Filed under book | Tags: · hacker culture, internet, media, media archeology, media history, sound art, technology, variantology
“Expanding on Siegfried Zielinski’s inquiry into ‘deep time’ of the media, the essays in Variations on Media Thinking further the eminent media theorist’s unique method of expanded hermeneutics, which means for him interpreting technical artifacts as essential parts of our cultural lives. Covering such topics as the televisualized Holocaust, the ubiquity of media today, the Internet, the genealogy of sound art, and history’s first hacker movement, these essays further diversify Zielinski’s insight into the hidden layers of media development, which he first articulated in his pioneering work Deep Time of the Media.
Including many previously untranslated and scarce essays, these ‘written time machines’ open new lines of investigation for cultural scholars. From the automata of the Arabic-Islamic Renaissance (800–1200) to the largest and loudest techno-event ever, known as The Symphony of Sirens—which transformed Baku in 1922 into an immense music box of modern noise—Variations on Media Thinking covers Zielinski’s inquiries since 1975. Richly illustrated and full of provocation, brilliant insight, and fascinating research, this volume is perfect for students of media archaeology, philosophy, and technology, as well as any adventurous, rigorous thinkers engaged with culture and media.”
Publisher University of Minnesota Press, 2019
Posthumanities series, 52
ISBN 9781517907075, 1517907071
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Emese Kürti: Screaming Hole: Poetry, Sound and Action as Intermedia Practice in the Work of Katalin Ladik (2017)
Filed under book | Tags: · action art, art criticism, art history, hungary, intermedia, neo-avant-garde, performance art, poetry, serbia, sound art, yugoslavia
“This book focuses on the experimental practice of Katalin Ladik, a poet, performer and actress born in the former Yugoslavia. Her career as a poet writing in Hungarian language began in the intellectual circles of the neo-avant-garde journal Új Symposion (New Symposium) in Novi Sad, but the subversiveness of her feminine practice gave her a distinctive position in the whole Yugoslav neo-avant-garde scene as early as the late 1960s. At the same time, linearity was also being replaced in Ladik’s poetic works by an extended notion of poetry, as she realised her actionism in a complex and mutual intermedial relationship between poetry, sound and visuality. Her performances attracted lively attention not only on account of an interpretation of poetry and sound that was radically new both in Yugoslavia and abroad at the time; her use of the eroticized body also seemed to lack any predecessors in the local avant-garde of the day. Katalin Ladik, who synthesized the traditions of Balkan folk music and Hungarian folklore, could work supraethnically, as it were, in this multiethnic Yugoslav context, using the references of multiple cultures, which suited with persistently international spirit of the avant-garde.”
Translated by Katalin Orbán
Publisher acb ResearchLab, Budapest, 2017
ISBN 9789631283617, 9631283615
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Filed under catalogue | Tags: · art, art history, avant-garde, music, performance, sound, sound art
An exhibition survey of visual artists’ use of sound, music and acoustical phenomena from 1900 through the 1980s staged at Neuberger Museum SUNY from 20 September-23 December 1981.
Artists include Robert Morris, Meredith Monk, Bernhard Leitner, John Cage, Laurie Anderson, Nam June Paik, and many others.
Essays by Suzanne Delehanty, Dore Ashton, Germano Celant and Lucy Fischer.
Edited by Suzanne Delehanty
Publisher Neuberger Museum/State University of New York, Purchase, NY, 1981
ISBN 093403205X, 9780934032056
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