Filed under book | Tags: · acoustics, composition, electroacoustic music, interview, music, music theory, tape music
“The music of the Greek-born composer, Iannis Xenakis, has been called brutal and violent. He first studied as an architect, but then turned to composition and put to musical use his knowledge of higher mathematics. In these conversations conducted between 1980 and 1989 he talks about his life and music.”
Publisher Faber and Faber, London, 1996
ISBN 0571179592, 9780571179596
Review: Mihu Iliescu (Computer Music Journal, 2000).Comment (0)
Filed under book | Tags: · composing, composition, computer music, computing, electroacoustic music, electronic music, music, music criticism, music history, sound, technology
An early anthology focusing on the aesthetics and compositional techniques in computer music.
With essays by Curtis Roads, Charles Dodge, Tod Machover, Jean-Claude Risset, Iannis Xenakis, and an interview with Herbert Brün by Peter Hamlin with Curtis Roads.
Publisher William Kaufmann, Los Altos, CA, 1985
Computer Music and Digital Audio series
ISBN 0865760853, 9780865760851
Review: Jon Appleton (The Musical Quarterly, 1986).
PDF (57 MB)
See also Roads’s Composing Electronic Music: A New Aesthetic (2015).Comment (0)
Filed under book | Tags: · composing, composition, djs, electroacoustic music, electronic music, experimental music, improvised music, listening, minimal music, music, music criticism, music history, music theory, musique concrète, noise, silence, sound
“Audio Culture maps the aural and discursive terrain of vanguard music today. Rather than offering a history of contemporary music, the book traces the genealogy of current musical practices and theoretical concerns, drawing lines of connection between recent musical production and earlier moments of sonic experimentation. It aims to foreground the various rewirings of musical composition and performance that have taken place in the past few decades and to provide a critical and theoretical language for this new audio culture.
Via writings by philosophers, cultural theorists, and composers, Audio Culture explores the interconnections among such forms as minimalism, indeterminacy, musique concrète, free improvisation, experimental music, avant-rock, dub reggae, ambient music, hip hop, and techno. Instead of focusing on the putative “crossover” between “high art” and “popular culture,” Audio Culture takes all of these musics as experimental practices on par with, and linked to, one another.
Audio Culture includes writing by some of the most important musical thinkers of the past half-century, among them John Cage, Brian Eno, Glenn Gould, Umberto Eco, Ornette Coleman, Jacques Attali, Simon Reynolds, Pauline Oliveros, Paul D. Miller, David Toop, John Zorn, Karlheinz Stockhausen, and many others. The book is divided into nine thematically-organized sections, each with its own introduction.”
Publisher Continuum, September 2004
Second, revised edition, Bloomsbury, 2017
ISBN 9781501318351, 1501318357