Filed under book | Tags: · central europe, ecology, environment, field recording, sound, sound art
“The Central European Network for Sonic Ecologies (CENSE) is an informal network of individual voices coming from various backgrounds. We propose this emerging network to fill the need of fostering more perceptive and conscious thinking and solutions, addressing developments in the social and cultural fields of Central Europe (and beyond) related not only to sound art, ecomusicology, and sound per se, while keeping a central focus on deep environmental and social changes.”
Its first publication features a survey of CENSE members and friends about sonic ecology, offering a springboard for the formation of a framework; a mind map composed of the various ideas, statements, positions, and attitudes of around thirty people. In addition, three essays on the story of environmental sound in Czechoslovakia, Poland and Hungary are included.”
Editor: Miloš Vojtěchovský and Lloyd Dunn
Publisher CENSE, November 2021
Creative Commons Attribution NonCommercial ShareAlike 4.0 Unported License
Matthew Fuller, Eyal Weizman: Investigative Aesthetics: Conflicts and Commons in the Politics of Truth (2021)
Filed under book | Tags: · aesthetics, architecture, art, commons, corruption, environment, forensics, human rights, investigation, politics, technology, truth
“A new field of counterinvestigation in journalism, human rights, art and law
Today, artists are engaged in investigation. They probe corruption, human rights violations, environmental crimes and technological domination. At the same time, areas not usually thought of as artistic make powerful use of aesthetics. Journalists and legal professionals pore over opensource videos and satellite imagery to undertake visual investigations. This combination of diverse fields is what the authors call “investigative aesthetics”: the mobilisation of sensibilities associated with art, architecture and other such practices in order to speak truth to power.
Investigative Aesthetics draws on theories of knowledge, ecology and technology; evaluates the methods of citizen counter-forensics, micro-history and art; and examines radical practices such as those of WikiLeaks, Bellingcat, and Forensic Architecture. These new practices take place in the studio and the laboratory, the courtroom and the gallery, online and in the streets, as they strive towards the construction of a new common sense.
Matthew Fuller and Eyal Weizman have here provided an inspiring introduction to a new field that will change how we understand and confront power today.
To Nour Abuzaid for your brilliance, perseverance, and unshaken belief in the liberation of Palestine.”
Publisher Verso Books, London, August 2021
ISBN 9781788739085, 1788739086
Review: Chris Hayes (Tribune, 2021).
EPUB (updated on 2022-11-21)Comment (0)
Filed under fiction | Tags: · activism, climate, climate crisis, earth, environment, politics, resistance, science fiction, social movements, technology, utopia
“Kim Stanley Robinson is one of contemporary science fiction’s most acclaimed writers, and with this new novel, he once again turns his eye to themes of climate change, technology, politics, and the human behaviors that drive these forces. But his setting is not a desolate, post-apocalyptic world – rather, he imagines a more hopeful future, one where humanity has managed to overcome our challenges and thrive.”
Publisher Orbit Books, New York and London, Oct 2020
ISBN 9780316300131, 0316300136
Interviews with author.
Reviews: Derrick O’Keefe (Jacobin, 2020), Gerry Canavan (Los Angeles Review of Books, 2020), Bill McKibben (New York Review, 2020), Steven Poole (The Guardian, 2020), Mark Yon (SFF World, 2020), Kirkus Reviews (2020),Michael Svoboda (Yale Climate Connections, 2020), Nick Robins (LSE blog, 2021), Cory Doctorow (2020), Ian Maxton (Spectrum Culture, 2020), George Katsiaficas (PM Press, 2021), Martin Empson (Climate & Capitalism, 2021), Bob Frame and Patrick Flamm (Polar Record, 2021).
Commentary: Andreas Malm (Verso Blogs, 2021).
Book seminar: Crooked Timber (2021, Robinson’s response).