Margit Rosen, et al. (eds.): A Little-Known Story About a Movement, a Magazine, and The Computer’s Arrival in Art: New Tendencies and Bit International, 1961-1973 (2011)

10 April 2021, dusan

“When Zagreb was the epicenter of explorations into the aesthetic potential of the new “thinking machines.”

This book documents a short but intense artistic experiment that took place in Yugoslavia in the 1960s and 1970s but has been influential far beyond that time and place: the “little-known story” of the advent of computers in art. It was through the activities of the New Tendencies movement, begun in Zagreb in 1961, and its supporting institution the Galerija suvremene umjetnosti that the “thinking machine” was adopted as an artistic tool and medium. Pursuing the idea of “art as visual research,” the New Tendencies movement proceeded along a path that led from Concrete and Constructivist art, Op art, and Kinetic art to computer-generated graphics, film, and sculpture.

With their exhibitions and conferences and the 1968 launch of the multilingual, groundbreaking magazine Bit International, the New Tendencies transformed Zagreb—already one of the most vibrant artistic centers in Yugoslavia—into an international meeting place where artists, engineers, and scientists from both sides of the Iron Curtain gathered around the then-new technology. For a brief moment in time, Zagreb was the epicenter of explorations of the aesthetic, scientific, and political potential of the computer.

This volume documents that exhilarating period. It includes new essays by Jerko Denegri, Darko Fritz, Margit Rosen, and Peter Weibel; many texts that were first published in New Tendencies exhibition catalogs and Bit International magazine; and historic documents. More than 650 black-and-white and color illustrations testify to the astonishing diversity of the exhibited artworks and introduce the movement’s protagonists. Many of the historic photographs, translations, and documents are published here for the first time. Taken together, the images and texts offer the long overdue history of the New Tendencies experiment and its impact on the art of the twentieth century.”

Edited by Margit Rosen in collaboration with Peter Weibel, Darko Fritz, and Marija Gattin
Publisher ZKM Center for Art and Media, Karlsruhe, and MIT Press, Cambridge, MA, 2011
ISBN 9780262515818, 0262515814
576 pages

Reviews: Brian Reffin Smith (Leonardo, 2012), Joanna Inglot (Slavic Review, 2012), Greg Borman (ARLIS/NA, 2011).

Book website
Exhibition (ZKM, 2008)
Publisher
Publisher
WorldCat

PDF (102 MB)

See also New Tendencies and Bit International on Monoskop wiki.

Anon Collective (ed.): Book of Anonymity (2021)

8 April 2021, dusan

“Anonymity is highly contested, marking the limits of civil liberties and legality. Digital technologies of communication, identification, and surveillance put anonymity to the test. They challenge how anonymity can be achieved, and dismantled. Everyday digital practices and claims for transparency shape the ways in which anonymity is desired, done, and undone.

The Book of Anonymity includes contributions by artists, anthropologists, sociologists, media scholars, and art historians. It features ethnographic research, conceptual work, and artistic practices conducted in France, Germany, India, Iran, Switzerland, the UK, and the US. From police to hacking cultures, from Bitcoin to sperm donation, from Yik-Yak to Amazon and IKEA, from DNA to Big Data — thirty essays address how the reconfiguration of anonymity transforms our concepts of privacy, property, self, kin, addiction, currency, and labor.” (from back cover)

Contributors: Anon, Götz Bachmann, Dwaipayan Banerjee, Solon Barocas, Aram Bartholl, Amelie Baumann, Vadim Bernard, Paula Bialski, Andreas Broeckmann, Heath Bunting, Martin De Bie, Bureau d’études, Jacob Copeman, Abigail Curlew, Stéphane Degoutin, Simon Farid, Parastou Forouhar, Randi Heinrichs, Anna Henke, Michi Knecht, knowbotiq, Gertraud Koch, Julien McHardy, Helen Nissenbaum, Gerald Raunig, RYBN.ORG, Daniela Silvestrin, Thorsten Thiel, Transformella, Daniël de Zeeuw, Nils Zurawski.

Publisher Punctum Books, March 2021
Creative Commons BY-NC-SA 4.0 International license
ISBN 9781953035301
484 pages
HT coco

Publisher
PubPub
OAPEN

PDF (11 MB)

John Beck, Ryan Bishop: Technocrats of the Imagination: Art, Technology, and the Military-Industrial Avant-Garde (2020)

1 August 2020, dusan

“In Technocrats of the Imagination John Beck and Ryan Bishop explore the collaborations between the American avant-garde art world and the military-industrial complex during the 1960s, in which artists worked with scientists and engineers in universities, private labs, and museums. For artists, designers, and educators working with the likes of Bell Labs, the RAND Corporation, and the Los Angeles County Museum of Art, experiments in art and technology presaged not only a new aesthetic but a new utopian social order based on collective experimentation. In examining these projects’ promises and pitfalls and how they have inspired a new generation of collaborative labs populated by artists, engineers, and scientists, Beck and Bishop reveal the connections between the contemporary art world and the militarized lab model of research that has dominated the sciences since the 1950s.”

Publisher Duke University Press, Durham, 2020
Cultural Politics series
ISBN 9781478005957, 1478005955
viii+229 pages

Review: Lindsay Caplan (Art in America, 2020).

Publisher
WorldCat

PDF