Joan Lyons (ed.): Artists’ Books: A Critical Anthology and Sourcebook, A Special Digested Edition (1985)
Filed under book | Tags: · artists book, book, conceptual art, publishing
“This anthology is the first in-depth look at artists’ bookworks. A series of essays, written by longtime participants in and observers of the field, address the following questions: what are the origins, attributes, and what is the potential of artsists’ books; what are their historical precedents; what issues are they addressing; who is making and publishing them? The essays are supplemented by extensive bibliographies and a list of collections.”
With texts by Richard Kostelanetz, Ulises Carrión, Lucy R. Lippard (2), Shelley Rice, Barbara Moore and John Hendricks, Clive Phillpot, Susi R. Bloch, Betsy Davids and Jim Petrillo, Felipe Ehrenberg, Magali Lara and Javier Cadena, Alex Sweetman, and Robert C. Morgan.
With a preface by Dick Higgins
Publisher Visual Studies Workshop, Rochester, NY, 1985
Review: M. Kasper (Papers of Bibliogr Soc of Am, 1986).
PDF (28 MB)Comment (0)
Filed under book | Tags: · aesthetics, art, art history, autonomy, avant-garde, capitalism, conceptual art, immaterial labor, labour, modernism, negation, neo-avant-garde, philosophy, politics, praxis, theory
“Why the avant-garde of art needs to be rehabilitated today
Since the decidedly bleak beginning of the twenty-first century, art practice has become increasingly politicized. Yet few have put forward a sustained defence of this development. Revolutionary Time and the Avant-Garde is the first book to look at the legacy of the avant-garde in relation to the deepening crisis of contemporary capitalism.
An invigorating revitalization of the Frankfurt School legacy, Roberts’s book defines and validates the avant-garde idea with an erudite acuity, providing a refined conceptual set of tools to engage critically with the most advanced art theorists of our day, such as Hal Foster, Andrew Benjamin, Alain Badiou, Jacques Rancière, Paolo Virno, Claire Bishop, Michael Hardt, and Toni Negri.”
Publisher Verso, London, 2015
ISBN 9781781689134, 178168913X
Filed under book | Tags: · art history, cold war, conceptual art, fact, photography
“A revealing look at the irrevocable change in art during the 1960s and its relationship to the modern culture of fact.
This book offers a new understanding of the transformation of photography and the visual arts around 1968. Author Joshua Shannon reveals an oddly stringent realism in the period, tracing artists’ rejection of essential truths in favor of surface appearances. Dubbing this tendency factualism, Shannon illuminates not only the Cold War’s preoccupation with data but also the rise of a pervasive culture of fact.
Focusing on the United States and West Germany, where photodocumentary traditions intersected with 1960s politics, Shannon investigates a broad variety of art, ranging from conceptual photography and earthworks to photorealist painting and abstraction. He looks closely at art by Bernd and Hilla Becher, Robert Bechtle, Vija Celmins, Douglas Huebler, Gerhard Richter, and others. These artists explored fact’s role as a modern paradigm for talking, thinking, and knowing. Their art, Shannon concludes, helps to explain both the ambivalent anti-humanism of today’s avant-garde art and our own culture of fact.”
Publisher Yale University Press, New Haven, CT, 2017
ISBN 9780300187274, 0300187270
Review: Ina Blom (The Sixties, 2018).Comment (0)