Theories of Modern Art: A Source Book by Artists and Critics (1968)

18 July 2017, dusan

“A collection of texts from letters, manifestos, notes and interviews. Sources include, as the title says, artists and critics—some expected, like van Gogh, Gauguin, Apollinaire, Mondrian, Greenberg, just to name a few—and some less so: Trotsky and Hitler, in the section on Art and Politics. The book is a wonderful resource and insight into the way artists think and work.”

Edited by Herschel Browning Chipp
Contributions by Peter Selz and Joshua C. Taylor
Publisher University of California Press, 1968
ISBN 0520014502
xv+664 pages

Reviews: Romare H. Bearden and Carl Holty (Leonardo, 1970), Elizabeth Gilmore Holt (Art Bulletin, 1972).

Publisher
WorldCat

PDF (179 MB, no OCR)

Hugo Ball: Flight Out of Time: A Dada Diary (1927–)

17 July 2017, dusan

Hugo Ball—poet, philosopher, novelist, cabaret performer, journalist, mystic—was a man extremely sensitive to the currents of his time and carried in their wake. In February 1916 he founded the Cabaret Voltaire in Zurich. The sound poems and performance art by Ball and the other artists who gathered there were the beginnings of Dada. Ball’s extraordinary diaries, one of the most significant products of the Dada movement, are here available in English, along with the original Dada manifesto and John Elderfield’s critical introduction, revised and updated for this edition, and a supplementary bibliography of Dada texts.”

First published as Die Flucht aus der Zeit, Duncker & Humblot, Munich, 1927.

Edited and with an Introduction by John Elderfield
Translated by Ann Raimes
Publisher Viking Press, New York, 1974
Documents of Twentieth-Century Art series
New edition, University of California Press, 1996
ISBN 9780520204409
lxiv+274 pages

Review: Kirkus Rev (n.d.).

Publisher
WorldCat

PDF (70 MB, no OCR)

Thurston Moore, Byron Coley: No Wave: Post-Punk, Underground, New York, 1976-1980 (2008)

16 July 2017, dusan

“A visual chronicle of the collision of art and punk in the New York underground of 1976 to 1980. This look at punk rock, new wave, experimental music, and the avant-garde art movement of the 1970s and 1980s focuses on the architects of No Wave from James Chance to Lydia Lunch to Glenn Branca, as well as the luminaries that intersected the scene, such as David Byrne, Debbie Harry, Brian Eno, Iggy Pop, and Richard Hell.

This rarely documented scene was the creative stomping ground of young artists and filmmakers from Jean-Michel Basquiat to Jim Jarmusch as well as the musical genesis for the post-punk explosions of Sonic Youth. Thurston Moore and Byron Coley have selected 150 images and compiled personal interviews to create an oral history of the movement.”

Publisher Abrams Image, New York, 2008
ISBN 9780810995437, 0810995433
143 pages

WorldCat

PDF (65 MB, no OCR)

RoseLee Goldberg: Laurie Anderson (2000)

16 July 2017, dusan

“Laurie Anderson is one of the most acclaimed and innovative performance artists and musicians working today. The entire scope of her career is celebrated in this volume, from her early art works and performances in the 1970s, to her rise to prominence in the 1980s with her single O Superman, her portrait of the United States, and her breakthrough album Strange Angels; to her interactive Web site called The Green Room, a CD-ROM titled Puppet Motel, and her production Songs and Stories from Moby Dick, an electronic opera that is based on Herman Melville’s epic novel and includes new inventions, such as the Talking Stick.

With insightful text and more than 300 illustrations, author RoseLee Goldberg, a leading authority on performance art, explores aspects of Anderson’s work of the past three decades, illuminating Anderson’s creative process; her enduring interests in storytelling and in technology; her collaborations with such avant-garde figures as author William Burroughs, monologist Spalding Gray, and rock star Lou Reed; the social and political contexts that have shaped her art; and the critical and popular response it has received. In addition to surveying Anderson’s work chronologically, Goldberg devotes special sections of the book to Anderson’s inventions and body instruments, such as her Headlight Glasses and Screen Dress; her stage sets; her many violins, including the Tape Bow Violin and the Viophonograph; her scores; and her videos. The lyrics to many of Anderson’s songs are included, as are lengthy excerpts from many of her performances, stories, and other writings.”

Publisher Harry N. Abrams, New York, 2000
ISBN 0810935821
204 pages

Review: Eric P. Nash (NYT Books, 2000).

WorldCat

PDF (46 MB, no OCR)

Sounding Off! Music as Subversion/Resistance/Revolution (1995)

16 July 2017, dusan

Under the rallying cry of ‘Music is our bomb!’, this book collects thirty-eight articles and interviews with all sorts of practitioners of musicopolitical activism.

Edited by Ron Sakolsky and Fred Wei-han Ho
Publisher Autonomedia, Brooklyn, NY, 1995
ISBN 1570270589, 9781570270581
352 pages

WorldCat

PDF (16 MB, updated on 2017-7-19 to OCR version via esco_bar)

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