Filed under catalogue | Tags: · art, media, music, sound art, sound recording
“Broken Music is a compendium for records created by visual artists.
Works chosen for the publication revolved around four criteria: (1) record covers created as original work by visual artists; (2) record or sound-producing objects (multiples/editions/sculptures); (3) books and publications that contain a record or recorded-media object; and (4) records or recorded media that have sound by visual artists.
The book features essays by both editors as well as Theodor W. Adorno, René Block, Jean Dubuffet, Milan Knížák, László Moholy-Nagy, Christiane Seiffert, and Hans Rudolf Zeller. The centerpiece of the publication is a nearly 200-page bibliography of artists’ records.”
Published as a catalogue of an exhibition held at daad galerie Berlin, Gemeentemuseum Den Haag, and Magasin Grenoble.
Publisher Berliner Künstlerprogramm des DAAD, and gelbe Musik Berlin, Berlin, 1989
ISBN 3893570136, 9783893570133
Interviews with editor: Alan Licht (BOMB, 2018), Max Oppel (Deutschlandfunk Kultur, 2018, DE).
Reviews: Ágnes Ivacs (Artpool, n.d.), Geeta Dayal (4Columns, 2018), Matt Krefting (The Wire, 2018), Gregory Taylor (Cycling 74, 2018).
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Filed under book | Tags: · hacker culture, internet, media, media archeology, media history, sound art, technology, variantology
“Expanding on Siegfried Zielinski’s inquiry into ‘deep time’ of the media, the essays in Variations on Media Thinking further the eminent media theorist’s unique method of expanded hermeneutics, which means for him interpreting technical artifacts as essential parts of our cultural lives. Covering such topics as the televisualized Holocaust, the ubiquity of media today, the Internet, the genealogy of sound art, and history’s first hacker movement, these essays further diversify Zielinski’s insight into the hidden layers of media development, which he first articulated in his pioneering work Deep Time of the Media.
Including many previously untranslated and scarce essays, these ‘written time machines’ open new lines of investigation for cultural scholars. From the automata of the Arabic-Islamic Renaissance (800–1200) to the largest and loudest techno-event ever, known as The Symphony of Sirens—which transformed Baku in 1922 into an immense music box of modern noise—Variations on Media Thinking covers Zielinski’s inquiries since 1975. Richly illustrated and full of provocation, brilliant insight, and fascinating research, this volume is perfect for students of media archaeology, philosophy, and technology, as well as any adventurous, rigorous thinkers engaged with culture and media.”
Publisher University of Minnesota Press, 2019
Posthumanities series, 52
ISBN 9781517907075, 1517907071
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Emese Kürti: Screaming Hole: Poetry, Sound and Action as Intermedia Practice in the Work of Katalin Ladik (2017)
Filed under book | Tags: · action art, art criticism, art history, hungary, intermedia, neo-avant-garde, performance art, poetry, serbia, sound art, yugoslavia
“This book focuses on the experimental practice of Katalin Ladik, a poet, performer and actress born in the former Yugoslavia. Her career as a poet writing in Hungarian language began in the intellectual circles of the neo-avant-garde journal Új Symposion (New Symposium) in Novi Sad, but the subversiveness of her feminine practice gave her a distinctive position in the whole Yugoslav neo-avant-garde scene as early as the late 1960s. At the same time, linearity was also being replaced in Ladik’s poetic works by an extended notion of poetry, as she realised her actionism in a complex and mutual intermedial relationship between poetry, sound and visuality. Her performances attracted lively attention not only on account of an interpretation of poetry and sound that was radically new both in Yugoslavia and abroad at the time; her use of the eroticized body also seemed to lack any predecessors in the local avant-garde of the day. Katalin Ladik, who synthesized the traditions of Balkan folk music and Hungarian folklore, could work supraethnically, as it were, in this multiethnic Yugoslav context, using the references of multiple cultures, which suited with persistently international spirit of the avant-garde.”
Translated by Katalin Orbán
Publisher acb ResearchLab, Budapest, 2017
ISBN 9789631283617, 9631283615
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