Filed under journal | Tags: · cloud computing, data, infrastructure, internet, media, storage, technology
“This special issue of Culture Machine brings together scholars from a broad range of disciplines such as anthropology, architecture, media and communication studies, and fine arts, who have engaged with data and cloud infrastructures in their academic or artistic work. Taking data centers as technological apparatus as a starting point, this issue aims to discuss the cloud’s philosophical, political, social, and environmental impacts and maps the diverse sociotechnical assemblages which emerge in the course of cloud infrastructuring processes. How do the infrastructures of the cloud integrate into local political contexts and industrial landscapes? How do the cloud’s technologies relate to the emergence of specific forms of subjectivity, sociality, and urbanity? How can the barely visible and secret industrial spaces of the cloud be made visible and opened up for public engagement? And what does the study of data centers tell us about our current social moment?”
Contributions by Adam Fish and Bradley L. Garrett, Alix Johnson, Anthony M Levenda and Dillon Mahmoudi, Vicki Mayer, Matt Parker, Anne Pasek, A.R.E Taylor, Julia Velkova, Asta Vonderau, Sean RM Willett.
Edited by Mél Hogan and Asta Vonderau
Publisher Open Humanities Press, March 2019
Filed under journal | Tags: · activism, alt-right, art, art criticism, authoritarianism, far right, politics, populism, protest, social movements
This special issue of FIELD: A Journal of Socially-Engaged Art Criticism focusses on “new forms of cultural and artistic activism that have emerged in response to the global rise of right wing populist and authoritarian forms of government. It features over thirty essays by leading artists, activists, historians, critics and curators who share a commitment to freedom of expression, economic equality, environmental justice, individual identity and mobility, and the expansion of democratic processes.”
Edited by Greg Sholette
Publisher Department of Visual Arts, University of California, San Diego, Winter/Spring 2019
Filed under journal | Tags: · art, authorship, curating
“This issue of On Curating brings together a range of interviews and essays, inspired by the symposium, “Why Artists Curate”, held by the Kunstbüro der Kunststiftung Baden-Württemberg in cooperation with Columbus Art Foundation in July 2011. The feedback from this conference prompted a discussion on authorship in contemporary art, from artists, curators and artist-curators.”
With essays by Marc James Léger and Dorothee Richter, and interviews with Artur Zmijewski (Anne Koskiluoma and Anna Krystyna Trzaska), Kristina Lee Podesva (Sophia Ribeiro), Raqs Media Collective (Chloé Nicolet-dit-Félix and Gulru Vardar), Mary Jane Jacob (Monika Molnár and Tanja Trampe), Valerie Smith (Jacqueline Falk and John Canciani), Gavin Wade (Michael Birchall and Nkule Mabaso), Fucking Good Art (Sheena Greene), Ute Meta Bauer and Yvonne P. Doderer (Annemarie Brand and Monika Molnár), Tania Bruguera (Ashraf Osman and Daniela N. Fuentes), and Marion von Osten (Charlotte Barnes).
Edited by Michael Birchall
With a Foreword by Winfried Stürzl
Publisher OnCurating.org, Zurich, June 2013