Neda Atanasoski, Kalindi Vora: Surrogate Humanity: Race, Robots, and the Politics of Technological Futures (2019)
Filed under book | Tags: · artificial intelligence, automation, capitalism, colonialism, ethics, feminism, liberalism, machine, military, race, robotics, robots, technology, women
“In Surrogate Humanity Neda Atanasoski and Kalindi Vora trace the ways in which robots, artificial intelligence, and other technologies serve as surrogates for human workers within a labor system entrenched in racial capitalism and patriarchy. Analyzing myriad technologies, from sex robots and military drones to sharing-economy platforms, Atanasoski and Vora show how liberal structures of antiblackness, settler colonialism, and patriarchy are fundamental to human—machine interactions, as well as the very definition of the human. While these new technologies and engineering projects promise a revolutionary new future, they replicate and reinforce racialized and gendered ideas about devalued work, exploitation, dispossession, and capitalist accumulation. Yet, even as engineers design robots to be more perfect versions of the human—more rational killers, more efficient workers, and tireless companions—the potential exists to develop alternative modes of engineering and technological development in ways that refuse the racial and colonial logics that maintain social hierarchies and inequality.”
Publisher Duke University Press, 2019
Perverse Modernities series
ISBN 9781478003861, 1478003863
Filed under catalogue, wiki book | Tags: · algorithm, artificial intelligence, data, literature, machine learning, natural language processing, poetry, text
Data Workers is an exhibition of algoliterary works, of stories told from an ‘algorithmic storyteller point of view’ taking place at the Mundaneum in Mons, Belgium, from 28 March until 29 April 2019
“Companies create artificial intelligence (AI) systems to serve, entertain, record and learn about humans. The work of these machinic entities is usually hidden behind interfaces and patents. In the exhibition, algorithmic storytellers leave their invisible underworld to become interlocutors. The data workers operate in different collectives. Each collective represents a stage in the design process of a machine learning model: there are the Writers, the Cleaners, the Informants, the Readers, the Learners and the Oracles. The boundaries between these collectives are not fixed; they are porous and permeable. At times, Oracles are also Writers. At other times Readers are also Oracles. Robots voice experimental literature, while algorithmic models read data, turn words into numbers, make calculations that define patterns and are able to endlessly process new texts ever after.
The exhibition foregrounds data workers who impact our daily lives, but are either hard to grasp and imagine or removed from the imagination altogether. It connects stories about algorithms in mainstream media to the storytelling that is found in technical manuals and academic papers.”
“All works visible in the exhibition, as well as the contextual stories and some extra text material have been collected in a publication, which exists in French and English.”
Texts: Cristina Cochior, Sarah Garcin, Gijs de Heij, An Mertens, François Zajéga, Louise Dekeuleneer, Florian Van de Weyer, Laetitia Trozzi, Rémi Forte, Guillaume Slizewicz.
Publisher Constant, Brussels, 2019
Free Art License
Filed under video | Tags: · artificial intelligence, lecture-performance, machine learning, video
“Can artificial intelligence be taught to recognize the sound of glass breaking? Hito Steyerl presents her new film The City of Broken Windows and addresses the use of AI in security systems.”
Lecture given as part of “Stop Making Sense”, the Opening Days of The New Alphabet program, HKW, Berlin, 12 January 2019.
Publisher Haus der Kulturen der Welt, Berlin, 2019
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