Filed under journal | Tags: · algorithm, biometrics, cultural politics, database, environment, knowledge, research, value
“There is value and there are values. There is the measure of wealth, metrified and calculated in numerous ways, and there are ideas, ethics, preferences of taste, and customs of ideology. […] But what really happens when the two are conflated? How do we understand how the values associated with something give it value; or, how giving something a value affords certain values? And, in what ways are the conflations of value and values tied to the circulation of value and values in contemporary technical infrastructures? […] The articles published in this issue interrogate value and values in ways that respond to techno-cultural shifts and embrace the range of economies that pervade digital culture.” (from Introduction)
Contributions by Pip Thornton, Luke Munn, Mitra Azar, Lea Laura Michelsen, Francis Hunger, César Escudero Andaluz & Martín Nadal, Maria Eriksson, Dionysia Mylonaki & Panagiotis Tigas, Marc Garrett, Ashley Lee Wong, Konstanze Scheidt, Calum Bowden, and Tega Brain.
Edited by Christian Ulrik Andersen & Geoff Cox
Publisher DARC, Aarhus University, Aarhus, 2018
Creative Commons Attribution-NonCommercial-ShareAlike License
Filed under book | Tags: · art history, central europe, communism, conceptual art, east-central europe, eastern europe, ecology, environment, land art, nature, neo-avant-garde, performance, performance art, socialism, yugoslavia
“Expanding the horizon of established accounts of Central European art under socialism, The Green Bloc uncovers the neglected history of artistic engagement with the natural environment in the Eastern Bloc. Focussing on artists and artist groups whose ecological dimension has rarely been considered, including the Pécs Workshop from Hungary, OHO in Slovenia, TOK in Croatia, Rudolf Sikora in Slovakia, and the Czech artist Petr Štembera, Maja Fowkes’s innovative research brings to light an array of distinctive approaches to nature, from attempts to raise environmental awareness among socialist citizens to the exploration of non-anthropocentric positions and the quest for cosmological existence in the midst of red ideology. Embedding artistic production in social, political, and environmental histories of the region, this book reveals the artists’ sophisticated relationship to nature, at the precise moment when ecological crisis was first apprehended on a planetary scale. ”
Publisher Central European University Press, New York and Budapest, 2015
ISBN 9789633860687, 9633860687
via Memory of the World
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Filed under artists book, sound recording | Tags: · ecuador, environment, field recording, oil
“The book contains “Ecopolitik”–an introduction as an epilogue by José Luis Espejo, a letter to the Huaorani people, two research texts and one bertso, descriptive texts and photos of recordings, a possible chronology, a glossary, a compilation of several texts with testimonies, reports and declarations from different people, groups, institutions, and publications in reference to the impact—direct or indirect—of the noise from the oil industry during its various phases of development on the people, the environment and the fauna.”
The book is supplemented by a CD containing 34 recordings in one track.
Publisher Gruenrekorder, 2016