Vasulka Kitchen Cooking Reader (2020) [Czech]

28 October 2020, dusan

“This collection of texts is being published either relatively early, or perhaps a bit late: about one year after the colloquium Art Works from the Digital Era in Galleries and Museums. Since then, unexpected events have altered our course, reframing our thinking about the overlap between art, time, entropy, duration and disappearance, and perhaps adding a greater sense of urgency than it had one year ago.

The colloquium was organized to celebrate the the first anniversary of the opening of the Vašulka Kitchen Brno: Center for New Media. The organizers discussed topics with colleagues from the Brno House of Arts and the National Film Archive in Prague, hoping to promote thinking about the state and fate of art works of an “unstable“ nature, especially within the context of Czech collections, galleries, and museums. The objective was to establish contact, and to potentially cooperate with similar initiatives in Central Europe. During the two‑day meeting, the contributions mostly touched on the orientation of artistic and expert initiatives and institutions which were already focused on this issue, or were planning to turn their attention to it. In addition to contributions from Czechia, Vasulka Kitchen also welcomed contributors from the Netherlands, Germany, France, Norway, Slovakia, Hungary, Poland and the United States, who shared their experiences of and opinions on the topic.

This publication is dedicated to the memory of Woody Bohuslav Vašulka.”

With English introduction and abstracts.

With contributions by Flóra Barkóczi, Dušan Barok, Martin Blažíček, Vannevar Bush, Lenka Dolanová, Kateřina Drajsajtlová, Jakub Frank, Joey Heinen, Jana Horáková, Erkki Huhtamo, Vít Janeček, Michal Klodner, Barbora Kundračíková, Štěpán Miklánek, Gustav Metzger, Anna Olszewska, Kryštof Pešek, Miklós Peternák, Pavel Sikora, Matěj Strnad, Barbora Šedivá, Miloš Vojtěchovský, Peter Weibel, Gaby Wijers, and Gene Youngblood.

Edited and with an Introduction by Miloš Vojtěchovský
Publisher Vašulka Kitchen Brno, Brno, October 2020
Creative Commons BY-NC-SA 4.0 License
ISBN 9788090776333
253 pages

Colloquium
Publisher

PDF (77 MB, updated on 2020-11-28)

Martina Griesser-Stermscheg, Nora Sternfeld, Luisa Ziaja (eds.): Sich mit Sammlungen anlegen. Gemeinsame Dinge und alternative Archive (2020) [German]

16 October 2020, dusan

“Wie lässt sich die Idee der Commons im Kontext von Museen, Archiven und Sammlungen denken? In welchem Spannungsverhältnis stehen alternative Sammlungsstrategien und die Reproduktion eines etablierten Kanons? Welche Rolle spielen künstlerische Praxen für die Demokratisierung und Zugänglichmachung von Sammlungen?

Gegen den Trend einer zunehmenden Ökonomisierung und Kanonisierung des Sammelns gibt es immer lautere Stimmen, die Leerstellen in Sammlungen kritisieren und Diskussionen über neue diverse Sammlungsstrategien befeuern. Versteht man die Schaffung von Commons auch als eine soziale Praxis für die Formulierung alternativer Formen der Wissensproduktion und des Wissensaustauschs, so eröffnen sich für öffentliche Museen, Sammlungen und Archive herausfordernde Fragestellungen hinsichtlich Zugänglichkeit, Eigentum und Öffentlichkeit. Ausgehend von dem kürzlich erschienenen Band Sich mit Sammlungen anlegen. Gemeinsame Dinge und alternative Archive entwickeln die Beitragenden neue Perspektiven auf die Verknüpfung etablierter institutioneller Infrastrukturen und alternative Methoden des Sammelns.

Mit Antonia Alampi, Stefan Aue, Filipa César, Knut Ebeling, Martina Griesser-Stermscheg, Belinda Kazeem-Kamiński, Vera Lauf, Cornelia Sollfrank, Nora Sternfeld, Luisa Ziaja, Franciska Zólyom u. a.”

Publisher De Gruyter, Berlin, 2020
Angewandte series
ISBN 9783110700442, 3110700441
300 pages

Book launch (with video discussion)
Project
Editors
Publisher
WorldCat

PDF (27 MB)

Open Scores: How to Program the Commons (2020)

11 June 2020, dusan

“The exhibition OPEN SCORES brought together a series of practices through which artists articulate their specific forms of digital commons. From online archives, to digital tools/infrastructure and educational formats, the projects envision a (post-)digital culture in which notions of collaboration, free access to knowledge, sustainable use of shared resources and data privacy are central. For the exhibition, each of the projects created a unique score to present their practice.”

Participants: Dušan Barok (monoskop.org), Marcell Mars & Tomislav Medak (memoryoftheworld.org), Sebastian Lütgert & Jan Gerber (0xdb.org), Kenneth Goldsmith (ubu.com), Sean Dockray (AAAAARG), Zeljko Blace (#QUEERingNETWORKing), Ruth Catlow & Marc Garrett (furtherfield.org), Laurence Rassel (erg.be), Marek Tuszynski (Tactical Tech), Michael Murtaugh, Femke Snelting & Peter Westenberg (Constant), Stefanie Wuschitz (Mz* Baltazar’s Lab), Panayotis Antoniadis (nethood.org), Alessandro Ludovico (neural.it), Eva Weinmayr (andpublishing.org), spideralex, Sakrowski (curatingyoutube.net), Creating Commons.

Curated by Creating Commons (Shusha Niederberger, Cornelia Sollfrank, Felix Stalder).

Publisher Creating Commons, Jun 2020
Creative Commons BY-SA 4.0 International License
[40] pages

Project website
Exhibition
Publisher

PDF (40 MB)