Filed under catalogue | Tags: · art, gender, queer, sexuality, surveillance
“3x3x6 is the title of Shu Lea Cheang’s project representing Taiwan at the 58th Venice Biennale and hosted at the Palazzo delle Prigioni–a Venetian prison from the sixteenth century in operation until 1922. 3x3x6 is also the standardised architecture of industrial imprisonment for ‘sexual criminals’ and ‘terrorists’ in the West: 3×3 meters, monitored by 6 cameras 24 hours a day. Shu Lea Cheang investigates historical reports based on ten cases of subjects incarcerated because of gender or sexual dissent and uses trans-punk fiction, queer, and anti-colonial imaginations to hack the history of sexuality as well as contemporary technologies of surveillance.” (from back cover)
With contributions by Matthew Fuller, Paul B. Preciado, Dean Spade, and Jackie Wang.
Curated and edited by Paul B. Preciado
Publisher Taipei Fine Arts Museum, Taipei, 2019
ISBN 9789860588798, 9860588791
Filed under catalogue | Tags: · art, conceptual art, critical pedagogy, education, knowledge, pedagogy, politics, sociology of art, theory, useful art
“This catalogue investigates the notion of “really useful knowledge” and its origins. In the 1820s and 1830s, working class organisations in the UK introduced this phrase to describe a body of knowledge that encompassed various “unpractical” disciplines such as politics, economics and philosophy, as opposed to the “useful knowledge” proclaimed by business owners who had previously begun to invest more heavily in their companies’ progress through financing workers’ education in “applicable” disciplines like engineering, physics, chemistry and mathematics. The publication presents texts and conversations that analyse these themes, including philosophy, art, politics and technology.”
With contributions by What, How and for Whom/WHW, Marina Garcés, Raqs Media Collective, Luis Camnitzer, Trevor Paglen and Jacob Appelbaum, Fred Moten and Stefano Harney, and Gáspár M. Tamás.
Curated by What, How and for Whom/WHW
Publisher Museo Nacional Centro de Arte Reina Sofía (MACBA), Barcelona, 2014
ISBN 9788480264990, 8480264993
Discussion: Charles Esche, Manuel Borja-Villel (L’Internationale, 2015).
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Pathways to Unknown Worlds: Sun Ra, El Saturn and Chicago’s Afro-Futurist Underground, 1954-68 (2007)
Filed under book, catalogue | Tags: · afrofuturism, chicago, jazz, music, music history
“Philosopher, Afro-futurist, and jazz legend Sun Ra (1914-1993) constructed much of his complicated public persona during his sojourn in Chicago in the mid-1950s. Working with a still-shadowy underground fraternal organization, Ra amassed a library of books on the occult, Egyptology, race studies, Theosophy, and religion—all in service of drawing elliptical connections between these disparate bodies of knowledge. This work became the foundation of the personal mythology Ra employed in the 1960s when he began fronting his Myth-Science Arkestra and started drawing attention from more mainstream jazz fans.
Pathways to Unknown Worlds presents a kaleidoscopic range of materials from those years, including original record cover designs and production materials, paper ephemera, and photographs. These materials—most previously unseen—dramatically flesh out the story of Sun Ra’s mystical journey of discovery and his lofty goals for the dissemination of his new knowledge; they are certain to fascinate and delight Ra’s legion of fans.”
With essays by Adam Abraham, John Corbett, Glenn Ligon, and Camille Norment.
Edited by Anthony Elms
Publisher WhiteWalls, Chicago, 2007
ISBN 0945323107, 9780945323105
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