Filed under book | Tags: · activism, climate crisis, direct action, disobedience, oil, property, protest, sabotage, social movements, violence
“Why resisting climate change means combatting the fossil fuel industry
The science on climate change has been clear for a very long time now. Yet despite decades of appeals, mass street protests, petition campaigns, and peaceful demonstrations, we are still facing a booming fossil fuel industry, rising seas, rising emission levels, and a rising temperature. With the stakes so high, why haven’t we moved beyond peaceful protest?
In this lyrical manifesto, noted climate scholar (and saboteur of SUV tires and coal mines) Andreas Malm makes an impassioned call for the climate movement to escalate its tactics in the face of ecological collapse. We need, he argues, to force fossil fuel extraction to stop—with our actions, with our bodies, and by defusing and destroying its tools. We need, in short, to start blowing up some oil pipelines.
Offering a counter-history of how mass popular change has occurred, from the democratic revolutions overthrowing dictators to the movement against apartheid and for women’s suffrage, Malm argues that the strategic acceptance of property destruction and violence has been the only route for revolutionary change. In a braided narrative that moves from the forests of Germany and the streets of London to the deserts of Iraq, Malm offers us an incisive discussion of the politics and ethics of pacifism and violence, democracy and social change, strategy and tactics, and a movement compelled by both the heart and the mind. Here is how we fight in a world on fire.”
Publisher Verso Books, London, January 2021
Filed under book | Tags: · affect, art criticism, capitalism, debt, economics, finance, financial crisis, horror, literary criticism, mediation, mortgage, photography, property
“Dead Pledges is the first book to explore the ways that U.S. culture—from novels and poems to photojournalism and horror movies—has responded to the collapse of the financialized consumer credit economy in 2008. Connecting debt theory to questions of cultural form, this book argues that artists, filmmakers, and writers have re-imagined what it means to owe and to own in a period when debt is what makes our economic lives possible. Encompassing both popular entertainment and avant-garde art, the post-crisis productions examined here help to map the landscape of contemporary debt: from foreclosure to credit scoring, student debt to securitized risk, microeconomic theory to anti-eviction activism. A searing critique of the ideology of debt, Dead Pledges dismantles the discourse of moral obligation so often invoked to make us repay. Debt is no longer a source of economic credibility, it contends, but a system of dispossession that threatens the basic fabric of social life.”
Publisher Stanford University Press, 2016
Post ’45 series
ISBN 9780804799058, 0804799059
Reviews: Brian Whitener (The New Inquiry, 2017), Sofia Cutler (LA Review of Books, 2017), Julian Murphet (Affirmations, 2017), Davis Smith-Brecheisen (Mediations, 2017), Arne De Boever (boundary2, 2017), Laura Finch (Journal of Cultural Economy, 2018).Comment (0)
Filed under book | Tags: · art, collaboration, labour, property
“In the wake of Occupy Wall Street, 12 artists gathered for 20 meetings over two and a half years, discussing property both physical (studios and homes) and artistic. Rather than present raw transcripts of their conversations, the authors individually or collaboratively penned chapters on relevant issues. We get historical case studies alongside a host of topical issues affecting artists’ abilities to work, such as the French droit de suite, the right to resale royalties of artists and their heirs. Michael Mandiberg offers a significant oral history of 135 Rivington Street, a collectively artist-owned building purchased in 1981 by a group of art school alumni, a virtual impossibility in today’s real estate game.” (ArtNews)
By Pablo Helguera, Michael Mandiberg, William Powhida, Amy Whitaker, and Caroline Woolard
Creative Commons BY-SA License