Filed under catalogue, virtual exhibition | Tags: · art, environment, politics, solidarity
“Actions of Art and Solidarity presents 76 works by artists, activists, collectives and thinkers from around the world, including Norway, catalysing cultural, socio-political and environmental solidarity across different geographies and contexts from the 1950s to the present day. Looking back in time and forward into the future, the exhibition displays artists’ extraordinary ability to narrate and build empathy around fundamental global conflicts and injustices, and provide the radical imaginaries of care and solidarity that can stimulate their resolution. The venue, Kunstnernes Hus (The Artists’ House, Oslo) has a symbolic value, since the institution has played a recurrent part in Norway’s own contribution to artistic solidarities – from presenting Pablo Picasso’s Guernica in 1938 during its international solidarity tour, to organising exhibitions of solidarity with other parts of the world. The exhibition also presents central instances of Norwegian solidarity artistic practices, as well as new works especially commissioned for the exhibition.
The case studies included in the exhibition have been sourced across four continents, and cover a 70-year time span of artistic creativity. The exhibition proposes that the solidarity imaginaries expressed by art works, and embodied by specific artistic actions, are always the outcome of the extensive processes of artist-led care-building that precede and succeed them. Moreover, it is those very networks of personal connectivity and empathy created by artists over time around a particular issue (in alliance and in friendship with everyday citizens and activists) and configured within their art works of solidarity, that inspire society at large to imagine life differently and step-forward in ways that generate profound transformation.”
Curated by Katya García-Antón with Liv Brissach, Itzel Esquivel, Drew Snyder and Aban Raza
Publisher Kunstnernes Hus, Oslo, January 2021
Filed under catalogue | Tags: · archive, art history, central europe, dissent, eastern europe, intelligence agency, performance art
“Artists & Agents puts the spotlight on a neglected aspect of performance art from the 1960s to the 1990s: the interaction between secret services and performance art – an art form which the secret service agencies of communist Eastern European countries considered especially dangerous. Eastern Europe is one of the few places where archival records have been made public, and they reveal how these agencies acted to “undermine” and “eliminate” dissident artists. To achieve this objective, however, the agents themselves sometimes had to become “performance artists.”
Building on in-depth research into the archival records of secret services in Hungary, Poland, the Czech Republic, Romania, and Germany, this publication shines a light on the files which the secret services of these countries kept about such artists. It showcases instances of artistic subversion and agent infiltration, some of which have not been disclosed before, while more recent works demonstrate that the issue of ramping up intelligence gathering operations in politics and everyday life is highly topical. This catalogue includes an introduction, a glossary explaining secret service terminology, entries on the relevant works of art, and background information on all of the files presented.”
Edited by Inke Arns, Kata Krasznahorkai, Sylvia Sasse, and HMKV (Hartware MedienKunstverein)
Publisher Kettler, Dortmund, 2019
ISBN 9783862068395, 3862068390
Filed under book, catalogue | Tags: · experimental music, listening, sound, sound art
“By way of a selection of hundreds of sound works, Audiosphere. Sound Experimentation 1980-2020 looks to cover an historical and cultural void in terms of the recognition, exhibition and analysis of a key part of the recent changes that have taken place in the artistic conception of sound creation.
In the following catalogue, the curatorial discourse that articulates the exhibition is displayed along with some texts that affect the relevance of sound art in contemporary art and, with it, in the social field.”
Contributors: Francisco López, Thomas Bey William Bailey, Margie Borschke, Victor Nubla, Luis Alvarado, Guy Marc Hinant, Salomé Voegelin, Caleb Kelly, Paul Hegarty, Greg Hainge, Christoph Cox, John Oswald.
Introduction by Francisco López
Edited by the Publications Department of MNCARS
Publisher Museo Reina Sofía, Madrid, October 2020
Creative Commons BY-NC-ND 4.0