Cornelia Sollfrank (ed.): Die schönen Kriegerinnen. Technofeministische Praxis im 21. Jahrhundert (2018) [German]

9 September 2018, dusan

Die schönen Kriegerinnen versammelt sieben aktuelle technofeministische Positionen aus Kunst und Aktivismus. Auf höchst unterschiedliche Weise erweitern diese die Denk- und Handlungsansätze des Cyberfeminismus der 1990er Jahre und reagieren damit auf neue Formen von Diskriminierung und Ausbeutung. Geschlechterpolitik wird unter Bezugnahme auf Technologie verhandelt, und Fragen der Technik verbinden sich mit Fragen von Ökologie und Ökonomie. Die unterschiedlichen Positionen um diesen neuen Techno-Öko-Feminismus verstehen ihre Praxis als Einladung, an ihre sozialen und ästhetischen Interventionen anzuknüpfen, dazuzukommen, weiterzumachen, nicht aufzugeben.

Mit Beiträgen von Christina Grammatikopoulou, Isabel de Sena, Femke Snelting, Cornelia Sollfrank, Spideralex, Sophie Toupin, hvale vale, Yvonne Volkart.”

Publisher transversal texts, Vienna, August 2018
ISBN 9783903046160, 3903046167
225 pages

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Florian Cramer: Anti-Media: Ephemera on Speculative Arts (2013)

18 August 2018, dusan

“1. There is art, and there is anti-art.
2. If that is so, there must also be anti-media.
3. ‘Media’ as a term is as fuzzy as ‘art’.
4. Both ‘art’ and ‘media’ refuse to go away.
Anti-media is what remains if one debunks the notion of media but can’t get rid of it.

This book reflects on anti-copyright, porn, creative industries, post-punk, Arts and Crafts and constructivism, cooking as contemporary art, Oulipo, post-digitality, mezangelle, Anonymous and 4chan, Fluxus, amateurism, file sharing networks, pop culture, 17th century poetry, electroacoustic music, Neonazi communication guerilla, Rotterdam, romanticism, electronic literature, Mail Art, ontology, Super 8, Rosicrucianism and conceptual art.”

Publisher nai010 publishers, Rotterdam, and Institute of Network Cultures, Amsterdam, 2013
Studies in Network Cultures series
ISBN 9789462080317, 9462080313
260 pages

Reviews: Regine Debaty (We Make Money Not Art, 2013), Alessandro Ludovico (Neural, 2014).

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Anselm Franke, Tom Holert (eds.): Neolithic Childhood: Art in a False Present, c. 1930 (2018)

12 August 2018, dusan

“Resonating at the heart of Neolithic Childhood. Art in a False Present, c. 1930 is the question whether art has present, past, and future functions. The modernist assertion of the autonomy of art was intended to render superfluous art’s social and religious functions. But what if the functionlessness of art comes under suspicion of being instrumentalized by bourgeois capitalism? This was an accusation that informed the anti-modernist critique of the avant-garde, and particularly of Surrealism. The objective throughout the crisis-ridden present of the 1920s to the 1940s was to reaffirm a once ubiquitous, but long-lost functionality—not only of art.

The publication accompanying the exhibition examines the strategies deployed in this reaffirmation. These include the surrealist Primitivism of an “Ethnology of the White Man” together with the excavation of the deep time of humanity—into the “Neolithic Childhood” mapped out by the notoriously anti-modernist Carl Einstein (1885-1940) as a hallucinatory retro-utopia. The volume brings together essays by the curators and academics involved in the project, primary texts by Carl Einstein and a comprehensive documentation of the exhibition including lists of works, texts on as well as images of numerous exhibits and finally installation views. At the center of the volume, a glossary discusses Carl Einstein’s own theoretical vocabulary as well as further associated terms, such as Autonomy, Formalism, Function, Gesture, Hallucination, Art, Metamorphosis, Primitivisms, Totality.”

With contributions by: Irene Albers, Philipp Albers, Joyce S. Cheng, Rosa Eidelpes, Carl Einstein, Anselm Franke, Charles W. Haxthausen, Tom Holert, Sven Lütticken, Ulrike Müller, Jenny Nachtigall, David Quigley, Cornelius Reiber, Erhard Schüttpelz, Kerstin Stakemeier, Maria Stavrinaki, Elena Vogman, Zairong Xiang, Sebastian Zeidler.

Publisher Diaphanes, Berlin, and Haus der Kulturen der Welt (HKW), Berlin, 2018
ISBN 9783035801064, 3035801061
460 pages

Exhibition and conference
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PDF (removed on 2018-9-12 upon request from publisher, see a preview of the first 32 pages)