bell hooks: Art on My Mind: Visual Politics (1995)

27 October 2019, dusan

“In her first book about art and the “politics of the visual,” hooks, a writer known for her clarifying views on feminism and black women, addresses the deplorable absence of discourse on black artists, especially by black critics. Why, she asks, has art played a minimal role in the lives of most African Americans? With a firm grasp of the racial and cultural climate in which black aesthetics must grow, hooks offers some astute answers to that question and holds out hope for change. She then hones her aesthetic in her adept interpretations of the work and impact of black artists, including Romare Bearden, Jean-Michel Basquiat, Alison Saar, Felix Gonzalez-Torres, Carrie Mae Weems, Lorna Simpson, and Margo Humphreys. Hooks also discusses portrayals of black women and men in art and, in an essay on photography, how the ‘struggle over images’ became part of the black liberation movement. Art matters, hooks assures us; it helps us forge our identities while forcing society to evolve from being exclusive to inclusive. As erudite and sophisticated as hooks is, she is also eminently readable, even exhilarating.” (Donna Seaman)

Publisher The New Press, New York, 1995
ISBN 1565842634, 9781565842632
xvi+224 pages
via Arch

Reviews: Okwui Enwezor (Nka: Journal of Contemporary African Art, 1996), Phoebe Farris (Art Journal, 1996), Publishers Weekly (1995), Kirkus Review (1995).

Author
Publisher
WorldCat

PDF (18 MB, updated on 2019-11-5)

Franz Roh, Jan Tschichold (eds.), Foto-Auge: 76 Fotos der Zeit / Œil et photo: 76 photographies de notre temps / Photo-Eye: 76 Photos of the Period (1929) [DE/FR/EN]

9 July 2019, dusan

“Two books were published to accompany the 1929 Film und Foto exhibition in Stuttgart organised by the Deutscher Werkbund: Foto-Auge, edited by Franz Roh and Jan Tschichold, and Es kommt der neue Fotograf!, edited by Werner Gräff. With its cover of El Lissitzky‘s now famous Self Portrait of the artist as a hand in service to the eye celebrating the monocular medium (photography), Foto-Auge served both as an catalogue of the work exhibited as well as a visual polemic detailing László Moholy-Nagy‘s New Vision. Featuring work from the world’s leading modernist photographers, as well as anonymous news and bureau photos, Roh’s and Tschichold’s editing and sequencing energetically riff on the Bauhausian notion of enlightened objectivity.”

With photographs by Piet Zwart, John Heartfield, El Lissitzky, Eugène Atget, Andreas Feininger, Max Ernst, Herbert Bayer, Willi Baumeister, George Grosz, Gutschow, Florence Henri, Hannah Höch, Hans Leistikow, Max Burchartz, László Moholy-Nagy, Walter Peterhans, Man Ray, Albert Renger-Patzsch, Geert Paul, Hendrikus Schuitema, Maurice Tabard, Karel Teige, Grete Vester, Dsiga Wertoff, Edward Weston, Umbo, a.o. Introduction by Franz Roh (“Mechanismus und Ausdruck. Wesen und Wert der Fotographie”).

Publisher Akademischer Verlag Dr. Fritz Wedekind, Stuttgart, 1929
Designer Jan Tschichold
Printer Heinrich Fink
18+[76] pages, 30 x 21 cm
via Thebaus

Commentary: Inka Graeve Ingelmann (MoMA, 2014), Object:Photo exhibition (MoMA, 2014), Felix (Wiedler.ch, n.d.).

WorldCat

PDF (166 MB)

A Journey Through London Subculture: 1980s to Now (2013)

5 July 2019, dusan

A Journey Through London Subculture: 1980s to Now illustrates a perceived thread of creativity between the post-punk era and the present day.

Gilbert & George, John Maybury, House of Beauty & Culture, Tom Dixon, Jeffrey Hinton, Bodymap, St John, Alexander McQueen, Martino Gamper, Julie Verhoeven, Giles Deacon, Charlie Porter, Chisenhale Gallery, Lucky PDF, Vogue Fabrics Nightclub, Sibling, J W Anderson, Bethan Laura Wood, Matthew Darbyshire and Louise Gray are amongst the 60 figures from London’s scene involved in the project.”

Publisher Institute of Contemporary Arts, London, 2013
76 pages

Exhibition
Video preview of exhibition

PDF, PDF