Leigh Claire La Berge: Wages Against Artwork: Decommodified Labor and the Claims of Socially Engaged Art (2019)
Filed under book | Tags: · aesthetics, animal, art, capital, capitalism, children, commodity, debt, economics, labour, money, neoliberalism, socially engaged art, value, work
“The last twenty years have seen a rise in the production, circulation, and criticism of new forms of socially engaged art aimed at achieving social justice and economic equality. In Wages Against Artwork Leigh Claire La Berge shows how socially engaged art responds to and critiques what she calls decommodified labor—the slow diminishment of wages alongside an increase in the demands of work. Outlining the ways in which socially engaged artists relate to work, labor, and wages, La Berge examines how artists and organizers create institutions to address their own and others’ financial precarity; why the increasing role of animals and children in contemporary art points to the turn away from paid labor; and how the expansion of MFA programs and student debt helps create the conditions for decommodified labor. In showing how socially engaged art operates within and against the need to be paid for work, La Berge offers a new theorization of the relationship between art and contemporary capitalism.”
Publisher Duke University Press, Durham, NC, August 2019
ISBN 1478004231, 9781478004233
Review: Noni Brynjolson (Field, 2020).
Interviews with author: Andreas Petrossiants (e-flux, 2018, podcast), Wen Zhuang (LA Review of Books, 2020), Andreas Petrossiants (Brooklyn Rail, 2020), Pierre d’Alancaisez (New Books Network, 2021, podcast).Comment (0)
Filed under book | Tags: · black people, cultural studies, diaspora, identity, marxism, neoliberalism, politics, racism
This book “examines the career of the cultural studies pioneer, interrogating his influence and revealing lesser-known facets of his work. This collection of essays and photographs evaluates the legacies of his particular brand of cultural studies and demonstrates how other scholars and activists have utilised his thinking in their own research.
Throughout these pages, Hall’s colleagues and long-term collaborators assess his theoretical and methodological standpoints, his commitment to the development of a flexible form of revisionist Marxism, and the contributions of his specific mode of analysis to public debates on Thatcherism, neoliberalism and multiculturalism. North American activist Angela Davis argues that the model of politics, ideology, and race initially developed by Hall and his colleagues in Birmingham continues to resonate when applied to America’s racialized policing. Further essays focus on Hall’s contributions to contemporary political debate as well as questions of race, ethnicity, identity, migrancy and diaspora. Others discuss Hall’s continuing involvement in issues of representation and aesthetics in the visual arts, particularly photography and film.
With contributions from Britain, Europe, East Asia, and North and Latin America, Stuart Hall: Conversations, Projects and Legacies provides a comprehensive look at how, under Hall’s intellectual leadership, British cultural studies transformed itself from a form of ‘local’ knowledge to the international field of study we know today.”
Contributors: John Akomfrah, Avtar Brah, Charlotte Brunsdon, Iain Chambers, Kuan-Hsing Chen, John Clarke, James Curran, Angela Davis, David Edgar, Lawrence Grossberg, Catherine Hall, Dick Hebdige, Tony Jefferson, Robert Lumley, Mahasiddhi (Roy Peters), Doreen Massey, Angela McRobbie, Caspar Melville, Frank Mort, Michael Rustin, Bill Schwarz, Mark Sealy, Liv Sovik, Lola Young.
Edited by Julian Henriques and David Morley with Vana Goblot
Publisher Goldsmiths Press, London, 2017
ISBN 9781906897475, 1906897476
Chris Robé: Breaking the Spell: A History of Anarchist Filmmakers, Videotape Guerrillas, and Digital Ninjas (2017)
Filed under book | Tags: · activism, aesthetics, aids, anarchism, autonomy, direct action, ecology, film, indigenous peoples, labour, marxism, media activism, neoliberalism, politics, protest, punk, social movements, strike, third cinema, video, video activism, video art
“Breaking the Spell offers the first full-length study that charts the historical trajectory of anarchist-inflected video activism from the late 1960s to the present. Two predominant trends emerge from this social movement-based video activism: 1) anarchist-inflected processes increasingly structure its production, distribution, and exhibition practices; and 2) video does not simply represent collective actions and events, but also serves as a form of activist practice in and of itself from the moment of recording to its later distribution and exhibition. Video plays an increasingly important role among activists in the growing global resistance against neoliberal capitalism. As various radical theorists have pointed out, subjectivity itself becomes a key terrain of struggle as capitalism increasingly structures and mines it through social media sites, cell phone technology, and new “flexible” work and living patterns. As a result, alternative media production becomes a central location where new collective forms of subjectivity can be created to challenge aspects of neoliberalism.
Chris Robé’s book fills in historical gaps by bringing to light unexplored video activist groups like the Cascadia Forest Defenders, eco-video activists from Eugene, Oregon; Mobile Voices, Latino day laborers harnessing cell phone technology to combat racism and police harassment in Los Angeles; and Outta Your Backpack Media, indigenous youth from the Southwest who use video to celebrate their culture and fight against marginalization. This groundbreaking study also deepens our understanding of more well-researched movements like AIDS video activism, Paper Tiger Television, and Indymedia by situating them within a longer history and wider context of radical video activism.”
Publisher PM Press, Oakland, CA, 2017
ISBN 9781629632339, 1629632333
Interview with author: The New Architects (video, 2017, 43 min).
Reviews: Beth Geglia (Interface, 2017), Franklin Lopez (Fifth Estate, 2017), Patricia R. Zimmerman (Jump Cut, 2018), Allan Atliff (Anarchist Studies, 2017).