Filed under book, sound recording, video | Tags: · avant-garde, composing, composition, interview, music
“Music with Roots in the Aether is a series of interviews with seven composers who seemed to me when I conceived the opera-for-television piece–and who still seem to me twenty-five years later–to be among the most important, influential and active members of the so-called avant-garde movement in American music, a movement that had its origins in the work of and in the stories about composers who started hearing things in a new way at least fifty years ago.” (from the Foreword)
With interviews with and essays about David Behrman, Philip Glass, Alvin Lucier, Gordon Mumma, Pauline Oliveros, Roger Reynolds, Terry Riley and Robert Ashley.
Publisher MusikTexte, Cologne, 2000
ISBN 3980315169, 9783980315166
Filed under video | Tags: · architecture, design
“Produced for the 1972 Museum of Modern Art exhibition, Italy: The New Domestic Lanscape, Supersurface was the first of five films planned by Superstudio as a ‘critical reappraisal of the possibility of life without objects’. Superstudio envisioned a ‘network of energy and information extending to every properly inhabitable area’. According to the artists, this network would bring about the destruction of objects as status symbols, the elimination of the city as an accumulation of formal structures of power, and the end of specialized and repetitive work as an alienating activity. ‘The logical consequence,’ they write, ‘will be a new, revolutionary society in which everyone should find the full development of his possibilities’. Although only two of the films were ever completed, Superstudio published storyboards and texts for the entire project, entitled Five Fundamental Acts: Life, Education, Ceremony, Love and Death. Addressing the first of these five acts, Supersurface presents ‘an alternative model for life on earth’ in which the ‘network of energy and information’ is represented by grids and images of technology superimposed on a collage of natural and inhabited landscapes peopled by families engaged in domestic and leisure activities.”
via Radical Architecture, HT joost rekveld
Filed under video | Tags: · black people, djing, literature, women
“In this work, DJ Lynnée Denise offers a layered audio-visual response to the 1986 Guardian talk with Toni Morrison at the ICA. The visual essay brings together intimate reflections and propositions framed by Morrison’s 1992 novel Jazz. DJ Lynnée Denise explores the Black Atlantic sound, visuals and craft to render the life worlds behind Morrison’s oeuvre visible. Morrison’s writing is expanded into a visual vocabulary in which transatlantic conversations and new connections emerge. A praxis in translation.
Claudia Jones. Eartha Kitt. Fannie Lou Hamer. Lorraine Hansberry. Winnie Mandela. Sarah Vaughn. Lady G. Sister Rosetta Tharpe. Elizabeth Cotton. Augusta Savage. Judy Mowatt.
DJ Lynnée Denise creates what Louis Chude Sokei calls a diasporic “echo chamber” of Black women’s craft animated by the bricolage of drum and bass in which the sonic influences of Black Britain and Black America are an electronic undercurrent. The drum machine mixed with Morrison’s gestures, mannerisms, and reading speak to how Morrison’s is experienced through a multi-sensory engagement.
In Morrison’s interview with A.S. Byatt, she references the important inspiration of paintings in her writing practice and the relationship between musicians and their audience. In this work, a visual remixing of worlds happens in which Black girls jumping rope, everyday live in Harlem, the market space in Brixton are the aesthetics to Morrison’s writing or in her words “the access to the scene”. In DJ Lynnée Denise’s rendering, “the scene” is about Black wayward diasporic women whose craft is read through astrology, the politics of refusal and the secrets of Black social life.”
Publisher Institute of Contemporary Arts, London, March 2020
via ICA’s Five Volumes for Toni Morrison, HT dubravka
Interview with author: Chandra Frank (Journal of Popular Music Studies, 2020).
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