Processed World, 1-33 + 2.001 + 2.005 (1981-2005)

15 February 2018, dusan

Processed World is an anarchist magazine about the absurdity of modern office work. The magazine was founded in 1981. No new issues have been produced since 2005.

The magazine is about the absurdity and futility of modern employment practices in which a large number of college-educated people are often forced to seek temporary work with no worker benefits. The magazine details the subversive attitudes and sense of humor required for workers to be able to get through the day when forced to perform dull, degrading and boring work as wage slaves doing modern office work such as working as a computer programmer, word processor, call center operator, data entry operator, telemarketer or file clerk.

The print magazine was widely distributed to and read by office workers in Downtown San Francisco during the years the print magazine was published from 1981 to 1992.

Writers that have had work published by the magazine include Chris Carlsson, Fred Rinne, Adam Cornford, John Norton, Jesse Drew, and Donna Kossy. The magazine featured cartoons by artists such as Tom Tomorrow, Jay Kinney, and Paul Mavrides. (Wikipedia)

Publisher Processed World, San Francisco, 35 numbers, 1981-2005
via fcr

Commentary: Jacob Silverman (Baffler, 2014)

HTML
PDF and other formats (Internet Archive)

The Global Encyclopaedia of Informality, 2 vols. (2018)

8 February 2018, dusan

“Alena Ledeneva invites you on a voyage of discovery to explore society’s open secrets, unwritten rules and know-how practices. Broadly defined as ‘ways of getting things done’, these invisible yet powerful informal practices tend to escape articulation in official discourse. They include emotion-driven exchanges of gifts or favours and tributes for services, interest-driven know-how (from informal welfare to informal employment and entrepreneurship), identity-driven practices of solidarity, and power-driven forms of co-optation and control. The paradox, or not, of the invisibility of these informal practices is their ubiquity. Expertly practised by insiders but often hidden from outsiders, informal practices are, as this book shows, deeply rooted all over the world, yet underestimated in policy. Entries from the five continents presented in this volume are samples of the truly global and ever-growing collection, made possible by a remarkable collaboration of over 200 scholars across disciplines and area studies. By mapping the grey zones, blurred boundaries, types of ambivalence and contexts of complexity, this book creates the first Global Map of Informality. The accompanying database (www.in-formality.com) is searchable by region, keyword or type of practice.”

Edited by Alena Ledeneva, with Anna Bailey, Sheelagh Barron, Costanza Curro, and Elizabeth Teague
Fringe series
Publisher UCL Press, London, 2018
Creative Commons BY 4.0 License
ISBN 9781911307907 & 9781787351899
xxix+434 & xxix+538 pages

Publisher, Vol. 2
OAPEN, Vol. 2
WorldCat, Vol. 2

Volume 1: PDF, PDF (10 MB)
Volume 2: PDF (15 MB)
Online resource (wiki)

Ruth Catlow, Marc Garrett, Nathan Jones, Sam Skinner (eds.): Artists Re:thinking the Blockchain (2017)

8 February 2018, dusan

“The blockchain is widely heralded as the new internet – another dimension in an ever-faster, ever-more-powerful interlocking of ideas, actions and values. Principally the blockchain is a ledger distributed across a large array of machines that enables digital ownership and exchange without a central administering body. Within the arts it has profound implications as both a means of organising and distributing material, and as a new subject and medium for artistic exploration. This landmark publication brings together a diverse array of artists and researchers engaged with the blockchain, unpacking, critiquing and marking the arrival of it on the cultural landscape for a broad readership across the arts and humanities.”

Contributors: César Escudero Andaluz, Jaya Klara Brekke, Theodoros Chiotis, Ami Clarke, Simon Denny, The Design Informatics Research Centre (Edinburgh), Max Dovey, Mat Dryhurst, Primavera De Filippi, Peter Gomes, Elias Haase, Juhee Hahm, Max Hampshire, Kimberley ter Heerdt, Holly Herndon, Helen Kaplinsky, Paul Kolling, Elli Kuruş, Nikki Loef, Bjørn Magnhildøen, Rob Myers, Martín Nadal, Rachel O’Dwyer, Edward Picot, Paul Seidler, Hito Steyerl, Surfatial, Lina Theodorou, Pablo Velasco, Ben Vickers, Mark Waugh, Cecilia Wee, and Martin Zeilinger.

Publisher Torque Editions & Furtherfield, London, 2017
ISBN 0993248748, 9780993248740
344 pages
via Torque Editions

Reviews: Régine Debatty (We Make Money Not Art, 2017), Alessandro Ludovico (Neural, 2017).

Publisher
Distributor
WorldCat

PDF, PDF (15 MB)