Larry Shiner: The Invention of Art: a Cultural History (2001–) [ES]

10 December 2015, dusan

“With The Invention of Art, Larry Shiner challenges our conventional understandings of art and asks us to reconsider its history entirely, arguing that the category of fine art is a modern invention—that the lines drawn between art and craft resulted from key social transformations in Europe during the long eighteenth century.”

Publisher University of Chicago Press, 2001
ISBN 0226753425, 9780226753423
xix+362 pages

Interview (Platypus Review, 2014)
Review: Mitch Avila (JAAC 2003).
Commentary: Luis Puelles Romero (Contrastes ES 2005), David Clowney (Contemporary Aesthetics 2008).

Wikipedia
Publisher (EN)
WorldCat (EN)

La invención del arte (Spanish, trans. Eduardo Hyde and Elisenda Julibert, 39 MB, 2004, via Jose Muñoz)

Humphrey Jennings: Pandæmonium, 1660-1886: The Coming of the Machine as Seen by Contemporary Observers (1985)

24 May 2014, dusan

Pandaemonium, 1660-1886 is a book of contemporary observations of the coming, development and impact of the Industrial Revolution in the United Kingdom, collected by documentary film-maker Humphrey Jennings between 1937 and his early death in 1950. His daughter, Mary-Louise Jennings, and a co-founder with Jennings of Mass Observation, Charles Madge, brought his work to publication in 1985. The book takes its title from the first excerpt within it, the section in Book I of Paradise Lost (1660) in which John Milton describes the building of Pandaemonium, the capital city of Hell. (from Wikipedia)

From the New York Times review (1985): “For Humphrey Jennings, Pandaemonium was a prophetic symbol of industrialism, and it provides not only the title but also the starting point of his attempt to chronicle ‘the imaginative history of the Industrial Revolution.’ This was best done, he thought, by letting those who took part in the process speak for themselves, and Milton’s lines usher in a collection of some 370 texts ranging from the 1660’s to the 1880’s – the testimony of scientists, artists, rich men, poor men and a great throng of miscellaneous witnesses. Between them, these passages (or ‘images,’ as Jennings preferred to call them) are meant to provide a composite picture of how contemporaries experienced the triumph of the machine, how it transformed both their outward circumstances and inner lives.” (Review)

The cover above is from the UK edition.

First published by André Deutsch. London, 1985
Edited by Mary-Lou Jennings and Charles Madge
Publisher The Free Press, New York
First American Edition, 1985
ISBN 0029164702
376 pages
via joandleefe

PDF (30 MB)

Richard H. Grove: Green Imperialism: Colonial Expansion, Tropical Island Edens and the Origins of Environmentalism, 1600-1860 (1995)

22 March 2014, dusan

Green Imperialism is the first book to document the origins and early history of environmentalism, concentrating especially on its hitherto unexplained colonial and global aspects. It highlights the significance of Utopian, Physiocratic, and medical thinking in the history of environmentalist ideas. The book shows how the new critique of the colonial impact on the environment depended on the emergence of a coterie of professional scientists, and demonstrates both the importance of the oceanic island “Eden” as a vehicle for new conceptions of nature and the significance of colonial island environments in stimulating conservationist notions.”

Publisher Cambridge University Press, 1995
Studies in Environment and History series
ISBN 0521565138, 9780521565134
540 pages

Reviews: Elvin (London Review of Books, 1995), Carruthers (H-Africa, 1996), Rangarajan (Telegraph, 1995), Harrison (British Journal for the History of Science, 1996), Hughes (Journal of World History, 1996), Harrison (British Journal for the History of Science, 1996), MacKenzie (International History Review, 1996), Luckin (Reviews in History, 1996).

Publisher

PDF (28 MB, updated on 2015-2-21)