Kees Tazelaar: On the Threshold of Beauty: Philips and the Origins of Electronic Music in the Netherlands, 1925-1965 (2013–)
Filed under book | Tags: · composition, electroacoustic music, electronic music, music, music history, musique concrète, netherlands, serialism
“The first studio for electronic music in the Netherlands was not a radio studio — as in so many other countries — it was located at the research laboratory of Philips (also known at NatLab). From 1930 it had been part of the electro-acoustic research program which combined technical, economic, sociologic and musical aspects. The first compositions realized in the Philips studio were thus test-cases. Parallel to this research, other departments of Philips, purely focused at marketing, developed plans for the Philips Pavilion at the World Expo of 1958 at Brussels. Philips planned a demonstration for the general public of the possibilities of sound and light, but through the engagement of Le Corbusier, Iannis Xenakis and Edgar Varèse this project took a strong turn towards the avant-garde. The result, now considered a milestone in the history of electronic music, was in many ways more experimental than the music produced at the Philips research laboratory.
The story of electronic music at the Philips research laboratory and the Philips Pavilion are the first two main strands of the book On the Threshold of Beauty, in which Kees Tazelaar for the first time unravels the course of events, and debunks some of the myths around the Philips Pavilion. A third historical strand concerns the needs of composers, who desired to learn how to compose in the new medium. In 1957 Walter Maas and the CEM set up an electronic studio at the Technical University of Delft for this purpose, which fused with the Philips studio in 1960, and afterwards moved to the University of Utrecht. Tazelaar writes about the works realized at this studio (STEM), as well as about the activities of the ground-breaking German composer Gottfried Michael Koenig who comes to the Netherlands in 1961 and in 1964 takes over the direction of STEM.”
Publisher V2_, Rotterdam, 2013
Revised digital edition, 2020
ISBN 9789462080652, 9462080658
Reviews: René van Peer (Eindhovens Dagblad, NL, 2013), Hubert Steins (MusikTexte, 2014, DE), Maarten Brandt (OpusKlassiek, NL, 2014), Aurelio Cianciotta (Neural, 2014), Gregory Taylor (Cycling74, 2015).Comment (1)
Filed under book | Tags: · acoustics, city, ecology, listening, music, noise, sound, urban design, urbanism
“The Acoustic City consists of a series of essays on sound and the city. The book comprises five thematic sections: urban soundscapes with an emphasis on the distinctiveness of the urban acoustic realm; acoustic flânerie and the recording of sonic environments; sound cultures arising from specific associations between music, place, and sound; acoustic ecologies including relationships between architecture, sound, and urban design; and the politics of noise extending to different instances of anxiety or conflict over sound. This essay collection will be of interest to a wide range of disciplines including architecture, cultural studies, geography, musicology, and urban sociology.”
Publisher Jovis, Berlin, 2014
ISBN 3868592717, 9783868592719
Filed under artists publishing, book | Tags: · chance, composing, composition, ecology, mushrooms, music, sound
“John Cage: A Mycological Foray draws readers across the idiosyncratic, mushroom-suffused, innermost landscape of celebrated American composer John Cage. Upon the remarkable journey with Cage, one encounters assorted photographs, compositions, and contemplations; all in the very same unexpected fashion one encounters various flora and fungi species while mushroom foraging.
Volume I encompasses Cage’s mycological-oriented Indeterminacy stories, Diary excerpts, and essays; and the complete transcript of Cage’s 1983 performance, MUSHROOMS et Variationes.”
Volume II offers the inaugural reproduction of Cage’s 1972 portfolio, Mushroom Book, printed in 1972 in the limited run of 75 copies. The book is a study of fifteen different species of mushrooms, and each folio includes Cage’s poetry, sketches, and drawings (placed on the page by chance operations); scientific information about the mushrooms by Alexander H. Smith; and botanical illustrations by Lois Long.
John Cage: A Mycological Foray is developed in collaboration with the John Cage Trust.
With essay by Kingston Trinder and texts by Isabelle Bucklow.
Edited by Ananda Pellerin
Publisher Atelier Éditions, New York, 2020
ISBN 1733622004, 9781733622004
via Alexandra Fanning, HT Georges Vantongerloo
PDF (watermarked file from publisher’s Dropbox, contains both volumes; no longer available as of 2 July 2020)Comments (9)