Filed under book | Tags: · automation, capitalism, commons, decentralization, labour, neurocapitalism, politics, production, technology, theory
“Analyzes the changing politics of technology, charting out possibilities for autonomous cooperation
Technological change is ridden with conflicts, bifurcations and unexpected developments. Neurocapitalism takes us on an extraordinarily original journey through the effects that cutting-edge technology has on cultural, anthropological, socio-economic and political dynamics. Today, neurocapitalism shapes the technological production of the commons, transforming them into tools for commercialization, automatic control, and crisis management.
But all is not lost: in highlighting the growing role of General Intellect’s autonomous and cooperative production through the development of the commons and alternative and antagonistic uses of new technologies, Giorgio Griziotti proposes new ideas for the organization of the multitudes of the new millennium.”
First published as Neurocapitalismo: Mediazioni tecnologiche e linee di fuga, Mimesis, 2016.
Foreword by Tiziana Terranova
Translated by Jason Francis McGimsey
Publisher Minor Compositions, Colchester, February 2019
ISBN 1570273421, 9781570273421
Filed under book, thesis | Tags: · art history, artistic research, avant-garde, democracy, modernism, performance, politics, power, propaganda, totalitarianism, war on terror
“This study by artist Jonas Staal explores the development of propaganda art from the 20th to the 21st century. Staal defines propaganda as the performance of power by means of the equation propaganda = power + performance. Through his work as a propaganda researcher and practice as a propaganda artist, he argues that different structures of power generate different forms of propaganda and therefore different forms of propaganda art. Whereas in the context of the 20th century Staal discusses the differences between avant-garde, totalitarian, and modernist propaganda art, in the 21st century he proposes the categories of War on Terror Propaganda Art, Popular Propaganda Art, and Stateless Propaganda Art. By means of concrete examples of artists and artworks within each of these categories, he attempts to show how the performance of power in the 21st century translates into different visual forms, and how they shape and direct our reality. Staal’s study shows that power and art exist in continuous interaction. Propaganda and propaganda art are not terms that only refer to the past, but concepts and practices through which we can understand the construction of reality in the present.”
PhD Dissertation, Faculty of Humanities, University of Leiden
Filed under book | Tags: · aesthetics, art, art history, autonomy, avant-garde, capitalism, conceptual art, immaterial labor, labour, modernism, negation, neo-avant-garde, philosophy, politics, praxis, theory
“Why the avant-garde of art needs to be rehabilitated today
Since the decidedly bleak beginning of the twenty-first century, art practice has become increasingly politicized. Yet few have put forward a sustained defence of this development. Revolutionary Time and the Avant-Garde is the first book to look at the legacy of the avant-garde in relation to the deepening crisis of contemporary capitalism.
An invigorating revitalization of the Frankfurt School legacy, Roberts’s book defines and validates the avant-garde idea with an erudite acuity, providing a refined conceptual set of tools to engage critically with the most advanced art theorists of our day, such as Hal Foster, Andrew Benjamin, Alain Badiou, Jacques Rancière, Paolo Virno, Claire Bishop, Michael Hardt, and Toni Negri.”
Publisher Verso, London, 2015
ISBN 9781781689134, 178168913X