Filed under catalogue, virtual exhibition | Tags: · art, environment, politics, solidarity
“Actions of Art and Solidarity presents 76 works by artists, activists, collectives and thinkers from around the world, including Norway, catalysing cultural, socio-political and environmental solidarity across different geographies and contexts from the 1950s to the present day. Looking back in time and forward into the future, the exhibition displays artists’ extraordinary ability to narrate and build empathy around fundamental global conflicts and injustices, and provide the radical imaginaries of care and solidarity that can stimulate their resolution. The venue, Kunstnernes Hus (The Artists’ House, Oslo) has a symbolic value, since the institution has played a recurrent part in Norway’s own contribution to artistic solidarities – from presenting Pablo Picasso’s Guernica in 1938 during its international solidarity tour, to organising exhibitions of solidarity with other parts of the world. The exhibition also presents central instances of Norwegian solidarity artistic practices, as well as new works especially commissioned for the exhibition.
The case studies included in the exhibition have been sourced across four continents, and cover a 70-year time span of artistic creativity. The exhibition proposes that the solidarity imaginaries expressed by art works, and embodied by specific artistic actions, are always the outcome of the extensive processes of artist-led care-building that precede and succeed them. Moreover, it is those very networks of personal connectivity and empathy created by artists over time around a particular issue (in alliance and in friendship with everyday citizens and activists) and configured within their art works of solidarity, that inspire society at large to imagine life differently and step-forward in ways that generate profound transformation.”
Curated by Katya García-Antón with Liv Brissach, Itzel Esquivel, Drew Snyder and Aban Raza
Publisher Kunstnernes Hus, Oslo, January 2021
Filed under book | Tags: · biosphere, cold war, computing, cybernetics, environment, governmentality, history of science, networks, politics, secrecy, soviet union, systems science, systems theory
“In The Power of Systems, Eglė Rindzevičiūtė introduces readers to one of the best-kept secrets of the Cold War: the International Institute of Applied Systems Analysis (IIASA), an international think tank established by the U.S. and Soviet governments to advance scientific collaboration. From 1972 until the late 1980s IIASA in Austria was one of the very few permanent platforms where policy scientists from both sides of the Cold War divide could work together to articulate and solve world problems. This think tank was a rare zone of freedom, communication, and negotiation, where leading Soviet scientists could try out their innovative ideas, benefit from access to Western literature, and develop social networks, thus paving the way for some of the key science and policy breakthroughs of the twentieth century.
Ambitious diplomatic, scientific, and organizational strategies were employed to make this arena for cooperation work for global change. Under the umbrella of the systems approach, East-West scientists co-produced computer simulations of the long-term world future and the anthropogenic impact on the environment, using global modeling to explore the possible effects of climate change and nuclear winter. Their concern with global issues also became a vehicle for transformation inside the Soviet Union. The book shows how computer modeling, cybernetics, and the systems approach challenged Soviet governance by undermining the linear notions of control on which Soviet governance was based and creating new objects and techniques of government.”
Publisher Cornell University Press, Ithaca, NY, 2016
Creative Commons BY-NC-ND 4.0 International License
ISBN 9781501703188, 1501703188
Reviews: Roundtable: Barbara Czarniawska, Jenny Andersson, Claudia Aradau, Paul Rubinson, author’s response (H-Diplo, 2019), Kristine C. Harper (Isis, 2018), Benjamin Peters (Slavic Review, 2019), Gerald Easter (American Historical Review, 2018), Jeanne Morefield (J History of Ideas, 2020), Laurent Coumel (Cahiers du monde russe, 2018, FR), Una Bergmane (Lithuanian Historical Studies, 2018), Christian Dayé (Serendipities, 2018).
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Filed under book | Tags: · anthropocene, climate, climate crisis, earth, environment, theory
“The idea of the Anthropocene often generates an overwhelming sense of abjection or apathy. It occupies the imagination as a set of circumstances that counterpose individual human actors against ungraspable scales and impossible odds. There is much at stake in how we understand the implications of this planetary imagination, and how to plot paths from this present to other less troubling futures. With Anthropocene Unseen: A Lexicon, the editors aim at a resource helpful for this task: a catalog of ways to pluralize and radicalize our picture of the Anthropocene, to make it speak more effectively to a wider range of contemporary human societies and circumstances. Organized as a lexicon for troubled times, each entry in this book recognizes the gravity of the global forecasts that invest the present with its widespread air of crisis, urgency, and apocalyptic possibility. Each also finds value in smaller scales of analysis, capturing the magnitude of an epoch in the unique resonances afforded by a single word.
The Holocene may have been the age in which we learned our letters, but we are faced now with circumstances that demand more experimental plasticity. Alternative ways of perceiving a moment can bring a halt to habitual action, opening a space for slantwise movements through the shock of the unexpected. Each small essay in this lexicon is meant to do just this, drawing from anthropology, literary studies, artistic practice, and other humanistic endeavors to open up the range of possible action by contributing some other concrete way of seeing the present. Each entry proposes a different way of conceiving this Earth from some grounded place, always in a manner that aims to provoke a different imagination of the Anthropocene as a whole.
The Anthropocene is a world-engulfing concept, drawing every thing and being imaginable into its purview, both in terms of geographic scale and temporal duration. Pronouncing an epoch in our own name may seem the ultimate act of apex species self-aggrandizement, a picture of the world as dominated by ourselves. Can we learn new ways of being in the face of this challenge, approaching the transmogrification of the ecosphere in a spirit of experimentation rather than catastrophic risk and existential dismay? This lexicon is meant as a site to imagine and explore what human beings can do differently with this time, and with its sense of peril.”
Publisher Punctum Books, February 2020
Creative Commons BY-NC-SA 4.0 International License