Izabel Galliera: Socially Engaged Art After Socialism: Art and Civil Society in Central and Eastern Europe (2017)
Filed under book | Tags: · art history, bulgaria, civil society, communism, contemporary art, east-central europe, eastern europe, hungary, participation, politics, romania, southeastern europe
“Reclaiming public life from the ideologies of both communist regimes and neoliberalism, their projects have harnessed the politically subversive potential of social relations based on trust, reciprocity and solidarity. Drawing on archival material and exclusive interviews, in this book Izabel Galliera traces the development of socially engaged art from the early 1990s to the present in Bulgaria, Hungary and Romania. She demonstrates that, in the early 1990s, projects were primarily created for exhibitions organized and funded by the Soros Centers for Contemporary Art. In the early 2000s, prior to Bulgaria, Hungary and Romania entering into the European Union, EU institutions likewise funded socially-conscious public art in the region. Today, socially engaged art is characterised by the proliferation of independent and often self-funded artists’ initiatives in cities such as Sofia, Bucharest and Budapest.
Focusing on the relationships between art, social capital and civil society, Galliera employs sociological and political theories to reveal that, while social capital is generally considered a mechanism of exclusion in the West, in post-socialist contexts it has been leveraged by artists and curators as a vital means of communication and action.”
Publisher I.B. Tauris, London/New York, 2017
ISBN 9781784537135, 1784537136
Review: Denisa Tomkova (ARTMargins, 2018).Comment (0)
Filed under catalogue | Tags: · art, installation art, performance art, sculpture
“In 1985, Ana Mendieta died tragically. During her 36 years of life she produced a tremendous amount of work covering a range of activities that included performance, installation, and sculpture. Her death cut short her prolific career and left the art world and those who knew her void of a feisty, political, and passionate human being.
After Mendieta’s death, her sister and estate executer, Raquel Mendieta Harrington, formed an art advisory committee comprised of Mendieta’s friends to insure that her work would be compiled, catalogued, and exhibited. John Perreault and Petra Barreras del Rio were chosen to curate a retrospective exhibition of important selections representing a full range of work that had never before been presented together. The result was an exhibition held at the New Museum in New York City, November 1987 through January 1988. Ana Mendieta: A Retrospective affirmed the abundance, strength, and significance of Mendieta’s work.”
With essays by Petra Barreras del Rio and John Perrault.
Publisher New Museum of Contemporary Art, New York, 1987
ISBN 0915557614, 9780915557615
Exh. review: Michael Brenson (New York Times, 1987).Comment (0)
Filed under catalogue | Tags: · 1970s, alternative culture, art history, art system, new york
“An examination of the activities and influence of seven ‘alternative spaces’ active in New York City from the late-1960s to mid-1970s, including Gain Ground, Apple, 98 Green Street, 112 Green Street Workshop, 10 Bleecker Street, Idea Warehouse, and 3 Mercer. Most of them received little outside or institutional funding and all reflect the changing definition of “alternative space” over the decade. Preface by Marcia Tucker, with introduction by Jacki Apple, and essay by Mary Delahoyd. Includes Directors’ and artists’ statements. Published on occasion of the exhibition Alternatives in Retrospect: An Historical Overview 1969-1975. ”
Publisher New Museum of Contemporary Art, New York, 1981