Izabel Galliera: Socially Engaged Art After Socialism: Art and Civil Society in Central and Eastern Europe (2017)
Filed under book | Tags: · art history, bulgaria, civil society, communism, contemporary art, east-central europe, eastern europe, hungary, participation, politics, romania, southeastern europe
“Reclaiming public life from the ideologies of both communist regimes and neoliberalism, their projects have harnessed the politically subversive potential of social relations based on trust, reciprocity and solidarity. Drawing on archival material and exclusive interviews, in this book Izabel Galliera traces the development of socially engaged art from the early 1990s to the present in Bulgaria, Hungary and Romania. She demonstrates that, in the early 1990s, projects were primarily created for exhibitions organized and funded by the Soros Centers for Contemporary Art. In the early 2000s, prior to Bulgaria, Hungary and Romania entering into the European Union, EU institutions likewise funded socially-conscious public art in the region. Today, socially engaged art is characterised by the proliferation of independent and often self-funded artists’ initiatives in cities such as Sofia, Bucharest and Budapest.
Focusing on the relationships between art, social capital and civil society, Galliera employs sociological and political theories to reveal that, while social capital is generally considered a mechanism of exclusion in the West, in post-socialist contexts it has been leveraged by artists and curators as a vital means of communication and action.”
Publisher I.B. Tauris, London/New York, 2017
ISBN 9781784537135, 1784537136
Review: Denisa Tomkova (ARTMargins, 2018).Comment (0)
Filed under book | Tags: · algeria, biography, colonialism, communism, existentialism, france, literature, marxism, négritude, philosophy, psychiatry, race, racism
“Born in Martinique, Frantz Fanon (1925–61) trained as a psychiatrist in Lyon before taking up a post in colonial Algeria. He had already experienced racism as a volunteer in the Free French Army, in which he saw combat at the end of the Second World War. In Algeria, Fanon came into contact with the Front de Libération Nationale, whose ruthless struggle for independence was met with exceptional violence from the French forces. He identified closely with the liberation movement, and his political sympathies eventually forced him out the country, whereupon he became a propagandist and ambassador for the FLN, as well as a seminal anticolonial theorist.
David Macey’s eloquent life of Fanon provides a comprehensive account of a complex individual’s personal, intellectual and political development. It is also a richly detailed depiction of postwar French culture. Fanon is revealed as a flawed and passionate humanist deeply committed to eradicating colonialism.”
First published by Picador, 2000
Second edition published by Verso, London, 2012
ISBN 9781844677733, 1844677737
Reviews: Megan Vaughan (London Review of Books, 2001), Peter Lennon (The Guardian, 2001), Mark Christian (Journal of Colonialism and Colonial History, 2002), Gareth Stanton (History Workshop Journal, 2002), Ciaran Mulholland (Socialist World, 2002), Godwin Kwadwo Osei-Nyame (Research in African Literatures, 2004), Kirkus Reviews (2001), Publishers Weekly (2001), Stephen Howe (New Humanist, 2013).
Interview with author (Theory, Culture & Society, 2011).Comment (0)
Katalin Cseh-Varga, Adam Czirak (eds.): Performance Art in the Second Public Sphere: Event-based Art in Late Socialist Europe (2018)
Filed under book | Tags: · art history, censorship, communism, east-central europe, eastern europe, event, happening, mail art, nudity, performance, performance art, protest, public sphere, sexuality, socialism, southeastern europe, theatre, underground
“This is the first interdisciplinary analysis of performance art in East, Central and Southeast Europe under socialist rule. By investigating the specifics of event-based art forms in these regions, each chapter explores the particular, critical roles that this work assumed under censorial circumstances.
The artistic networks of Yugoslavia, Hungary, Latvia, Lithuania, Poland, Romania, East Germany and Czechoslovakia are discussed with a particular focus on the discourses that shaped artistic practice at the time, drawing on the methods of Performance Studies and Media Studies as well as more familiar reference points from art history and area studies.”
Publisher Routledge, New York & London, 2018
ISBN 9781138723276, 1138723274
Interview with editors (ARTMargins, 2014)Comment (0)