Filed under book | Tags: · art, art history, collective art, ex-yugoslavia, organization, self-organization, yugoslavia
“The publication Fragments for Studies on Art Organisation is part of the project Art Organisation which has been conceived as an introduction to the research of the ways of (self) organisation, group action and working conditions (collective production and collective generation) of ‘non-institutional’ artistic practices in the Yugoslav and post-Yugoslav space. Our interest in art organisation goes beyond artistic frameworks. What we are really interested in is how to act collectively in society today.
During 2017, our work on the project began with interviewing participants and protagonists of the Contemporary Art Scene in Yugoslavia. This work continued in 2018 and 2019, when the respondents were theoreticians and art historians, as well as artists who realized their practice through group art work.
With texts by Ana Vilenica, Lina Džuverović, Milica Pekić, Stevan Vuković, Andrej Mirčev, Leila Topić, and Ana Peraica.
The book is accompanied by an online archive of interviews and seminars with artists, historians and theoreticians involved in ex-Yugoslav art scenes.
Editorial team: Ana Vilenica, Darija Medić, Stevan Vuković & kuda.org
Publisher kuda.org, Novi Sad, 2021
Filed under book | Tags: · art, installation, media art, sound, sound art
“This artist’s book is the first comprehensive monograph on sound and media artist Paul DeMarinis. DeMarinis has avidly followed the development of communication media, interested in discoveries being made in the realm of physical phenomena and the corresponding objects and devices that have been invented as well as in their cultural and social aspects. His works embody an aesthetic culture of invention permeated by a critical, yet humorous and poetic spirit. Buried in Noise is being published on the occasion of DeMarinis’s artist fellowship at the DAAD artists’ program in Berlin. The publication compiles documentation on Paul DeMarinis’s complete oeuvre since 1973 and the first published compendium of texts by the artist.”
Contributors include Gascia Ouzounian, Fred Turner, Erkki Huhtamo, Douglas Kahn, Bernd Schulz, Siegfried Zielinski, and Thomas Y. Levin.
Edited by Ingrid Beirer, Sabine Himmelsbach, and Carsten Seiffarth
Publisher Kehrer Verlag, Heidelberg/Berlin, 2010
ISBN 9783868281415, 386828141X
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Filed under journal | Tags: · aesthetics, art, black people, body, colonialism, gender, queer, transgender, women
“Those who make it possible to really live as a trans woman are rarely those who are our representatives to the other, and still less those who appoint themselves among us as the police of our supposed collective identity. Those who make it possible are artists. Not fine artists necessarily, nor writers of “fine writing.” They might work in minor, vernacular forms. They might just be artists of trans life itself. They might be undetectable outside of our little covens of care. They make up stories or images or gestures that elude the limits of what they, and we, were handed. Making it up as they go.”
Contributors: Isabel Sandoval, Jules Gill-Peterson, Rosza Daniel Lang/Levitsky, Bishakh Som, Sultana Isham, Tamarra and Riksa Afiaty, Kira Xonorika, Maxi Wallenhorst, Eva Hayward, McKenzie Wark, Emily Alison Zhou, Comrade Josephine (embodied by Luce deLire).
Edited by McKenzie Wark
Publisher e-flux, New York, April 2021