Martin Duberman: Black Mountain College: An Exploration in Community (1972)

28 May 2020, dusan

“With faculty and alumni that included John Cage, Robert Creeley, Merce Cunningham, Buckminster Fuller, Charles Olson, Josef and Anni Albers, Paul Goodman, and Robert Rauschenberg, Black Mountain College ranked among the most important artistic and intellectual communities of the twentieth century. In his groundbreaking history, Martin Duberman uses interviews, anecdotes, and research to depict the relationships that made Black Mountain College what it was. Black Mountain documents the college’s twenty-three-year tenure, from its most brilliant moments of self-reinvention to its lowest moments of petty infighting. It records the financial difficulties that beleaguered the community throughout its existence and the determination it took to keep the college in operation. Duberman creates a nuanced portrait of this community so essential to the development of American arts and counterculture.”

Publisher Dutton, New York, 1972; Anchor Books, Garden City, NY, 1973
ISBN 0385070594. 9780385070591
xix+578+[16] pages

Reviews: Herbert Leibowitz (New York Times, 1972), Kirkus Reviews (1972), George B. Tindall (North Carolina Historical Review, 1973).

Publisher (2009 reprint)
WorldCat

PDF (94 MB)

Ursula Block, Michael Glasmeier (eds.): Broken Music: Artists’ Recordworks (1989) [DE, EN, FR]

26 May 2020, dusan

Broken Music is a compendium for records created by visual artists.

Works chosen for the publication revolved around four criteria: (1) record covers created as original work by visual artists; (2) record or sound-producing objects (multiples/editions/sculptures); (3) books and publications that contain a record or recorded-media object; and (4) records or recorded media that have sound by visual artists.

The book features essays by both editors as well as Theodor W. Adorno, René Block, Jean Dubuffet, Milan Knížák, László Moholy-Nagy, Christiane Seiffert, and Hans Rudolf Zeller. The centerpiece of the publication is a nearly 200-page bibliography of artists’ records.”

Published as a catalogue of an exhibition held at daad galerie Berlin, Gemeentemuseum Den Haag, and Magasin Grenoble.

Publisher Berliner Künstlerprogramm des DAAD, and gelbe Musik Berlin, Berlin, 1989
ISBN 3893570136, 9783893570133
278 pages

Interviews with editor: Alan Licht (BOMB, 2018), Max Oppel (Deutschlandfunk Kultur, 2018, DE).
Reviews: Ágnes Ivacs (Artpool, n.d.), Geeta Dayal (4Columns, 2018), Matt Krefting (The Wire, 2018), Gregory Taylor (Cycling 74, 2018).

Reprint (2019)
WorldCat

PDF (46 MB)

Teresa de Lauretis, Stephen Heath (eds.): The Cinematic Apparatus (1980)

26 May 2020, dusan

Papers and discussions from a conference organised by the Center for Twentieth Century Studies of University of Wisconsin–Milwaukee in February 1978.

Publisher St. Martin’s Press, New York, and Macmillan, London, 1980
ISBN 0312139071, 9780312139070
x+213 pages

Reviews: William C. Wees (Cinema Journal, 1982), Nigel Floyd (Framework, 1981).
Commentary: Thomas Elsaesser (Recherches sémiotiques, 2011).

Conference
Editor
WorldCat

PDF