Media-N, 12(3): Uncovering News: Reporting and Forms of New Media Art (2017)

18 February 2018, dusan

“As the highly contested term “fake news” has become omnipresent in our media sphere and as the hacking of private networks for political gain have dominated the global news cycle, Media-N’s new issue is well positioned to uncover the complex relationship between media art and the multifarious forms of news reportage. We find in this wide-ranging journal issue, new media artists, writers, and theoreticians attempting to reveal, expose, and protest the production, rhetoric, and dissemination of news. Exploiting or subverting the existing network or creating alternative technologies, codes, or platforms, new media artists has probed the hegemonic grip of tradition forms of media production. Employing the raw material of journalism or intervening in the distribution and transmission of news information, artists have effectively critiqued or reimagined the unstable and fluid spaces of the contemporary news sphere. The nature of news information and its relationship to concepts of reality, truth, aesthetics, and the public and private are all at play in this issue.” (from Introduction)

With contributions by Erica Levin, Randall Packer, Kris Paulsen, Erin McElroy, Lisa Moren, Brandon Bauer, Rick Valentin, Francesca Franco, Yasuhito Abe, Vincent Cellucci, Jesse Allison, Derick Ostrenko, and Mina Cheon.

Guest editors: Abigail Susik and Grant Taylor
Publisher New Media Caucus, 2017
Open Access
ISSN 1942-017X

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Computational Culture, 6: Computing the Corporeal / Geographies of Software (2017)

2 February 2018, dusan

This issue of Computational Culture consists of two thematic sections. The section “Computing the Corporeal” is concerned with the critique of “the way in which machine computers affect movement-based creativity, and movement-based thinking.” The section “Geographies of Software” presents “geographical approaches to software studies.”

With thematic texts by John Stell, Stamatia Portanova, Scott delaHunta, Anton Koch (section 1), Will Payne, Warren Sack, and Pip Thornton (section 2), editorial introductions, and review section.

Section “Computing the Corporeal” edited by Nicolas Salazar Sutil and Scott delaHunta
Section “Geographies of Software” edited by Nick Lally and Ryan Burns
Published in November 2017
Open Access
ISSN 2047-2390

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Flusser Studies, 24: Archiving Flusser (2017) [DE, EN]

1 January 2018, dusan

“Archiving the work of an artist or thinker is an activity that strongly defines and structures our view of her/him. Archives allot a specific place for each selected item and at the same time construct possible paths between them. This implies highlighting some areas while hiding others. In this sense, an archive is always also a metaphor for the work of an author. Traditional archives operate with hierarchical structures like the alphabet, which automatically define s a beginning and an end. Information technology, however, has opened a completely new array of possibilities. This issue of Flusser Studies reflects upon these theoretical and epistemological implications by presenting the different ways that Vilém Flusser’s work has been archived over the last 25 years.” (from Introduction)

With contributions by Vilém Flusser on memory, Bernd Wingert on Flusser Hypertext, Vera Schwamborn on MaHiPo, Klaus Sander and Daniel Irrgang on Flusser-Quellen, Claudia Klinger on Die Flusser-Files, Anita Jóri and Alexander Schindler on the Vilém Flusser Archive, Gerardo Santana Trujillo on MagmaMater, Gustavo Bernardo Krause on FlusserBrasil, and Simone Osthoff on her research on the archive.

Edited by Steffi Winkler and Rainer Guldin
Published December 2017
ISSN 1661-5719

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