Anna Schäffler, Friederike Schäfer, Nanne Buurman (eds.): Networks of Care: Politiken des (Er)haltens und (Ent)sorgens / Politics of Preserving and Discarding (2022) [DE/EN]

16 May 2022, dusan

“In 2021, Networks of Care offered a platform at the nGbK enabling an exchange of ideas and information between practitioners and experts concerning strategies for dealing with artistic estates, private and public archives, or idle documentation volumes. The present contributions reflect—in their theoretical analyses and also partly fleeting or historical thoughts, notes, and reflections and through their polyphony and contradictoriness—the fact that practices of preserving and discarding are always also political and must be understood principally as unfinished processes of continuous selecting, deciding, translating, transferring, actualizing, and transforming. The publication concludes with a preliminary interim result and a proposal for next steps regarding these structural and cultural-political challenges.”

With contributions by Dušan Barok, Nanne Buurman, Amalia Calderòn, Mela Dávila Freire, Annet Dekker, Lukas Fuchsgruber, Michael Hiltbrunner, Megan Hoetger, Bettina Knaup, Christin Lahr, Anne Luther, Katalin Krasznahorkei, Laurence Rassel, Peter Rehberg, Elske Rosenfeld, Friederike Schäfer, Anna Schäffler, Olga Schubert, Cornelia Sollfrank, Ingrid Wagner, and Mark Waugh.

Publisher neue Gesellschaft für bildende Kunst (nGbK), Berlin, May 2022
ISBN 9783938515952
178 pages

Project archive
Book launch
Publisher

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MARCH, journal of art and strategy (2020–)

13 May 2022, dusan

“MARCH embraces publishing as an act of protest to address the critical social and political issues of our time. MARCH emerges at a moment of deepening institutional crisis and is intent on advancing new forms of publication, critique, and public action. We are a partisan publication: we initiate, articulate, advance, and defend prefigurative ideas about what art is, could and should be. We believe in the latent potential critique carries to transform our art worlds, our institutions, our means of expression and experimentation, and ourselves. We are con-temporary, with and in our time—an archive of the present and proposition towards the future—where our ideas, actions and form embodies this insurrection.

MARCH features an annual print edition alongside an active online platform commissioning essays, interviews, and experimental critical writing with a global perspective. ”

Edited by Sarrita Hunn, James McAnally, et al.

Interview with editors: Mela Dávila Freire (A*Desk, 2021, EN/ES/CA).

Issues, features:
Dispatches (2020)
Issue 1 (2020-2021)
Issue 2: Black Ecologies (ed. Imani Jacqueline Brown, 2021-2022)
Publishing as Protocol (eds. with Constant and Vessel, 2021-2022)
Conversations on Sound and Power (ed. Sonic Insurgency Research Group, 2021-2022)

Tilman Baumgärtel, Julian Weinert: Van Gogh TV’s Piazza Virtuale: The Invention of Social Media at documenta IX in 1992 (2021)

11 December 2021, dusan

Piazza virtuale by the group of artists known as Van Gogh TV was not only the biggest art project ever to appear on television, but from a contemporary point of view the project was also a forerunner of today’s social media. The ground-breaking event that took place during the 100 days of documenta IX in 1992 was an early experiment with entirely user-created content. This is the first book-length study of this largely forgotten experiment: it documents the radicality of Piazza virtuale‘s approach, the novel programme ideas and the technical innovations. It also allows, via QR codes, direct access to videos from the show, which until now have been inaccessible.”

Publisher transcript, Bielefeld, December 2021
Media Studies series, 96
Creative Commons BY-NC-SA 4.0 license
ISBN 3837660664, 9783837660661
231 pages

Research project website
Publisher
WorldCat

PDF, PDF