Kobro and Strzemiński: Avant-Garde Prototypes (2017) [English, Spanish]

5 December 2017, dusan

Kataryna Kobro (1898-1951) and Władysław Strzemiński (1893-1952) are among the silent protagonists of the European avant-gardes, to which they contributed by both fostering and questioning the legacy of modernism with a plastic and theoretical oeuvre that was fertile as it was complex. Dedicated to experimentation on pure forms–Kobro fundamentally in sculpture and Strzemiński in painting–and closely related to international artistic movements like the Bauhaus, neoplasticism and constructivism, their work is pivotal for an understanding of abstract art in the Central Europe of the first decades of the twentieth century.”

With contributions by Jarosław Suchan, Christina Lodder, Gladys C. Fabre, Juan Manuel Bonet, and texts by Kobro and Strzemiński.

Publisher Museo Nacional Centro de Arte Reina Sofía, Madrid, and Muzeum Sztuki, Łódź, 2017
Creative Commons BY-NC-ND 4.0 International License
ISBN 9788480265508, 8480265507
192 pages

Exhibition (Madrid)
Exhibition (Łódź)
Publisher
WorldCat

Kobro and Strzemiński: Avant-Garde Prototypes (English, 13 MB, PDF, Issuu)
Kobro y Strzemiński. Prototipos vanguardistas (Spanish, 13 MB, PDF, Issuu)

P. Adams Sitney (ed.), Film Culture Reader (1970)

29 November 2017, dusan

“This compilation from Film Culture magazine―the pioneering periodical in avant-garde film commentary―includes contributors like Charles Boultenhouse, Erich von Stroheim, Michael McClure, Stan Brakhage, Annette Michelson, Arthur Miller, Dylan Thomas, Andrew Sarris, Rudolph Arnheim, Jonas Mekas, and Parker Tyler. This collection covers a range of topics in twentieth century cinema, from the Auteur Theory to the commercial cinema, from Orson Welles to Kenneth Anger.”

Publisher Praeger Publishers, New York, 1970
Reprint, Cooper Square Press, New York, 2000
ISBN 0815411014, 9780815411017
viii+438 pages

Publisher
WorldCat

PDF (23 MB)

Mary Ann Caws (ed.): Manifesto: A Century of Isms (2001)

16 November 2017, dusan

“An anthology featuring over 200 artistic and cultural manifestos from a wide range of countries. It includes texts ranging from Kurt Schwitters’ ‘Cow Manifesto’ to those written in the name of well-known movements – imagism, cubism, surrealism, symbolism, and projectivism – and less well-known ones – lettrism, acmeism, concretism, and rayonism.”

Publisher University of Nebraska Press, Lincoln, 2001
ISBN 0803264070, 9780803264076
xxxiv+713 pages

Reviews: Greil Marcus (Artforum, 2001), Publishers Weekly (2001), Gail McDonald (symploke, 2003), Cynthia Ellen Patton (College Literature, 2003).

WorldCat

PDF (14 MB, updated on 2017-11-21)