Ellen Ullman: Life in Code: A Personal History of Technology (2017)

21 March 2018, dusan

“The last twenty years have brought us the rise of the internet, the development of artificial intelligence, the ubiquity of once unimaginably powerful computers, and the thorough transformation of our economy and society. Through it all, Ellen Ullman lived and worked inside that rising culture of technology, and in Life in Code she tells the continuing story of the changes it wrought with a unique, expert perspective.

When Ellen Ullman moved to San Francisco in the early 1970s and went on to become a computer programmer, she was joining a small, idealistic, and almost exclusively male cadre that aspired to genuinely change the world. In 1997 Ullman wrote Close to the Machine, the now classic and still definitive account of life as a coder at the birth of what would be a sweeping technological, cultural, and financial revolution.

Twenty years later, the story Ullman recounts is neither one of unbridled triumph nor a nostalgic denial of progress. It is necessarily the story of digital technology’s loss of innocence as it entered the cultural mainstream, and it is a personal reckoning with all that has changed, and so much that hasn’t.”

Publisher Farrar, Straus & Giroux, 2017
ISBN 9780374534516, 0374534519
viii+306 pages
via andre

Video talk (54 min, 2017)

Reviews: J.D. Biersdorfer (New York Times, 2017), Jessica Bennett (Elle, 2017).

Publisher
WorldCat

HTML

Steve Joshua Heims: The Cybernetics Group (1991)

19 September 2017, dusan

“This is the engaging story of a moment of transformation in the human sciences, a detailed account of a remarkable group of people who met regularly from 1946 to 1953 to explore the possibility of using scientific ideas that had emerged in the war years (cybernetics, information theory, computer theory) as a basis for interdisciplinary alliances. The Macy Conferences on Cybernetics, as they came to be called, included such luminaries as Norbert Wiener, John von Neumann, Margaret Mead, Gregory Bateson, Warren McCulloch, Walter Pitts, Kurt Lewin, F. S. C. Northrop, Molly Harrower, and Lawrence Kubie, who thought and argued together about such topics as insanity, vision, circular causality, language, the brain as a digital machine, and how to make wise decisions.

Heims, who met and talked with many of the participants, portrays them not only as thinkers but as human beings. His account examines how the conduct and content of research are shaped by the society in which it occurs and how the spirit of the times, in this case a mixture of postwar confidence and cold-war paranoia, affected the thinking of the cybernetics group. He uses the meetings to explore the strong influence elite groups can have in establishing connections and agendas for research and provides a firsthand took at the emergence of paradigms that were to become central to the new fields of artificial intelligence and cognitive science.

In his joint biography of John von Neumann and Norbert Wiener, Heims offered a challenging interpretation of the development of recent American science and technology. Here, in this group portrait of an important generation of American intellectuals, Heims extends that interpretation to a broader canvas, in the process paying special attention to the two iconoclastic figures, Warren McCulloch and Gregory Bateson, whose ideas on the nature of the mind/brain and on holism are enjoying renewal today.”

Paperback edition appeared under the title Constructing a Social Science for Postwar America: The Cybernetics Group (1946–1953) in 1993.

Publisher MIT Press, 1991
ISBN 0262082004, 9780262082006
xii+334 pages

Reviews: N. Katherine Hayles (Hist Human Sciences, 1992), R.V. Jones (New Scientist, 1992), Carlos A. Martínez-Vela (2001).

WorldCat

PDF (11 MB)

Francis D. Klingender: Art and the Industrial Revolution (1947–) [EN, IT, ES]

17 August 2017, dusan

A classic of Marxist art history.

“Drawing on his unique command of the contemporary visual and literary record, Francis Klingender analyzes and documents the inter-reaction between the sociological, scientific and cultural changes that moulded the 19th century. His subjects range from the development of the railways to the poetry of Erasmus Darwin, from the construction of bridges and aqueducts to the aesthetic concepts of the Sublime and the Pictoresque, from the Luddite riots and the English ‘navvy’ to those artists most profoundly affected by the climate of the Industrial Revolution, among them John Martin, Joseph Wright of Derby, J.C. Bourne, and J.M.W. Turner.” (from back cover)

Publisher N. Carrington, London, 1947
Edited and revised by Arthur Elton
Revised and expanded edition by Adams & Dart, 1968
Publisher Paladin, St Albans, 1972
ISBN 0586081224, 9780586081228
xv+272 pages

Review: Fred H. Andrews (J Royal Society of Arts, 1949).

WorldCat

Art and the Industrial Revolution (English, 1947/1968, 60 MB, no OCR)
Arte e rivoluzione industriale (Italian, trans. Elena Einaudi, 1972)
Arte y revolución industrial (Spanish, trans. Pilar Salso, 1983)