Christopher Dunn: Brutality Garden: Tropicália and the Emergence of a Brazilian Counterculture (2001)
Filed under book | Tags: · brazil, counterculture, cultural history, music, music criticism, music history, tropicalia
“In the late 1960s, Brazilian artists forged a watershed cultural movement known as Tropicália. Music inspired by that movement is today enjoying considerable attention at home and abroad. Few new listeners, however, make the connection between this music and the circumstances surrounding its creation, the most violent and repressive days of the military regime that governed Brazil from 1964 to 1985. With key manifestations in theater, cinema, visual arts, literature, and especially popular music, Tropicália dynamically articulated the conflicts and aspirations of a generation of young, urban Brazilians.
Focusing on a group of musicians from Bahia, an impoverished state in northeastern Brazil noted for its vibrant Afro-Brazilian culture, Christopher Dunn reveals how artists including Caetano Veloso, Gilberto Gil, Gal Costa, and Tom Zé created this movement together with the musical and poetic vanguards of São Paulo, Brazil’s most modern and industrialized city. He shows how the tropicalists selectively appropriated and parodied cultural practices from Brazil and abroad in order to expose the fissure between their nation’s idealized image as a peaceful tropical “garden” and the daily brutality visited upon its citizens.”
Publisher University of North Carolina Press, Chapel Hill, NC, 2001
ISBN 0807849766, 9780807849767
PDF (82 MB)Comment (0)
Filed under magazine | Tags: · art, art criticism, interview, music, music criticism
The second volume of View magazine consisting of individual pamphlets in a slip-case box each containing an interview by Robin White. The artists interviewed include Joan Jonas, William T. Wiley, Terry Fox, Iain Baxter, Vito Acconci, Howard Fried, and Laurie Anderson.
Publisher Crown Point Press, Oakland, CA, 1979Comment (0)
Filed under book | Tags: · composing, composition, graphic score, music, notation, text
Featuring the works of seven composers, John Cage, Robert Ashley, Yoko Ono, Laurie Anderson, Charles Amirkhanian, Michael Peppe, and K. Atchley, who employ text as an integral part of their compositions, The Guests Go in to Supper is a collection of scores, texts, and interviews with the composers on their ideas on music, daily life, and the future’s possibilities.
Edited and designed by Melody Sumner, Kathleen Burch, and Michael Sumner
Foreword by Frances Butler
Introductions by Charles Shere
Publisher Burning Books, Oakland & San Francisco, 1986
ISBN 0936050055, 9780936050058
Reviews: Mitchel Gass (Leonardo, 1988), (), (), ().Comment (0)