Filed under artists publishing | Tags: · conceptual art
Book collects the artist’s early philosophical writings on concept art (Flynt coined the term in 1961) and cognitive nihilism. Includes photographs by Jack Smith and Tony Conrad of Flynt’s anti-art demonstrations against MoMA and the Lincoln Center in 1963.
Edited by Germano Celant
Publisher Multhipla, Milan, October 1975
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Filed under artists publishing | Tags: · art history, black people, conceptual art, dada, race
“Black Dada Reader is a collection of texts and documents that elucidates “Black Dada,” a term that acclaimed New York–based artist Adam Pendleton (born 1984) uses to define his artistic output. The Reader brings a diverse range of cultural figures into a shared conceptual space, including Hugo Ball, W.E.B. Du Bois, Stokely Carmichael, LeRoi Jones, Sun Ra, Adrian Piper, Joan Retallack, Harryette Mullen, Ron Silliman and Gertrude Stein, as well as artists from different generations such as Ad Reinhardt, Joan Jonas, William Pope.L, Thomas Hirschhorn and Stan Douglas. The Reader also includes essays on the concept of Black Dada and its historical implications from curators and critics including Adrienne Edwards (Walker Arts Center / Performa), Laura Hoptman (MoMA), Tom McDonough (Binghamton), Jenny Schlenzka (PS122) and Susan Thompson (Guggenheim).”
Edited by Stephen Squibb
Publisher Koenig Books, London, 2017
ISBN 9783960981053, 3960981058
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Filed under booklet | Tags: · art history, conceptual art
Philosopher, composer and artist Henry Flynt revisits concept art.
Published on the occasion of the exhibition 7 Homotopies (How One Becomes The Other) held at Grimmuseum Berlin and curated by Francesco Cavaliere & Marcel Türkowsky within their Wisthle, Minotaure! series, 15 July – 14 August 2011.
Edited by Henry Flynt and Catherine Christer Hennix
Publisher Grimmuseum, Berlin, 2011
See also La Monte Young’s An Anthology (1963).Comment (0)