Filed under book | Tags: · acoustics, city, ecology, listening, music, noise, sound, urban design, urbanism
“The Acoustic City consists of a series of essays on sound and the city. The book comprises five thematic sections: urban soundscapes with an emphasis on the distinctiveness of the urban acoustic realm; acoustic flânerie and the recording of sonic environments; sound cultures arising from specific associations between music, place, and sound; acoustic ecologies including relationships between architecture, sound, and urban design; and the politics of noise extending to different instances of anxiety or conflict over sound. This essay collection will be of interest to a wide range of disciplines including architecture, cultural studies, geography, musicology, and urban sociology.”
Publisher Jovis, Berlin, 2014
ISBN 3868592717, 9783868592719
Filed under book | Tags: · acoustics, architecture, city, noise, sound, sound studies
“Sounds belong to the City. They determine spaces and identities. For years, artists have been using city noises as a material to stage or to question urban space – new territory, however, for most architects and planners within the routines of functional planning procedures. Tuned City – Between Sound and Space Speculation searches for a new evaluation of architectural spaces from the perspective of acoustics. This volume presents various positions of architects, artists and theorists to expand the architectural discourse with the dimension of listening. ”
The English section runs from the page 97-192.
Contributions by Doris Kleilein and Anne Kockelkorn, Barry Blesser and Linda-Ruth Salter, Gisela Herzog and Gerhard Steinke, Susanne Hauser, Thomas Ankersmit, Pascal Amphoux and Grégoire Chelkoff, Raviv Ganchrow, Mark Bain, Arno Brandlhuber and Markus Emde, Michael Bull, Stefan Kölsch, and Jacob Kirkegaard.
Edited by Doris Kleilein, Anne Kockelkorn, Gesine Pagels, and Carsten Stabenow
Publisher Kook Books, Idstein, 2008
Reihe Essay series, 4
ISBN 9783937445366, 3937445366
Filed under journal | Tags: · acoustics, infrastructure, sound, sound art
“The street-level sonic cultures, acoustic ecologies and personal interventions available to us have, during this long 20th Century, become proliferated by speakers, microphones, synthesised and recorded playbacks, beeps, buzzes and alarms. Roving gangs of indignant mobile-phone music-listeners disrupt the public transit experience. iPhones chirp out the sound of something called ‘crickets’, creatures many a listener may very well never encounter. Airlines pass on the extravagant levy of ‘noise charges’ to their customers, a kind of psychic and acoustic bandwidth fee. Microwave ovens, automobiles and authoritative ahuman voices chime out an acoustic ecology that is neither ‘natural’ nor ‘cultural’, neither ‘societal’ nor ‘technological’, but something that is a heterogeneous mixture of all of these sources, causes and categories. These are ‘acoustic infrastructures’, and although human-made, they are naturalised by their ubiquity and always-on-ness, along with our allover, everyday, experience of them.” (from the Introduction)
With contributions by Richard Chartier, Adam Basanta, Jacob Gaboury, Brian House, Yujin Jung, Jan Phillip Müller, Shannon Mattern and Jamie Allen, Julie Beth Napolin and Marina Rosenfeld, Byron Peters, dave phillips, Gail Priest, Morten Søndergaard, Mark Peter Wright, Sean Smith, and Meira Asher.
Edited by Jamie Allen, Lital Khaikin, and Isaac Linder
Publisher continent., 31 August 2016
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