Anna Schäffler, Friederike Schäfer, Nanne Buurman (eds.): Networks of Care: Politiken des (Er)haltens und (Ent)sorgens / Politics of Preserving and Discarding (2022) [DE/EN]

16 May 2022, dusan

“In 2021, Networks of Care offered a platform at the nGbK enabling an exchange of ideas and information between practitioners and experts concerning strategies for dealing with artistic estates, private and public archives, or idle documentation volumes. The present contributions reflect—in their theoretical analyses and also partly fleeting or historical thoughts, notes, and reflections and through their polyphony and contradictoriness—the fact that practices of preserving and discarding are always also political and must be understood principally as unfinished processes of continuous selecting, deciding, translating, transferring, actualizing, and transforming. The publication concludes with a preliminary interim result and a proposal for next steps regarding these structural and cultural-political challenges.”

With contributions by Dušan Barok, Nanne Buurman, Amalia Calderòn, Mela Dávila Freire, Annet Dekker, Lukas Fuchsgruber, Michael Hiltbrunner, Megan Hoetger, Bettina Knaup, Christin Lahr, Anne Luther, Katalin Krasznahorkei, Laurence Rassel, Peter Rehberg, Elske Rosenfeld, Friederike Schäfer, Anna Schäffler, Olga Schubert, Cornelia Sollfrank, Ingrid Wagner, and Mark Waugh.

Publisher neue Gesellschaft für bildende Kunst (nGbK), Berlin, May 2022
ISBN 9783938515952
178 pages

Project archive
Book launch
Publisher

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Janneke Adema: Living Books: Experiments in the Posthumanities (2021)

6 December 2021, dusan

“Reimagining the scholarly book as living and collaborative—not as commodified and essentialized, but in all its dynamic materiality.

In this book, Janneke Adema proposes that we reimagine the scholarly book as a living and collaborative project—not as linear, bound, and fixed, but as fluid, remixed, and liquid, a space for experimentation. She presents a series of cutting-edge experiments in arts and humanities book publishing, showcasing the radical new forms that book-based scholarly work might take in the digital age. Adema’s proposed alternative futures for the scholarly book go beyond such print-based assumptions as fixity, stability, the single author, originality, and copyright, reaching instead for a dynamic and emergent materiality.

Adema suggests ways to unbind the book, describing experiments in scholarly book publishing with new forms of anonymous collaborative authorship, radical open access publishing, and processual, living, and remixed publications, among other practices. She doesn’t cast digital as the solution and print as the problem; the problem in scholarly publishing, she argues, is not print itself, but the way print has been commodified and essentialized. Adema explores alternative, more ethical models of authorship; constructs an alternative genealogy of openness; and examines opportunities for intervention in current cultures of knowledge production. Finally, asking why it is that we cut and bind our research together at all, she examines two book publishing projects that experiment with remix and reuse and try to rethink and reperform the book-apparatus by taking responsibility for the cuts they make.”

Publisher MIT Press, August 2021
Leonardo series
Creative Commons BY-NC 4.0 International License
ISBN 9780262046022, 0262046024
xiii+335 pages

Interview with author: Erzsébet Tóth-Czifra (Dariah Open, 2021).

Publisher
WorldCat

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Emese Kürti, Zsuzsa László (eds.): What Will Be Already Exists: Temporalities of Cold War Archives in East-Central Europe and Beyond (2021)

2 November 2021, dusan

“How do artist archives survive and stay authentic in radically changed contexts? The volume addresses the challenge of continuity, sustainability, and institutionalization of archives established by Eastern European artists. At its center stands the 40th anniversary of the Artpool Art Research Center founded in 1979 in Budapest as an underground institution based on György Galántai’s »Active Archive« concept. Ten internationally renowned scholars propose contemporary interpretations of this concept and frame artist archives not as mere sources of art history but as models of self-historicization. The contributions give knowledgeable insights into the transition of Cold War art networks and institutional landscapes.”

Publisher transcript, Bielefeld, September 2021
Creative Commons Attribution 4.0 license
ISBN 9783837658231, 3837658236
196 pages

Publisher
WorldCat

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