Filed under book | Tags: · installation, listening, sound, sound art
“The Lydgalleriet Retrospective presents a series of conversations, accounts, reflections and responses to the activity of the gallery since it’s first emergence in 2005.
Appearing for the first time in English language translation, the texts and images chart the growth of Lydgalleriet from the early years up until the present day. The book presents an important survey of Nordic sound art and reflects upon wider themes within sonic culture, with contributions from multiple notable voices within the field. This book, first launched at Bergen Art Book Fair 2020, coincides with the gallery’s move to its own purpose built space in Strandgaten, Bergen.”
Edited by Sissel Lillebostad, Julie Lillelien Porter and Samuel Brzeski
Publisher Lydgalleriet, Bergen, November 2020
Filed under video | Tags: · art, environment, installation, installation art, kinetic art, media art, op art, video, video art, vision
An electro-opto-mechanical environment by Steina, with instrumentation by Josef Krames, Woody Vasulka, and Bruce Hamilton. First shown at the Vasulkas exhibition at Albright-Knox Art Gallery in Buffalo, NY, 1978.
“When a human being operates the camera, the assumption is that the camera is an extension of the eye. You move the camera the way you move the head and the body. In video, unlike photography or film, the viewfinder is not necessarily an integral part of the camera apparatus. … In the late 1970s, I began a series of environments titled Machine Vision and Allvision, with a mirrored sphere. Another variation has a motorized moving mirror in front of the camera so that depending on the horizontal or vertical positioning of the mirror, the video monitor displays a continuous pan or tilt either back/forth or up/down. A third variation is a continuous rotation through a turning prism, while still another has a zoom lens in continuing motion, in/out. These automatic motions simulate all possible camera movements freeing the human eye from being the central point of the universe.” (Steina)
Recorded at the Palazzo delle Esposizioni, Rome, 1994/1995
Artist statement and documentation (artist’s website archive with restored videos)
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Filed under book | Tags: · body, colour, expanded cinema, experimental film, film, film sound, installation, materialist film
“This book assesses the contemporary status of photochemical film practice against a backdrop of technological transition and obsolescence. It argues for the continued relevance of material engagement for opening up alternative ways of seeing and sensing the world. Questioning narratives of replacement and notions of fetishism and nostalgia, the book sketches out the contours of a photochemical renaissance driven by collective passion, creative resistance and artistic reinvention. Celluloid processes continue to play a key role in the evolution of experimental film aesthetics and this book takes a personal journey into the work of several key contemporary film artists. It provides fresh insight into the communities and infrastructures that sustain this vibrant field and mobilises a wide range of theoretical perspectives drawn from media archaeology, new materialism, ecocriticism and social ecology. ”
Publisher Palgrave Macmillan, 2020
ISBN 3030443094, 9783030443092
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