Filed under book | Tags: · africa, african american culture, black people, blackness, ethnomusicology, gender, hip hop, identity, immigration, music, race, rap, soviet union, uganda, ukraine
“In Hip Hop Ukraine, we enter a world of urban music and dance competitions, hip hop parties, and recording studio culture to explore unique sites of interracial encounters among African students, African immigrants, and local populations in eastern Ukraine. Adriana N. Helbig combines ethnographic research with music, media, and policy analysis to examine how localized forms of hip hop create social and political spaces where an interracial youth culture can speak to issues of human rights and racial equality. She maps the complex trajectories of musical influence—African, Soviet, American—to show how hip hop has become a site of social protest in post-socialist society and a vehicle for social change.”
Publisher Indiana University Press, Bloomington, IN, 2014
ISBN 9780253012043, 025301204X
Interview with author: Amanda Jeanne Swain (New Books Network, 2014, podcast).
Reviews: Kevin C. Holt (Current Musicology, 2014), Michael C. Thornton (Slavonic and East European Review, 2015), Mark Alan Rhodes II (Social & Cultural Geography, 2015), Anna Oldfield (Popular Music and Society, 2015), Tony Mitchell (Slavic Review, 2016), Kendra Salois (Ethnomusicology, 2017).
Filed under journal | Tags: · activism, art, black people, critique, politics, protest, publishing, sound
“MARCH embraces publishing as an act of protest to address the critical social and political issues of our time. MARCH emerges at a moment of deepening institutional crisis and is intent on advancing new forms of publication, critique, and public action. We are a partisan publication: we initiate, articulate, advance, and defend prefigurative ideas about what art is, could and should be. We believe in the latent potential critique carries to transform our art worlds, our institutions, our means of expression and experimentation, and ourselves. We are con-temporary, with and in our time—an archive of the present and proposition towards the future—where our ideas, actions and form embodies this insurrection.
MARCH features an annual print edition alongside an active online platform commissioning essays, interviews, and experimental critical writing with a global perspective. ”
Edited by Sarrita Hunn, James McAnally, et al.
Interview with editors: Mela Dávila Freire (A*Desk, 2021, EN/ES/CA).
Issue 1 (2020-2021)
Issue 2: Black Ecologies (ed. Imani Jacqueline Brown, 2021-2022)
Publishing as Protocol (eds. with Constant and Vessel, 2021-2022)
Conversations on Sound and Power (ed. Sonic Insurgency Research Group, 2021-2022)
Filed under journal | Tags: · aesthetics, art, black people, body, colonialism, gender, queer, transgender, women
“Those who make it possible to really live as a trans woman are rarely those who are our representatives to the other, and still less those who appoint themselves among us as the police of our supposed collective identity. Those who make it possible are artists. Not fine artists necessarily, nor writers of “fine writing.” They might work in minor, vernacular forms. They might just be artists of trans life itself. They might be undetectable outside of our little covens of care. They make up stories or images or gestures that elude the limits of what they, and we, were handed. Making it up as they go.”
Contributors: Isabel Sandoval, Jules Gill-Peterson, Rosza Daniel Lang/Levitsky, Bishakh Som, Sultana Isham, Tamarra and Riksa Afiaty, Kira Xonorika, Maxi Wallenhorst, Eva Hayward, McKenzie Wark, Emily Alison Zhou, Comrade Josephine (embodied by Luce deLire).
Edited by McKenzie Wark
Publisher e-flux, New York, April 2021