Filed under book | Tags: · apparatus, cinema, film, ideology, technology, theory
Papers and discussions from a conference organised by the Center for Twentieth Century Studies of University of Wisconsin–Milwaukee in February 1978.
Publisher St. Martin’s Press, New York, and Macmillan, London, 1980
ISBN 0312139071, 9780312139070
Kim West: The Exhibitionary Complex: Exhibition, Apparatus and Media from Kulturhuset to the Centre Pompidou, 1963-1977 (2017)
Filed under thesis | Tags: · aesthetics, apparatus, art history, exhibition, information, media, museum, networks, theory
This doctoral thesis “studies the new Information Center model of the art museum that was developed by a group of artists, curators, architects, and activists connected to Moderna Museet in Stockholm between the mid-1960s and the mid-1970s. Through close readings of Moderna Museet’s unrealized Kulturhuset project, and a series of related attempts at rethinking the exhibition and the museum in relation to new information technologies, systems, and networks, it traces the origins, the critical implications, and the effects of this model, according to which the museum should function at once as a catalyst for the active forces in society, a vast experimental laboratory, and a broadcasting station.
In this study, the museum is understood as an exhibitionary apparatus, the specific characteristics of which are configured in relation to other apparatuses for display, distribution, and interaction, which together form an exhibitionary complex, caught in a process of gradual integration with the expanding network of cybernetic media. The study asks under what conditions the exhibitionary apparatus might preserve its particular modes of social and aesthetic experience, while acting as a transformative force on and through the new information environments.”
PhD dissertation in Aesthetics, School of Culture and Education, Södertörn University
Publisher Södertörn University, Stockholm, 2017
Review: Anders Kreuger (Kunstkritikk, 2017).Comment (0)
Filed under book | Tags: · algorithm, apparatus, computing, history of computing, machine, mathematics, media archeology, theory
“Unearthing the cumulus of transient technologies that underlie the fabric of contemporary society
As historical processes increasingly become steeped in technology, it becomes more and more necessary for a discipline to emerge that is capable of comprehending these materialities beyond their shelf life to better understand the fields they inundate such as science, art, and warfare. This effort is further compromised by the inherent complexity and complete arbitrariness of technical languages – especially when they are algorithmic – along with the rapid pace in which they become obsolete, unintelligible, or simply forgotten. The Turing Machine plays a central role in the Archaeology of Algorithmic Artefacts, wherein the gradual developments of the individual components encompassed by this complex technology are placed within the context of engineering sciences and the history of inventions. This genealogy also traces the origin of the computer in disciplines such as mathematics, meta-mathematics, combinatorics, cryptology, philosophy, and physics. The investigations reveal that the history of apparatuses that process signs is in no way limited, as one might think, to the second half of the 20th century, rather it is possible that they existed at all times and in all cultures.”
Publisher Univocal Publishing, Minneapolis, 2016
ISBN 9781937561048, 1937561046
Review: Lisa Gitelman (Computational Culture, 2017).
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