Katsuhiro Yamaguchi: ロボット・アヴァンギャルド―20世紀芸術と機械 (Robot Avant-Garde: 20th Century Art and the Machine, 1985) [Japanese]
Filed under book | Tags: · art history, avant-garde, environment, japan, kinetic art, media, media art, performance, performance art, robots, video art
A historical treatise on art and technology written by the Japanese pioneer of media art Katsuhiro Yamaguchi (山口勝弘, 1928-2018), a founding member of the avant-garde group Jikken Kōbō (Experimental Workshop, 1951-1957).
The Yamaguchi Katsuhiro Archive contains documentation of the artist’s oeuvre, including scans of his publications.
Publisher Parco, Tokyo, 1985
ISBN 4891940980, 9784891940980
via Yamaguchi Katsuhiro Archive
Filed under book | Tags: · art criticism, artists book, mail art, performance art, video art
“An anthology of essays taken from La Mamelle and ART COM magazines. It collects and places in dialogue 24 articles penned by critics and artists such as La Mamelle / ART COM founder Carl Loeffler, Lynn Hershman, Richard Irwin, Anna Couey, and Linda Montano, plus interviews with artists such as Douglas Davis and Eleanor Antin.
This collection represents the complexity of the ideas presented in the exhibition as they were grappled with at the time of their original publication, and it also positions them as contemporary questions; particularly relevant is the mediation of performance. It also features conversations between the curators and two of La Mamelle / ART COM’s key figures, Nancy Frank and Darlene Tong.”
Edited by Liz Glass, Susannah Magers, and Julian Myers
Publisher Graduate Program in Curatorial Practice/CCA & CCA Wattis Institute for Contemporary Arts, San Francisco, 2011
ISBN 9780980205572, 0980205573
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Filed under catalogue | Tags: · art documentation, artists book, catalogue, library, monoskop, video art
The Exhibition Library reimagines the medium of art exhibition as well as that of art catalogue. Catalogues carry exhibitions through time and space, figuring as tropes for imagining arrangements and the course of works and settings they describe. However, they rarely give us a clue about what really happened, since they are often made before the show opens. Rather than documenting it, they often stand on their own, almost as if another work on display, truly as an artistic medium on its own. For this work, artists, designers, curators, poets and collectives created thirty catalogues of imaginary exhibitions. Exploring both the potential and impossible in art, the resulting exhibition library also serves as a “library of exhibitions.”
With works by the Archive of the Museum of American Art-Berlin, Joana Chicau, Vuk Ćosić, Annet Dekker, Leslie Drost-Robbins, Espen Sommer Eide, Kenneth Goldsmith, Sarah Hamerman and Sam Hart, Seewon Hyun, Václav Janoščík and Eva Skopalová, Geraldine Juárez, Josefina Björk and Bhavisha Panchia, Mara Karagianni and John Colenbrander, Richard Kitta and Michal Murin, Jungmin Lee, Signe Lidén, Silvio Lorusso and Sebastian Schmieg, Ilan Manouach, Darija Medić, Multimedia Institute Zagreb (Tomislav Medak, Marcell Mars, et al.), Michal Murin, Possible Bodies (Femke Snelting and Jara Rocha), Purple Noise, Jürgen Rendl, Danny Snelson, Supermuch, Technopolitics Working Group (John Barker, Sylvia Eckermann, Doron Goldfarb, Armin Medosch, Gerald Nestler, Felix Stalder, Axel Stockburger, Matthias Tarasiewicz, Thomas Thaler, Ina Zwerger, et al.), Charles Turner, Takuma Uematsu, Yuki Hayashi, Tadashi Kobayashi and Tetsuya Goto, Marina Valle Noronha, and Amy Suo Wu.
Presented as part of Seoul Mediacity Biennale, Seoul Museum of Art, Korea, 5 September – 18 November 2018.
Edited by Dušan Barok
Publisher Monoskop, Amsterdam, with The Book Society, Seoul, 2018