISBN 0892071729
68 pages
via Archive.org

google books

Download (no OCR)

Slavko Kacunko: Closed Circuit Videoinstallationen: Ein Leitfaden zur Geschichte und Theorie der Medienkunst (2004) [German]

Die Publikation setzt sich mit der Möglichkeit einer fundierten und transdisziplinär legitimierten Geschichte und Theorie der Medienkunst auseinander. In ihrem Mittelpunkt steht eine historisch-geographische Vorstellung von ca. 1100 Medieninstallationen aus vergangenen vier Jahrzehnten. Die auf diesem Weg dokumentierte Arbeit von 650 KünstlerInnen ist das faktische Fundament der vorgelegten Studie. Ihr lexikalisch angelegter Ansatz baute auf einer systematischen Untersuchung des Materials auf und ihr erklärtes Ziel war die historische Präzision unter Einhaltung der Transparenz von Bezugsquellen.
Das Buch fungiert als unverzichtbare Bestandteile einer Einheit, die einen wesentlichen Baustein für die künftige Medienkunstgeschichte und -Theorie darstellt.

Publisher Logos Verlag, Berlin, 2004
ISBN 3832506004
1062 pages
via author

review (Britt Schlehahn, Sehepunkte, in German)
more reviews

publisher

Download
View online (HTML)

Katarína Rusnáková (ed.): V toku pohyblivých obrazov: Antológia textov o elektronickom a digitálnom umení v kontexte vizuálnej kultúry (2005) [Slovak]

Antológia textov o elektronickom a digitálnom umení v kontexte vizuálnej kultúry prináša aktuálne pohľady na mnohotvárnu problematiku súčasného elektronického a digitálneho umenia.

Autori textov: Nora Barry, Tilman Baumgärtel, Ursula Frohne, Sabine Himmelsbach, Verena Kuni, Peter Lunenfeld, Lev Manovich, Simon Penny, Peter Weibel.

Publisher Academy of Fine Arts, Bratislava
ISBN 8088675979, 9788088675976
193 pages

publisher
google books

Download (no OCR)

Infermental 7: A Travelling Exhibition of World Video, catalogue (1988)

“Infermental 7, compiled in 1988 in Buffalo, New York, is a 5 hour travelling video exhibition, presenting the work of 58 artists, selected from a field of over 400 submissions from 30 countries. It has been a privilege for myself and the other editors to review such a diverse field of work and to participate in the ongoing Infermental videomagazine project, initiated by Gabor and Vera Body in 1980 in Berlin.” (Chris Hill)

Buffalo, New York Edition
Edited, and with texts by Chris Hill, Tony Conrad, Peter Weibel
Supervisor Rotraut Pape
Publishers Hallwalls, Buffalo, NY, with Ars Electronica, Linz, 1988
ISBN 0936739118
28 pages

more information (Monoskop wiki)
google books

Download

Frohne, Schieren, Guiton (eds.): Present Continuous Past(s): Media Art. Strategies of Presentation, Mediation and Dissemination (2005)

With a history of more than 30 years, media art plays an increasingly important role in the international discourse on contemporary art. The reception of canonical video works and electronic media installations is however restricted to temporary and locally defined displays in museum exhibitions or confined to incomplete catalogue documentations. This volume provides a unique combination of theoretical reflections on the reproducibility, preservation of authenticity and juridical implications of emulation techniques with practical approaches to archiving methods and commercial aspects of media art’s accessibility. It is an indispensible guide to the pro’s and con’s for new forms of de-centralized systems of mediation and the growing demands for liberal rules and easy access to online-presentations of media art. Uncomparable to other current publications, the book offers a practical manual with checklists for relevant websites and content profiles of major distribution companies.

With contributions by Ursula Frohne, Ulrike Rosenbach, Sabine Flach, Elke Bippus and Dirck Möllmann, Mona Schieren, Lydia Haustein, Dieter Daniels, Katharina Ammann, Hans D. Christ and Stan Douglas, Dennis Del Favero / Neil Brown / Jeffrey Shaw / Peter Weibel, Jean-François Guiton, Rudolf Frieling, Monika Fleischmann / Wolfgang Strauss, Rens Frommé / Sandra Fauconnier, Lori Zippay, Bart Rutten.

Editors Ursula Frohne, Mona Schieren, Jean-Francois Guiton
Translated by B. Abraham, J. Gaines, L.-A. Geese, I. Pfitzner, S. Kovats, M. Robinson, R. Watts
Publisher Springer, 2005
Volume 2 of Schriftenreihe … der Hochschule für Künste Bremen
ISBN 3211254684, 9783211254684
223 pages
via Jo Morfin

publisher
google books

Download

Ivo Janoušek: Slovníček pojmů elektronického a multimediálního umění (1994) [Czech]

Pojmy: elektronické umění (electronic art), kybernetické umění (cybernetic art), multi-média, počítačová animace (computer animation), počítačový design (computer design) / CAD (Computer Aided Design), počítačová grafika (computer graphics), počítačové umění (computer art), světelné umění (Light Art), totální umění, videoart.

Publisher Národní technické muzeum, Prague, 1994
ISBN 8070370319, 9788070370315
18 pages
via Michal Murin

google books

Download (no OCR)