Lisa Lowe: The Intimacies of Four Continents (2015)

“In this uniquely interdisciplinary work, Lisa Lowe examines the relationships between Europe, Africa, Asia, and the Americas in the late eighteenth- and early nineteenth- centuries, exploring the links between colonialism, slavery, imperial trades and Western liberalism. Reading across archives, canons, and continents, Lowe connects the liberal narrative of freedom overcoming slavery to the expansion of Anglo-American empire, observing that abstract promises of freedom often obscure their embeddedness within colonial conditions. Race and social difference, Lowe contends, are enduring remainders of colonial processes through which “the human” is universalized and “freed” by liberal forms, while the peoples who create the conditions of possibility for that freedom are assimilated or forgotten. Analyzing the archive of liberalism alongside the colonial state archives from which it has been separated, Lowe offers new methods for interpreting the past, examining events well documented in archives, and those matters absent, whether actively suppressed or merely deemed insignificant. Lowe invents a mode of reading intimately, which defies accepted national boundaries and disrupts given chronologies, complicating our conceptions of history, politics, economics, and culture, and ultimately, knowledge itself.”

Publisher Duke University Press, Durham, NC, June 2015
ISBN 9780822358633, 0822358638
319 pages

Discussion: Gayatri Gopinath, Alyosha Goldstein, Moon-Ho Jung, Stephanie Smallwood (book roundtable at ASA Conference, Toronto, 2015, video).
Reviews: John Holmwood (Theory, Culture & Society, 2016), Betty Joseph (American Historical Review, 2016), Hossein Ayazi (Qui Parle, 2016), Michael Gaffney (Journal of American Studies, 2016), Adam Nemmers (Women’s Studies, 2016), Marion C. Rohrleitner (Pacific Historical Review, 2016), Lance Bertelsen (Modern Philology, 2017), Harrod J Suarez (Melus: Multi-Ethnic Literature of the U.S., 2017), Jesse van Amelsvoort (Nexus Instituut, n.d.), Hadley Howes (Antipode, 2020).

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Avery F. Gordon: The Hawthorn Archive: Letters from the Utopian Margins (2018)

“The Hawthorn Archive, named after the richly fabled tree, has long welcomed the participants in the various Euro-American social struggles against slavery, racial capitalism, imperialism, and authoritarian forms of order. The Archive is not a library or a research collection in the conventional sense but rather a disorganized and fugitive space for the development of a political consciousness of being indifferent to the deadly forms of power that characterize our society. Housed by the Archive are autonomous radicals, runaways, abolitionists, commoners, and dreamers who no longer live as obedient or merely resistant subjects.

In this innovative, genre- and format-bending publication, Avery F. Gordon, the “keeper” of the Archive, presents a selection of its documents—original and compelling essays, letters, cultural analyses, images, photographs, conversations, friendship exchanges, and collaborations with various artists. Gordon creatively uses the imaginary of the Archive to explore the utopian elements found in a variety of resistive and defiant activity in the past and in the present, zeroing in on Marxist critical theory and the black radical tradition. Fusing critical theory with creative writing in a historical context, The Hawthorn Archive represents voices from the utopian margins, where fact, fiction, theory, and image converge.

Reminiscent of the later fictions of Italo Calvino or Walter Benjamin’s Arcades Project, The Hawthorn Archive is a groundbreaking work that defies strict disciplinary, methodological, and aesthetic boundaries. And like Ghostly Matters: Haunting and the Sociological Imagination, which established Gordon as one of the most influential interdisciplinary scholars of the humanities and social sciences in recent years, it provides a kaleidoscopic analysis of power and effect. The Hawthorn Archive’s experimental format and inventive synthesis of critical theory and creative writing make way for a powerful reconception of what counts as social change and political action, offering creative inspiration and critical tools to artists, activists, scholars across various disciplines, and general readers alike.”

Publisher Fordham University Press, 2018
ISBN 0823276325, 9780823276325
xii+472 pages

Interview with author: Krystian Woznicki (transversal, 2019).

Review: Eddie Bruce-Jones (Race & Class, 2019).

Publisher
WorldCat

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Ruha Benjamin: Race After Technology: Abolitionist Tools for the New Jim Code (2019)

“From everyday apps to complex algorithms, Ruha Benjamin cuts through tech-industry hype to understand how emerging technologies can reinforce White supremacy and deepen social inequity.

Benjamin argues that automation, far from being a sinister story of racist programmers scheming on the dark web, has the potential to hide, speed up, and deepen discrimination while appearing neutral and even benevolent when compared to the racism of a previous era. Presenting the concept of the “New Jim Code,” she shows how a range of discriminatory designs encode inequity by explicitly amplifying racial hierarchies; by ignoring but thereby replicating social divisions; or by aiming to fix racial bias but ultimately doing quite the opposite. Moreover, she makes a compelling case for race itself as a kind of technology, designed to stratify and sanctify social injustice in the architecture of everyday life.

This illuminating guide provides conceptual tools for decoding tech promises with sociologically informed skepticism. In doing so, it challenges us to question not only the technologies we are sold but also the ones we ourselves manufacture.”

Publisher Polity Press, Cambridge, 2019
ISBN 9781509526406, 1509526404
x+285 pages

Interview with author (Sanjana Varghese, Guardian, 2019)

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