Tendencije / Tendencies, 2, 4, 5 (1963-73) [SC, FR, DE, IT, EN]

13 September 2017, dusan

Catalogues of the exhibition series New Tendencies held in Gallery of Contemporary Art, Zagreb.

Nove tendencije 2
Texts by Matko Meštrović and Radoslav Putar.
Publisher Galerija suvremene umjetnosti, Zagreb, 1963
[68] pages

Tendencije 4 / Tendencies 4: Zagreb, 1968-1969
Edited by Boris Kelemen and Radoslav Putar
Texts and statements by Radoslav Putar, Almir Mavignier, Matko Meštrović, Enzo Mari, Alessandro Carlini, Bernhard Schneider, Alberto Biasi, Gianni Colombo, Milan Dobeš, Herbert W. Franke, Karl Gerstner, Rolf Glasmeier, Rolf Gravenhorst, Hein Gravenhorst, Dieter Hacker, John Gabriel Harries, Gottfried Jäger, Richard Kriesche, Max H. Mahlmann, Marcello Morandini, Zoran Radović, Bernhard Sandfort, Paolo Scheggi, Klaus Staudt, Josef Hermann Stiegler, Jorrit Tornquist, Gabriele de Vecchi, Herman de Vries.
Publisher Galerija suvremene umjetnosti, Zagreb, 1970
[146] pages

Tendencije 5 / Tendencies 5
Edited by Božo Bek, Boris Kelemen and Marijan Susovski
Texts by Radoslav Putar, Božo Bek, Boris Kelemen, Marijan Susovski, Nena Dimitrijević.
Publisher Galerija suvremene umjetnosti, Zagreb, 1973
[137] pages

Nove tendencije 2 (SC, 1963, 63 MB)
Tendencije 4 / Tendencies 4: Zagreb, 1968-1969 (SC/FR,DE,IT,EN, partial scan, 1970, 17 MB)
Tendencije 5 / Tendencies 5 (SC/EN, 1973, 55 MB)

Michael Kirby (ed.): Happenings: An Illustrated Anthology (1965)

28 July 2017, dusan

The book analyzes happenings as a new form of theatre comparable to collage and “compartmented” theater. Largely composed of statements, scripts, and illustrations of happenings by Allan Kaprow, Red Grooms, Robert Whitman, Jim Dine, and Claes Oldenburg.

Written and edited by Michael Kirby
Publisher E.P. Dutton, New York, 1965
287 pages

Review: Kirkus Rev (n.d.).

WorldCat

PDF (87 MB, no OCR)

Benjamin Patterson: Born in the State of FLUX/us (2012)

28 July 2017, dusan

Benjamin Patterson: Born in the State of FLUX/us is a retrospective of the artist’s career, which now spans nearly fifty years. The exhibition includes both early and recent work by the artist that range from annotated scores and books to painting and sculpture. Video documentation from performances and audio files of Patterson’s music will also be featured. As a founding member of Fluxus, a loose and international collective of artists who infused avant-garde practices of the day with humor and anarchic energy, Patterson helped revolutionize the artistic landscape at the advent of the 1960s and usher in an era of new and experimental music.”

With essays by Bertrand Clavez, Charles Gaines, Jon Hendricks, George E. Lewis, Fred Moten, Benjamin Patterson, and Marcia Reed; and chronology by Meredith Goldsmith.

Edited by Valerie Cassel Oliver
Publisher Contemporary Arts Museum, Houston, 2012.
ISBN 9781933619293, 1933619295
268 pages
via publisher

Publisher
WorldCat

PDF (51 MB, no OCR)
Issuu

Radical Education Collective (eds.): New Public Spaces: Dissensual Political and Artistic Practices in the Post-Yugoslav Context (2009)

27 July 2017, dusan

“This reader draws its inspiration from encounters and conversations with activists, artists, critical thinkers, curators, militant researchers and writers from Belgrade, Helsinki, Istanbul, Ljubljana, London, Pristina and Prizren in April and May 2008 at the social centre ROG and the AKC Metelkova mesto in Ljubljana. Those encounters challenged not only the distinction between ‘serious’ discussions and ‘informal’ debates – that instantly reproduce linear time and hierarchical space – but also our mutual ability to listen, talk and share experiences (instead of consume information). Contributions were subsequently elaborated into the reader, which consists of two parts. In the first part, engaged collectives reflect on the organisation of different political issues: from anti-capitalist and student struggles, to immigrant workers and the re-appropriation of public spaces in the region. The second part focuses on specific art collectives from Kosovo and Ljubljana, which are occupied with the question of space: why was space so important when rethinking the relation between art and politics, and also what can one do with the space? Here, a set of political practices enabled art collective to undermine the presupposed liberal border between public and private. The reader concludes with a presentation of some art projects that intervened and articulated spatial and visual transformations in the post-Yugoslav context.”

Edited and compiled by Gal Kirn, Gašper Kralj, and Bojana Piškur
Publisher Jan van Eyck Academie, Maastricht, and Modern Galerija, Ljubljana, 2009
ISBN 9789072076878, 9072076877
194 pages

Publisher
WorldCat

PDF (4 MB)
PDFs

MediaImpact / MediaUdar (2012) [English/Russian]

22 July 2017, dusan

Catalogue of the international festival of activist art МедиаУдар (MediaImpact), held in autumn 2011 in Moscow. Includes descriptions of 68 recent works; texts by Tatiana Volkova, Arseny Sergeev, Oksana Sarkisyan, Anton Nikolayev, Pablo Hermann, Kostis Stafylakis, Oleg Genisaretskiy, and Peter Weibel; and interviews with Mike Bonnano, Nina Felshin, and Andrew Boyd.

Editing: Tatiana Volkova
Coordination: Joulia Strauss
Publisher MediaImpact, Moscow, with ZKM, Karlsruhe, 2012
ISBN 9785990375512
359 pages
via publisher

Publisher

PDF (12 MB)
Issuu

See also two subsequent Russian-language anthologies of texts, MediaUdar: aktivistskoe iskusstvo segodnya (2014, 6 MB) and MediaUdar: aktivistskoe iskusstvo segodnya II (2016, 51 MB).

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