William Andrews: Dissenting Japan: A History of Japanese Radicalism and Counterculture, from 1945 to Fukushima (2016)

26 September 2019, dusan

“Following the March 2011 Tsunami and Fukushima nuclear crisis, the media remarked with surprise on how thousands of demonstrators had flocked to the streets of Tokyo. But mass protest movements are nothing new in Japan. The post-war period experienced years of unrest and violence on both sides of the political spectrum: from demos to riots, strikes, campus occupations, factional infighting, assassinations and even international terrorism.

This is the first comprehensive history in English of political radicalism and counterculture in Japan, as well as of the artistic developments during this turbulent time. It chronicles the major events and movements from 1945 to the new flowering of protests and civil dissent in the wake of Fukushima. Introducing readers to often ignored aspects of Japanese society, it explores the fascinating ideologies and personalities on the Right and the Left, including the student movement, militant groups and communes. While some elements parallel developments in Europe and America, much of Japan’s radical recent past (and present) is unique and offers valuable lessons for understanding the context to the new waves of anti-government protests the nation is currently witnessing.”

Publisher Hurst, London, 2016
ISBN 9781849045797, 1849045798
xxv+356 pages

Reviews: Carl Cassegård (Journal of Japanese Studies, 2018), Winifred Bird (Kyoto Journal, 2018), Sean Ledwith (Counterfire, 2017), Don O’Keefe (Japan Times, 2016).

Book website
Publisher
WorldCat

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The Funambulist by its Readers: Political Geographies from Chicago and Elsewhere (2019)

20 September 2019, dusan

“Initiated in 2015 as a print and online magazine, The Funambulist does not understand architecture as the authored design of inhabitable sculptures, but rather as the discipline that organizes bodies in space. With such a perspective, we have attempted to detach ourselves from architecture as a discipline and have focused instead on formulating spatial approaches to anti-colonial, anti-racist, anti-capitalist, queer, trans, feminist, anti-ableist political struggles and that against which they fight.

For this book commissionned by the Chicago Architecture Biennial 2019, we have invited 20 regular readers (many of whom are also contributors) of The Funambulist to pick, among the many texts we published in our 22 first issues, the one that appeared to them as the most politically useful. We are republishing these texts here, as well as their introductions, written by these 20 guests.

In addition to this, we asked five Chicago-based activists to write about the spatial politics of their city in relation to settler colonialism, the municipality, the police, the real estate pressure, as well as the school system. At a crucial moment following the change of administration, this appeared to us as the most politically useful thing we could do to propagate the voices of those active on the ground.”

Edited by Léopold Lambert, et al.
Publisher The Funambulist, Paris, Sep 2019
Open access
ISBN 9782956935803
234 pages

Publisher

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Sandi Hilal, Alessandro Petti: Permanent Temporariness (2018)

17 September 2019, dusan

“Since their first work, Stateless Nation at the Venice Biennial in 2003, and throughout their more recent architectural interventions in refugee camps, the artistic practice of Sandi Hilal and Alessandro Petti has explored and acted within and against the condition of permanent temporariness that permeates contemporary forms of life. In their ambitious research and project-based practice, art exhibitions are both sites of display and sites of action that spill over into other contexts: built architectural structures, the shaping of critical learning environments, interventions that challenge dominant collective narratives, the production of new political imaginations, the re-definition of words, and the formation of civic spaces.

This book is organized around fourteen concepts that activate seventeen different projects. Each project is the result of a larger process of collaboration and is accompanied by individual and collective texts and interviews that contextualize and expand the reach of every intervention.

Contributors to projects and texts include Maria Nadotti, Charles Esche, Robert Latham, Salwa Mikdadi, Eyal Weizman, Okwui Enwezor, Munir Fasheh, Grupo Contrafilé, Murad Odeh, and Rana Abughannam.”

Publisher Art and Theory Publishing, Stockholm, and Royal Institute of Art, Stockholm, 2018
ISBN 9789188031709, 9188031705
384 pages
via authors

Publisher
WorldCat

PDF, PDF (20 MB)