Filed under book | Tags: · archives, archiving, art documentation, conservation, document, internet art, net art, networks, preservation, software, software art, web
“Collecting and Conserving Net Art explores the qualities and characteristics of net art and its influence on conservation practices. By addressing and answering some of the challenges facing net art and providing an exploration of its intersection with conservation, the book casts a new light on net art, conservation, curating and museum studies.
Viewing net art as a process rather than as a fixed object, the book considers how this is influenced by and executed through other systems and users. Arguing that these processes and networks are imbued with ambiguity, the book suggests that this is strategically used to create suspense, obfuscate existing systems and disrupt power structures. The rapid obsolescence of hardware and software, the existence of many net artworks within restricted platforms and the fact that artworks often act as assemblages that change or mutate, make net art a challenging case for conservation. Taking the performative and interpretive roles conservators play into account, the book demonstrates how practitioners can make more informed decisions when responding to, critically analyzing or working with net art, particularly software-based processes.
Collecting and Conserving Net Art is intended for researchers, academics and postgraduate students, especially those engaged in the study of museum studies, conservation and heritage studies, curatorial studies, digital art and art history. The book should also be interesting to professionals who are involved in the conservation and curation of digital arts, performance, media and software.”
Publisher Routledge, 2018
ISBN 9780815382416, 0815382413
Filed under book | Tags: · archive, archiving, cultural memory, digital media, fan culture, fiction, preservation
“The task of archiving was once entrusted only to museums, libraries, and other institutions that acted as repositories of culture in material form. But with the rise of digital networked media, a multitude of self-designated archivists—fans, pirates, hackers—have become practitioners of cultural preservation on the Internet. These nonprofessional archivists have democratized cultural memory, building freely accessible online archives of whatever content they consider suitable for digital preservation. In Rogue Archives, Abigail De Kosnik examines the practice of archiving in the transition from print to digital media, looking in particular at Internet fan fiction archives.
De Kosnik explains that media users today regard all of mass culture as an archive, from which they can redeploy content for their own creations. Hence, “remix culture” and fan fiction are core genres of digital cultural production. De Kosnik explores, among other things, the anticanonical archiving styles of Internet preservationists; the volunteer labor of online archiving; how fan archives serve women and queer users as cultural resources; archivists’ efforts to attract racially and sexually diverse content; and how digital archives adhere to the logics of performance more than the logics of print. She also considers the similarities and differences among free culture, free software, and fan communities, and uses digital humanities tools to quantify and visualize the size, user base, and rate of growth of several online fan archives.”
Publisher MIT Press, 2016
ISBN 9780262034661, 0262034662
PDF (10 MB)Comment (0)
Filed under book | Tags: · archive, archiving, collecting, history, knowledge, labour, memory, socialism, society
Established in 1935, the International Institute of Social History (IISH) based in Amsterdam is one of the world’s leading research institutes focused on social history and holds one of the richest collections in the field. This volume brings together thirty-five essays in honor of the IISH’s longtime director Jaap Kloosterman and gives a rare insight into the history of the institute and the development of its collections in particular.
Jaap Kloosterman came to IISH in 1969 to work on the Archives Bakounine, an edition of the collected works of the Russian anarchist. Head librarian in 1985 and deputy director in 1987, he worked as the Institute’s director between 1993 and 2008. He edited works of Mikhail Bakunin, Anselme Bellegarrigue, Carl von Clausewitz, Rosa Luxemburg, Max Nettlau, Anton Pannekoek, and Aleksandr Shapiro, among others, and translated works of Bakunin and Guy Debord. (from profile at IISH)
Edited by Aad Blok, Jan Lucassen and Huub Sanders
Publisher Amsterdam University Press, August 2014
Creative Commons License CC BY NC ND 3.0
eISBN 9789048523856 (pdf)