Media-N, 12(3): Uncovering News: Reporting and Forms of New Media Art (2017)

18 February 2018, dusan

“As the highly contested term “fake news” has become omnipresent in our media sphere and as the hacking of private networks for political gain have dominated the global news cycle, Media-N’s new issue is well positioned to uncover the complex relationship between media art and the multifarious forms of news reportage. We find in this wide-ranging journal issue, new media artists, writers, and theoreticians attempting to reveal, expose, and protest the production, rhetoric, and dissemination of news. Exploiting or subverting the existing network or creating alternative technologies, codes, or platforms, new media artists has probed the hegemonic grip of tradition forms of media production. Employing the raw material of journalism or intervening in the distribution and transmission of news information, artists have effectively critiqued or reimagined the unstable and fluid spaces of the contemporary news sphere. The nature of news information and its relationship to concepts of reality, truth, aesthetics, and the public and private are all at play in this issue.” (from Introduction)

With contributions by Erica Levin, Randall Packer, Kris Paulsen, Erin McElroy, Lisa Moren, Brandon Bauer, Rick Valentin, Francesca Franco, Yasuhito Abe, Vincent Cellucci, Jesse Allison, Derick Ostrenko, and Mina Cheon.

Guest editors: Abigail Susik and Grant Taylor
Publisher New Media Caucus, 2017
Open Access
ISSN 1942-017X

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Interventions in Digital Cultures: Technology, the Political, Methods (2017)

20 November 2017, dusan

“How to intervene? Interventions are in vogue in digital cultures as forms of critique or political actions into public spheres. By engaging in social, political, and economic contexts, interventions attempt to interrupt and change situations—often with artistic means. This volume maps methods of interventions under the specific conditions of the digital. How are interventions shaped by these conditions? And how can they contribute to altering them? In essays and interviews, this book interrogates modes of intervening in and through art, infrastructures, techno-ecological environments, bio-technology, and political protests to highlight their potentials as well as their ambivalences.”

With contributions by Martina Leeker, Fred Turner, Howard Caygill, Alexander R. Galloway, Wendy Hui Kyong Chun, Ulrike Bergermann, Steve Kurtz, Kat Jungnickel, and Tobias Schulze.

Edited by Howard Caygill, Martina Leeker, and Tobias Schulze
Publisher meson press, Lüneburg, 2017
Digital Cultures series
Creative Commons BY-SA 4.0 License
ISBN 9783957961105, 3957961106
148 pages

Publisher
WorldCat

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Ricardo Rosas, Giseli Vasconcelos (eds.): net_cultura 1.0: Digitofagia (2006) [BR-PT]

25 August 2016, dusan

A collection of essays contextualizing actions and initiatives in Brazil’s net culture and hacktivism, edited by the late Ricardo Rosas and Giseli Vasconcelos and coming out of their experience creating Festival Digitofagia in 2004.

“Digitofagia é resultado de um processo coletivo de pensamento gerado durante a concepção, planejamento e realização de um festival de mídia tática, no Rio de Janeiro e em São Paulo, no ano de 2004, que discutiu, entre outras coisas, a necessidade urgente de “abrasileirar” práticas de mídia-ativismo que até então eram teorizadas, praticadas e planejadas sob a influência de teorias e práticas aparentemente alheias ao contexto brasileiro.

A concepção de Digitofagia foi pensar uma pratica antropofágica que se reatualiza no contexto da cultura digital, reabastecendo seu viés libertário. Para tanto, abraçar práticas espontâneas na cultura contemporânea brasileira, como a pirataria, os camelôs e a gambiarra, seria, quem sabe, formas de trazer a mídia tática para um campo mais familiar e mais cotidiano aos praticantes, teóricos e activistas brasileiros. Afinal, a própria cultura brasileira é um codigo (em) aberto.”

“Composto por 35 textos de escritores, ativistas, pesquisadores, acadêmicos e artistas preocupados com os caminhos do ativismo político-artístico nos tempos da globalização digital, Digitofagia é fruto da inesgotável energia e alegria de Ricardo Rosas (1969-2007), que primeiro pensou e organizou, ao lado de Giseli Vasconcelos, os textos selecionados para este volume.”

Publisher Radical Livros, São Paulo, with Sarai/CSDS, Delhi, and Waag Society, Amsterdam, 2006
Creative Commons BY-SA-NC 2.5 Brazil
ISBN 8598600048, 9788598600048
347 pages

Commentary: Paul Keller (2009), Geert Lovink (2009).

Publisher, (2)

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Issuu