Filed under book | Tags: · activism, capitalism, climate, climate crisis, conspiracy, environment, far right, fascism, immigration, oil, politics, race, racism
“What does the rise of the far right mean for the battle against climate change?
In the first study of the far right’s role in the climate crisis, White Skin, Black Fuel presents an eye-opening sweep of a novel political constellation, revealing its deep historical roots. Fossil-fuelled technologies were born steeped in racism. No one loved them more passionately than the classical fascists. Now right-wing forces have risen to the surface, some professing to have the solution—closing borders to save the nation as the climate breaks down.
Epic and riveting, White Skin, Black Fuel traces a future of political fronts that can only heat up.”
Publisher Verso Books, London, May 2021
ISBN 9781839761744, 1839761741
Interviews with authors: Walid Mebarek w/ Lise Benoist (El Watan, 2020, FR), Wen Stephenson w/ Andreas Malm (The Nation, 2021).
Reviews: Sophie Chapelle (Basta, 2020, FR), Paul Guillibert (Contretemps, 2020, FR), Alex King (Spectre Journal, 2021).
See also Malm’s How to Blow Up a Pipeline (2021).Comment (0)
May Opitz, Katharina Oguntoye, Dagmar Schultz (eds.): Showing Our Colors: Afro-German Women Speak Out (1991)
Filed under book | Tags: · black people, colonialism, feminism, germany, history, race, racism, sexism, women
“ISD (Initiative Schwarze Menschen in Deutschland), ADEFRA (Schwarze Frauen in Deutschland), Neuen Schwarzen Bewegung, all began in the 1980s in Berlin, centred around Freie Universität where Dagmar Schultz was professor. She invited Audre Lorde as a visiting professor from 1984, where May Opitz (from 1992 May Ayim) and Katharina Oguntoye attended her seminars. Out of this came Black History Month in Germany in 1991, and Farbe bekennen: Afro-deutsche Frauen auf den Spuren ihrer Geschichte, published in 1986.” (Source)
First published in German as Farbe bekennen: afro-deutsche Frauen auf den Spuren ihrer Geschichte, Orlanda Frauenverlag, Berlin, 1986.
Foreword by Audre Lorde
Translated by Anne V. Adams
Publisher University of Massachusetts Press, Amherst, MA, 1991
ISBN 0870237594, 9780870237591
Filed under book | Tags: · abolitionism, anarchism, archive, black people, capitalism, colonialism, friendship, politics, race, racism, slavery, utopia
“The Hawthorn Archive, named after the richly fabled tree, has long welcomed the participants in the various Euro-American social struggles against slavery, racial capitalism, imperialism, and authoritarian forms of order. The Archive is not a library or a research collection in the conventional sense but rather a disorganized and fugitive space for the development of a political consciousness of being indifferent to the deadly forms of power that characterize our society. Housed by the Archive are autonomous radicals, runaways, abolitionists, commoners, and dreamers who no longer live as obedient or merely resistant subjects.
In this innovative, genre- and format-bending publication, Avery F. Gordon, the “keeper” of the Archive, presents a selection of its documents—original and compelling essays, letters, cultural analyses, images, photographs, conversations, friendship exchanges, and collaborations with various artists. Gordon creatively uses the imaginary of the Archive to explore the utopian elements found in a variety of resistive and defiant activity in the past and in the present, zeroing in on Marxist critical theory and the black radical tradition. Fusing critical theory with creative writing in a historical context, The Hawthorn Archive represents voices from the utopian margins, where fact, fiction, theory, and image converge.
Reminiscent of the later fictions of Italo Calvino or Walter Benjamin’s Arcades Project, The Hawthorn Archive is a groundbreaking work that defies strict disciplinary, methodological, and aesthetic boundaries. And like Ghostly Matters: Haunting and the Sociological Imagination, which established Gordon as one of the most influential interdisciplinary scholars of the humanities and social sciences in recent years, it provides a kaleidoscopic analysis of power and effect. The Hawthorn Archive’s experimental format and inventive synthesis of critical theory and creative writing make way for a powerful reconception of what counts as social change and political action, offering creative inspiration and critical tools to artists, activists, scholars across various disciplines, and general readers alike.”
Publisher Fordham University Press, 2018
ISBN 0823276325, 9780823276325
Interview with author: Krystian Woznicki (transversal, 2019).
Review: Eddie Bruce-Jones (Race & Class, 2019).
PDF (46 MB)Comment (0)