Filed under book | Tags: · art history, design, design history, history of architecture, machine, technology
“Although the work of Pierre Francastel (1900-1970) has long carried the label “sociology of art,” it bears little resemblance to anything conventionally sociological. Unlike the followers of the dominant schools of Anglo-American and German art history, Francastel was never obsessed with establishing a quasi-scientific methodology as the basis for his studies. But as art history itself is being reconfigured amid the technological culture of the twenty-first century, his nuanced meditations from the 1950s on the intricate intersection of technology and art gain heightened value.
The concrete objects Francastel examines are for the most part from the architecture and design of the late nineteenth to mid-twentieth century. Through them, he engages his central problem: the abrupt historical collision between traditional symbol activities of human society and the appearance in the nineteenth century of unprecedented technological and industrial capabilities and forms.”
First published as Art et technique aux XIXe et XXe siècles, Paris, 1956.
With a Foreword by Yve-Alain Bois
Translated by Randall Cherry
Publisher Zone Books, New York, 2000
ISBN 1890951021, 9781890951023
Review: Sean Cubitt (Leonardo, 2001).
Arte y técnica en los siglos XIX y XX (Spanish, trans. Maria Jose Garcia Ripoll, 1990, 22 MB, via)
Art & Technology in the Nineteenth and Twentieth Centuries (English, trans. Randall Cherry, 2000, 25 MB)
Filed under book | Tags: · design, life, research, social science, society, sociology
“Inventing the Social showcases recent efforts to develop new ways of knowing society that combine social research with creative practice. With contributions from leading figures in sociology, architecture, geography, design, anthropology, and digital media, the book provides practical and conceptual pointers on how to move beyond the customary distinctions between knowledge and art, and on how to connect the doing, researching and making of social life in potentially new ways.
Presenting concrete projects with a creative approach to researching social life as well as reflections on the wider contexts from which these projects emerge, this collection shows how collaboration across social science, digital media and the arts opens up timely alternatives to narrow, instrumentalist proposals that seek to engineer behaviour and to design community from scratch. To invent the social is to recognise that social life is always already creative in itself and to take this as a starting point for developing different ways of combining representation and intervention in social life.”
Publisher Mattering Press, Manchester, 2018
Creative Commons BY-NC-SA 4.0 License
ISBN 099552775X, 9780995527751
Filed under book | Tags: · agility, art, code, compilation, design, free software, interface, productivity, software, software studies, time, touch
“This techno-galactic software survival guide was collectively produced as an outcome of the Techno-Galactic Software Observatory (Brussels, 2017). This guide proposes several ways to achieve critical distance from the seemingly endless software systems that surround us. It offers practical and fantastical tools for the tactical (mis)use of software, empowering/enabling users to resist embedded paradigms and assumptions. It is a collection of methods for approaching software, experiencing its myths and realities, its risks and benefits.”
With contributions from Manetta Berends, Željko Blaće, Larisa Blazic, Freyja van den Boom, Anna Carvalho, Loup Cellard, Joana Chicau, Cristina Cochior, Pieter Heremans, Joak aka Joseph Knierzinger, Jogi Hofmüller, Becky Kazansky, Anne Laforet, Ricardo Lafuente, Michaela Lakova, Hans Lammerant, Silvio Lorusso, Mia Melvaer, An Mertens, Lidia Pereira, Donatella Portoghese, Luis Rodil-Fernandez, Natacha Roussel, Andrea di Serego Alighieri, Lonneke van der Velden, Ruben van de Ven, Kym Ward, Wendy Van Wynsberghe, and Peter Westenberg.
Compiled by Carlin Wing, Martino Morandi, Peggy Pierrot, Anita Burato, Christoph Haag, Michael Murtaugh, Femke Snelting, and Seda Gürses
Publisher Constant, Brussels, 2018
Free Art License 1.3