Filed under journal | Tags: · art, authorship, curating
“This issue of On Curating brings together a range of interviews and essays, inspired by the symposium, “Why Artists Curate”, held by the Kunstbüro der Kunststiftung Baden-Württemberg in cooperation with Columbus Art Foundation in July 2011. The feedback from this conference prompted a discussion on authorship in contemporary art, from artists, curators and artist-curators.”
With essays by Marc James Léger and Dorothee Richter, and interviews with Artur Zmijewski (Anne Koskiluoma and Anna Krystyna Trzaska), Kristina Lee Podesva (Sophia Ribeiro), Raqs Media Collective (Chloé Nicolet-dit-Félix and Gulru Vardar), Mary Jane Jacob (Monika Molnár and Tanja Trampe), Valerie Smith (Jacqueline Falk and John Canciani), Gavin Wade (Michael Birchall and Nkule Mabaso), Fucking Good Art (Sheena Greene), Ute Meta Bauer and Yvonne P. Doderer (Annemarie Brand and Monika Molnár), Tania Bruguera (Ashraf Osman and Daniela N. Fuentes), and Marion von Osten (Charlotte Barnes).
Edited by Michael Birchall
With a Foreword by Winfried Stürzl
Publisher OnCurating.org, Zurich, June 2013
Filed under book | Tags: · aesthetics, appropriation, art, art criticism, autonomy, capital, collecting, conceptual art, curating, institutional critique, museum, performance, performance art
“Andrea Fraser’s work, writes Pierre Bourdieu in his foreword to Museum Highlights, is able to ‘trigger a social mechanism, a sort of machine infernale whose operation causes the hidden truth of social reality to reveal itself.’ It often does this by incorporating and inhabiting the social role it sets out to critique—as in a performance piece in which she leads a tour as a museum docent and describes the men’s room in the same elevated language that she uses to describe seventeenth-century Dutch paintings. Influenced by the interdisciplinarity of postmodernism, Fraser’s interventionist art draws on four primary artistic and intellectual frameworks—institutional critique, with its site-specific examination of cultural context; performance; feminism, with its investigation of identity formation; and Bourdieu’s reflexive sociology. Fraser’s writings form an integral part of her artistic practice, and this collection of texts written between 1985 and 2003—including the performance script for the docent’s tour that gives the book its title—both documents and represents her work.
The writings in Museum Highlights are arranged to reflect different aspects of Fraser’s artistic practice. They include essays that trace the development of critical ‘artistic practice’ as cultural resistance; performance scripts that explore art institutions and the public sphere; and texts that explore the ambivalent relationship of art to the economic and political interests of its time. The final piece, ‘Isn’t This a Wonderful Place? (A Tour of a Tour of the Guggenheim Bilbao),’ reflects on the role of museums in an era of globalization. Among the book’s 30 illustrations are stills from performance pieces, some never before published.”
Edited by Alexander Alberro
Publisher MIT Press, 2005
ISBN 0262062445, 9780262062442
PDF (104 MB, no OCR)Comment (0)
Filed under journal | Tags: · art, art history, contemporary art, curating, exhibition
“On the occasion of documenta’s 14th edition, this special issue scrutinizes the ways in which the Kassel-based periodic exhibition has been contributing to curating the history of the present since its inception in 1955. The authors engage with questions of how documenta’s iterations played a significant role not only in the making of a history of contemporary art but also in the canon of the relatively young field of curatorial and exhibition studies.”
Contributions by Anna Sigrídur Arnar, Angela M. Bartholomew, Beatrice von Bismarck, Nanne Buurman, Anthony Gardner & Charles Green, Ayse Güleç, Kathryn M. Floyd, Walter Grasskamp, Kristian Handberg, Dorothea von Hantelmann, Susanne König, Vesna Madžoski, Nina Möntmann, Philipp Oswalt, Dorothee Richter, Elpida Rikou & Eleana Yalouri, Nora Sternfeld.
Edited by Nanne Burmann and Dorothee Richter
Publisher OnCurating.org, Zürich, June 2017