NSK State Pavilion: 57th Venice Biennale (2017)

7 November 2017, dusan

“NSK State in Time was founded by artist collective Neue Slowenische Kunst (NSK) in 1992. It was conceived as a utopian formation, which would have no physical territory and would not be identified with any existing nation state. Along with organising temporary embassies and consulates in cities such as Moscow, Berlin, Florence, Sarajevo and New York, NSK State in Time began issuing passports in 1993. There are currently about 15,000 NSK Passport holders around the world, with well known citizens including including Marina Abramović, John Baldessari, Boris Groys, Hans Ulrich Obrist and Slavoj Žižek.

The NSK State Pavilion provided an added and new dimension to NSK State in Time, built upon a collaboration with migrant communities, humanitarian protection applicants, and stateless individuals who are looking for new citizenship. At the Venice Biennale, the project aimed to rethink what a contemporary state can be, offering an open form of citizenship which contrasts with that generated by spatially-defined states.”

With contributions by Zdenka Badovinovac and Charles Esche, Eda Čufer, Claudio Donadel, Róza El-Hassan, Jela Krečič, and Slavoj Žižek.

Edited by Mara Ambrožič
Publisher Irwin, 2017
16 pages

Project website


A Peer-Reviewed Newspaper, 2(1): Researching BWPWAP (2013)

11 February 2013, dusan

“In referring to the cancellation of Pluto’s planetary status in 2006, BWPWAP (Back When Pluto Was a Planet) – the 2013 edition of the transmediale festival – interrogates techno-cultural processes of displacement and invention, and asks for artistic and speculative responses to new cultural imaginaries. In light of this, the conference and workshop Researching BWPWAP took place in November 2012 in Lüneburg, Germany, organised jointly by Leuphana University of Lüneburg, Aarhus University and the reSource transmedial culture/transmediale. The call for participation focused on Ph.D. researchers and other participants to speculate on BWPWAP as a pretext for presenting their research and even to further reflect on its circulation as a meme.

This newspaper presents some outcomes of this process, and like the conference and workshop, can be interpreted in the context of a research culture that has been significantly destabilized by network culture and digital media. If the planet Pluto didn’t exactly fall prey to an epistemological break or a scientific revolution, but rather to a mundane administrative procedure – a redefinition of what constitutes a planet – then what does this say about contemporary research culture? Certainly, much research culture has shared Pluto’s fate: conferences reduced to networking events to foster cultural capital, and scholarly communications reduced to impact factors measured by grant givers. In other words, research is not just about measuring the performativity of a single researcher (the peer-reviewed journal system), but also the processes of questioning, investigating, speculating, and sharing between peers in a broader sense.” (from the Editorial)

Peer-reviewed newspaper, Volume 2, Issue 1, February 2013
Edited by Christian Ulrik Andersen and Geoff Cox
Publisher Digital Aesthetics Research Center, Aarhus University, in collaboration with reSource transmedial culture Berlin/transmediale
Creative Commons Attribution-NonCommercial-ShareAlike license
ISBN 8791810256
ISSN 2245-7593

Project page

PDF, PDF (updated on 2018-9-20)

Christian Ulrik Andersen, Geoff Cox, Jacob Lund (eds.): Nyhedsavisen: Public Interfaces, No. 1 (2011)

19 May 2012, dusan

Nyhedsavisen: Public Interfaces is a fake newspaper presenting cutting edge research in an accessible free tabloid format. The newspaper is a 100% genuine copy of the famous Danish newspaper Jyllands-Posten.

The increasing demand for publication of academic peer-reviewed journal articles must be met. Unfortunate examples demonstrate that this may lead to plagiarism. This is not a viable solution. Research must be original and academia is not lacking original content. But perhaps researchers need new visions of how to produce research? Perhaps the readers need new ways of consuming research? Why not imagine academic research as something that can be consumed on a daily basis, in the train or at the breakfast table?

On April 1, at 1 pm, Nyhedsavisen: Public Interfaces was handed out to the public at the metro station ‘DR Byen/Universitetet’ in Copenhagen as well as at the central railway station in Aarhus and the State Library. Also, issues were tactically placed in selected free newspaper stands and at University lunchrooms worldwide.

Emerging from the Digital Aesthetics Research Center and the Center for Digital Urban Living (Aarhus University), the aim of Nyhedsavisen: Public Interfaces is to encompass the changing concept of the ’public’. This is the result of an ongoing research in the computer interface.

The starting point for the newspaper is that the computer interface is a cultural paradigm affecting not only our creative production and presentation of the world but also our perception of the world. Its authors recognize that in the past decade, interfaces have been expanding from the graphical user interface of the computer to meet the needs of different new technologies, uses, cultures and contexts: they are more mobile, networked, ubiquitous, and embedded in the environment and architecture, part of regeneration agendas and new aesthetic and cultural practices, etc. Nyhedsavisen: Public Interfaces investigates these new interfaces that affect relations between public and private realms, and generate new forms urban spaces and activities, new forms of exchange and new forms of creative production.

The newspaper is organised into thematic strands (urban, art, capital) and brings together researchers from diverse fields – across aesthetics, cultural theory, architecture, digital design and urban studies – united by the need to understand public interfaces and the paradigmatic changes they pose to these fields.

All articles derive from an initial conference and PhD workshop held in January 2011, at Aarhus University.

Publisher Digital Aesthetics Research Center & Center for Digital Urban Living, Aarhus University, Aarhus, March 2011
ISBN 87-91810-18-3
Creative Commons Attribution-NonCommercial-ShareAlike License
24 pages


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