Filed under book | Tags: · aesthetics, media, media studies, media theory, philosophy, technology, theory
“Is it possible to incite a turn towards Media Philosophy, a field that accounts for the autonomy of media, for machine agency and for the new modalities of thought and subjectivity that these enable, rather than dwelling on representations, audiences and extensions of the self?
In the wake of the field-defining work done by Friedrich Kittler, this important collection of essays takes a philosophical approach to the end of the media era in the traditional sense and outlines the implications of a turn that sees media become concepts of the middle, of connection, and of multitude—across diverse disciplines and theoretical perspectives. An expert panel of contributors, working at the cutting edge of media theory, analyze the German thinker’s legacy and the possibilities his thought can unfold for media theory. This book examines the present and future condition of mediation, within the wider context of media studies in a digital age.”
Publisher Rowman & Littlefield International, London, 2015
ISBN 9781783481217, 1783481218
Review: Clare Pettitt (Media History, 2016).Comment (0)
Filed under book | Tags: · computation, digital humanities, history of technology, literary history, literary theory, materiality, media archeology, media theory, technology, word processing, writing
“The story of writing in the digital age is every bit as messy as the ink-stained rags that littered the floor of Gutenberg’s print shop or the hot molten lead of the Linotype machine. During the period of the pivotal growth and widespread adoption of word processing as a writing technology, some authors embraced it as a marvel while others decried it as the death of literature. The product of years of archival research and numerous interviews conducted by the author, Track Changes is the first literary history of word processing.
Matthew Kirschenbaum examines how the interests and ideals of creative authorship came to coexist with the computer revolution. Who were the first adopters? What kind of anxieties did they share? Was word processing perceived as just a better typewriter or something more? How did it change our understanding of writing?
Track Changes balances the stories of individual writers with a consideration of how the seemingly ineffable act of writing is always grounded in particular instruments and media, from quills to keyboards. Along the way, we discover the candidates for the first novel written on a word processor, explore the surprisingly varied reasons why writers of both popular and serious literature adopted the technology, trace the spread of new metaphors and ideas from word processing in fiction and poetry, and consider the fate of literary scholarship and memory in an era when the final remnants of authorship may consist of folders on a hard drive or documents in the cloud.”
Publisher Belknap Press of Harvard University Press, 2016
ISBN 9780674417076, 0674417070
Reviews: Brian Dillon (The Guardian, 2016), Jessica Pressman (ALH Online Reviews, 2016), Eric Banks (Bookforum, 2016), Dylan Hicks (LA Review of Books, 2016), Kirkus Reviews (2016), Francis Russell (Hong Kong Review of Books, 2016), A. Bowdoin Van Riper (PopMatters, 2016), Leann Davis Alspaugh (Hedgehog Review, 2016), Thomas Padilla (American Archivist, 2017), Lai-Tze Fan (Papers of The Bibliographical Society of Canada, 2017), Seth Erickson (Interactions, 2017), David Walden (TUGboat, 2017), Grant Wythoff (Revista Hispánica Moderna, 2018), Elena Spadini (Umanistica Digitale, 2018).Comment (0)
Filed under journal | Tags: · computing, machine, manifesto, media, media theory, theory
For this launch issue of the journal, editorial and advisory board members were invited to set out their own views on the importance of (a new journal of) media theory.
With contributions by W.J.T. Mitchell , Liam Cole Young, Scott McQuire, Terry Flew, Marc Steinberg, Raka Shome, David M. Berry, Ned Rossiter, Johan Soderberg, M. Beatrice Fazi, John W.P. Phillips, Mickey Vallee, Rob Shields, Jane Birkin, Sunil Manghani, Gary Hall, Christoph Raetzsch, and Sean Cubitt.
Edited by Simon Dawes
Published 22 October 2017
Creative Commons BY-NC-ND License