Radu Stern: Against Fashion: Clothing as Art 1850-1930 (1992–)

17 September 2019, dusan

“An indispensable guide to the historical avant-garde’s appropriation of clothing as an art form; includes over 100 illustrations and an anthology of artists’ writings.

The late nineteenth-century invention of ‘fashion’ as we understand it today inspired avant-garde artists of the period to create an art form to counter commercial fashion. These artists saw clothing not as a symbol of class distinction but as a force for shaping experience—an opportunity to make things new, to go beyond the traditional boundaries of art. For many artists, therefore, dress design was too important to be left to the fashion designers; they would appropriate clothing as an art form that could break through the traditional boundaries of “pure” art to act directly on life.

Against Fashion is the history of the modern relationship between artists and this ideal ‘anti-fashion.’ Radu Stern traces the development of clothes as art by artists of the late nineteenth and early twentieth centuries. He discusses contributions to the new art form by various artistic movements of the historical avant-garde, including Art Nouveau, the Werkbund, Cubism, Futurism, Constructivism, and the Bauhaus; he examines the work of such key figures as Henry van de Velde, Gustav Klimt, and Sonia Delaunay. The book includes more than 100 illustrations, many in color, as well as an anthology of essential writings and documents by artists and writers of the period, some of them translated into English for the first time. The artists and works examined display a diversity of styles and ideas, but all share the desire to reject the mercantile logic of commercial fashion and replace it with a utopian ‘anti-fashion.'”

Originally published as A contre-courant: vêtements d’artistes / Gegen den Strich: Kleider von Künstlern, 1900-1940, Benteli, Bern, 1992.

Publisher MIT Press, 2004
ISBN 0262194937, 9780262194938
205 pages

Reviews: Robert Radford (The Art Book, 2004), Diana Crane (Modernism/Modernity, 2005), Elana Shapira (Studies in the Decorative Arts, 2005), Roy R. Behrens (Leonardo, 2005), Elana Shapira (West 86th, 2005), Jane Tynan (J Consumer Culture, 2005).

Publisher
WorldCat

PDF (13 MB)

Dubravka Djurić, Miško Šuvaković (eds.): Impossible Histories: Historical Avant-gardes, Neo-avant-gardes, and Post-avant-gardes in Yugoslavia, 1918-1991 (2003)

25 August 2019, dusan

Impossible Histories is the first critical survey of the extraordinary experiments in the arts that took place in the former Yugoslavia from the country’s founding in 1918 to its breakup in 1991. The combination of Austro-Hungarian, French, German, Italian, and Turkish influences gave Yugoslavia’s avant-gardes a distinct character unlike those of other Eastern and Central European avant-gardes. The book explores movements such as Belgrade surrealism, signalism, Yugo-Dada, and zenitism; the groups Alfa, Exat 51, Gorgona, OHO, and Scipion Nasice Sisters Theater; or the magazines Danas, Rdeči pilot, Tank, Vecnost, and Zvrk.

The pieces in this collection offer comparative and interpretive accounts of the avant-gardes in the former Yugoslavian countries of Croatia, Serbia, and Slovenia. The book is divided into four sections: Art and Politics; Literature; Visual Art and Architecture; and Art in Motion (covering theater, dance, music, film, and video). All of the contributors live in the region and many of them participated in the movements discussed. The book also reprints a selection of the most important manifestos generated by all phases of Yugoslav avant-garde activity.”

Publisher MIT Press, 2003
ISBN 0262042169, 9780262042161
xviii+605 pages
via agitprop

Reviews: Matthew S. Witkovsky (caa.reviews, 2004), Yevgeniy Fiks (Art Journal, 2004), Tyrus Miller (Modernism/modernity, 2005), Igor Marjanović (Design Issues, 2007).

Publisher
WorldCat

PDF (22 MB)

Pauline Oliveros: Anthology of Text Scores (2013)

22 August 2019, dusan

“This anthology contains over one hundred pieces that span four decades of creative work of Pauline Oliveros. Collected in one comprehensive volume, these individual and group meditations, as well as solo and ensemble performance pieces are invaluable resources for performing musicians, music students, and anyone interested in the life work of one the most unique voices in modern music.”

Foreword by Brian Pertl
Edited by Samuel Golter and Lawton Hall
Publisher Deep Listening Publications, Kingston, NY, 2013
ISBN 9781889471228, 1889471224
vii+211 pages
via Gramsci

Reviews: Douglas Cohen (Women and Music, 2014), Jay M. Arms (Tempo, 2014).

Publisher, Lulu
WorldCat

PDF