The Plantationocene Series: Plantation Worlds, Past and Present (2019)

9 July 2019, dusan

“The Plantationocene is an alternate name for the epoch often called the Anthropocene. Inspired by the scholars and artists visiting University of Wisconsin–Madison as part of the 2019-2020 Plantationocene Sawyer Seminar, this series aims to create a conversation about multiple forms of plantations, both past and present, their materialities, the economic, ecological, and political transformations they wrought, and their significance to the making of human bodies, capitalism, and land over the course of four centuries.”

Contributors: Sophie Sapp Moore, Monique Allewaert, Pablo F. Gómez and Gregg Mitman; Deborah A. Thomas; Raina Martens and Bii Robertson; Leanne Day and Rebecca Hogue; Kwynn Johnson; Donna Haraway and Anna Tsing, a.o.

Edge Effects dossier
Publisher Center for Culture, History, and Environment (CHE), Nelson Institute for Environmental Studies at the University of Wisconsin-Madison, 2019
Creative Commons BY-NC-ND 4.0 International License

HTML

Critical Art Ensemble: Aesthetics, Necropolitics, and Environmental Struggle (2018)

22 February 2019, dusan

“With typical sangfroid, CAE dissects the beast of our own making: the Anthropocene. Clarifying the philosophical roots of the Euro-American confusion about nature, this text offers severe and essential medicine for coming to terms with our ecological predicament.” –Claire Pentecost, professor, School of the Art Institute of Chicago

“This book presents a perspective about the environmental crisis that I suspected was there but couldn’t put my finger on. Follow these authors deep into one of the biggest cultural lacunas of our day: necropolitics. This book fully abandons solutionist bull in favor of a measured approach grounded only in what we know. Read it, weep, and then kick ass. Once again, CAE has blown my fucking mind.” –Mike Bonanno, The Yes Men

Publisher Autonomedia, Brooklyn, NY, 2018
Anti-copyright
ISBN 1570273375, 9781570273377
167 pages

Publisher
WorldCat

PDF (pages 120-127 missing)
PDFs

The Distance Plan (2013–)

20 February 2019, dusan

“The Distance Plan is a project founded by Abby Cunnane and Amy Howden-Chapman that brings together artists, writers and designers to promote discussion of climate change within the arts. The Distance Plan works through exhibitions, public forums and the Distance Plan Press which produces publications, including an annual journal.”

“The issue 4 features artist pages by Louise Menzies and Michala Paludan, an essay by Lina Moe on the closure of New York’s L Line, and, through our ongoing Climate Change & Art: A Lexicon, surveys the language currently surrounding anthropogenic climate change. Through proposing neologisms and promoting less well-known terms, we wish to propel interdisciplinary discussion, and by extension accelerate the pace of action.

Through this lexicon we propose that the science around climate change is developing so rapidly that we need new language to articulate its processes and effects. The lexicon is also based on the recognition that evolving science produces evolving policy, and politics must be commensurate with this. The first set of lexicon terms were collected in the Reading Room journal in 2015.”

Edited by Amy Howden-Chapman and Abby Cunnane
Publisher Distance Plan Press, Auckland, New Zealand
Creative Commons BY-NC-SA 4.0 International Licence
ISSN 2463-5553
127 pages (Issues 2 & 4), 135 pages (Issue 3), 69 pages (Issue 5)

Project website

Issue 1, 2013: PDFs
Issue 2: Seven Conversations, 2014: PDF, PDFs
Issue 3: Climate & Precarity, Dec 2015: PDF, PDFs
Issue 4: Climate Change & Art: A Lexicon, Oct 2016: PDF, PDFs
Issue 5: Charismatic Facts: Climate Change, Poetry & Prose, Apr 2019: PDF, PDFs (added on 2019-5-30)