Soundings (1981)

1 November 2018, dusan

An exhibition survey of visual artists’ use of sound, music and acoustical phenomena from 1900 through the 1980s staged at Neuberger Museum SUNY from 20 September-23 December 1981.

Artists include Robert Morris, Meredith Monk, Bernhard Leitner, John Cage, Laurie Anderson, Nam June Paik, and many others.

Essays by Suzanne Delehanty, Dore Ashton, Germano Celant and Lucy Fischer.

Edited by Suzanne Delehanty
Publisher Neuberger Museum/State University of New York, Purchase, NY, 1981
ISBN 093403205X, 9780934032056
96 pages

Exh. reviews: Vivien Raynor (New York Times, 1981), John Rockwell (New York Times, 1981), Robert Sherman (New York Times, 1981), Peter Frank (Art Journal, 1982).

WorldCat

PDF (26 MB)

Henri Chopin: Poésie sonore internationale (1979) [French]

28 October 2018, dusan

“This is a (now) historical appraisal of Poésie sonore (Sound Poetry) by Henri Chopin, a central figure in the art form. The sonic qualities of voice and abstract sound was celebrated where poets from across the globe contributed to this phenomenal shift from the purely literal expression of text and voice. Chopin references key artists in the movement, significant works and examples of what were also often visually arresting artworks where wit, design and seriality are evident in typewriter art, collage, text art.”

The book is in French with the exception of the Introduction which is translated into English and the English section ‘A History of Recorded Sound’ (pp 13-40).

With an Introduction by William Burroughs
Publisher J.-M. Place, Paris, 1979
Trajectoires series, 1
ISBN 2858930325, 9782858930326
309 pages

Publisher
WorldCat

PDF (63 MB)

Christof Migone: Sonic Somatic: Performances of the Unsound Body (2012)

22 January 2018, dusan

“This book delineates a territory of investigation for sound art and its various manifestations through historical, theoretical, polemical and critical analyses of artistic, musical and literary works. In doing so, Migone gives radical definition to an auditory study that includes the complexity of silence and mutism, identity and abjecthood, and language and its stutterances. The recurring site of these stagings is the somatic under all its forms: embodied and disembodied, fragmented and amplified, vocal and mute.

Concrete sites that are investigated include: Antonin Artaud’s writings, Alvin Lucier’s recording I am sitting in a room, Erik Satie’s composition Vexations, Marina Abramovic’s performance “Rhythm 0”, Adrian Piper’s Untitled Performance for Max’s Kansas City, Melville’s short story Bartleby, the Scrivener, Bob Connolly and Robin Anderson’s documentary film First Contact, and John Cage’s 4’33.”

Publisher Errant Bodies Press, Los Angeles & Berlin, 2012
Audio Issues series, 5
ISBN 9780982743942, 0982743947
296 pages
via author

Reviews: Daniela Cascella (The Wire, 2012), Alessandro Ludovico (Neural, 2013), Chris Kennedy (MusicWorks, 2013), Silvana Fiorese (Domus, 2013).

Author
Publisher
WorldCat

PDF (5 MB)