Filed under book | Tags: · aesthetics, anarchism, art, art system, black lives matter, commons, contemporary art, debt, direct action, gentrification, housing, new york, occupy movement, precarity, protest, situationists, social movements, spectacle
“The collision of activism and contemporary art, from the Seattle protests to Occupy and beyond
What is the relation of art to the practice of radical politics today? Strike Art explores this question through the historical lens of Occupy, an event that had artists at its core. Precarious, indebted, and radicalized, artists redirected their creativity from servicing the artworld into an expanded field of organizing in order to construct of a new—if internally fraught—political imaginary set off against the common enemy of the 1%. In the process, they called the bluff of a contemporary art system torn between ideals of radical critique, on the one hand, and an increasing proximity to Wall Street on the other—oftentimes directly targeting major art institutions themselves as sites of action.
Tracking the work of groups including MTL, Not an Alternative, the Illuminator, the Rolling Jubilee, and G.U.L.F, Strike Art shows how Occupy ushered in a new era of artistically-oriented direct action that continues to ramify far beyond the initial act of occupation itself into ongoing struggles surrounding labor, debt, and climate justice, concluding with a consideration of the overlaps between such work and the aesthetic practices of the Black Lives Matter movement.
Art after Occupy, McKee suggests, contains great potentials of imagination and action for a renewed left project that are still only beginning to ripen, at once shaking up and taking flight from the art system as we know it.”
Publisher Verso Books, London and New York, 2016
ISBN 9781784781880, 1784781886
Reviews: Marc James Léger (Marx & Philosophy, 2016), Philipp Kleinmichel (Radical Philosophy, 2018), Paloma Checa-Gismero (Field, 2016), John Ayscough (Visual Culture in Britain, 2017), Kristin Gecan (Chicago Review, 2016).
Discussion: Gregory Sholette, a.o. (e-flux supercommunity, 2016).
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Filed under book, catalogue | Tags: · art, art history, contemporary art, poetics, politics
“For the first time in the history of documenta, the companion publication attempts to go beyond a survey and interpretation of the exhibited works of art to document and analyze the cultural development of the western world from 1945 to 1997 in a rich selection of paintings, photos, plans, sketches, maps, essays, quotations, discussions, poems, philosophical essays and manifestos. The book unites the diverse forms of expression in an impressive collage. The artists of documenta X are introduced in a number of artist’s inserts. A provocative, enlivening and thoroughly current reader and reference work for anyone interested in the art and culture of our times.
Since 1955, the documenta exhibition in Kassel, Germany, has served as the world’s most important forum for contemporary art. This year’s series of interlocking exhibitions, conferences, performances, lectures, and – notably – publications will be the tenth documenta and the last of this century. Organized by the respected French curator Catherine David, documenta X is conceived as a manifestation culturelle including a program entitled “100 Days – 100 Guests” that will host an exceptional group of international figures. Acknowledging both the significance of its position at the end of the century and the dramatic aesthetic, technological, and political challenges facing culture in the future, Catherine David has carefully structured the programming for documenta X around two themes: first, a critical reflection on the development of culture since 1945, and, second, an interdisciplinary dialogue about the need for new categories of critical and political discourse. The question where culture stands today in the world serves as the focal intersection of these two organizing themes. Each previous documenta has had a profound impact on the art world: documenta X promises to serve as a genuinely international forum for artists, writers, and thinkers from all disciplines.
Conversations with: Benjamin Buchloh, New York; Andreas Branzi, Milan; Etienne Balibar, Paris; Jacques Rancière, Paris; Gayatri Chakravorty Spivak, New York Original contributions by: Peter Bürger, Bremen; Daniel Defert, Paris; Fabrizio Gallanti, Genoa; Serge Gruzinski, Paris; David Harvey, Baltimore; Masao Miyoshi, San Diego; Peter Noller and Klaus Ronneburger, Frankfurt; Hans-Joachim Ruckhaeberle, Berlin; Saskia Sassen, New York; Paul Sztulman, Paris, and others.”
Edited by documenta and Museum Fridericianum Veranstaltungs
Idea and conception by Catherine David and Jean-François Chevrier
Publisher Cantz, Ostfildern-Ruit, 1997
ISBN 3893229116, 9783893229116
Exh. reviews: Monica Amor (Third Text, 1997), Nancy Princenthal (Art/Text, 1997), Masao Miyoshi (New Left Review, 1998), Sabine Fabo (Leonardo, 1998), Kathryn Hixson (New Art Examiner, 1997), more.
Commentary: Universes in Universe (n.d.)
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Filed under book | Tags: · contemporary art, museology, museum
“What is the museum’s role? What should be its functions and activities in today’s society? What other operational and organizational models could be proposed to help overcome the modernist position by which the museum, as a repository of artistic essences, can make a universal reality visible in an immanent way? To debate these questions, the Association of Contemporary Art Directors of Spain – ADACE – constituted as a forum for reflection and debate, held in Baeza a conference in which those responsible for Spain’s museums reflected, together with their foreign colleagues, as well as artists and thinkers, on these matters in an idea-sharing session. The results of this meeting are published in this book.”
Interventions by Manuel Asensi, Mieke Bal, John Beverley, Manuel Borja-Villel, Benjamin Buchloh, Gustavo Buntinx, Jean-François Chevrier, Nuria Enguita Mayo, Javier González de Durana, Beatriz Herráez, Paulo Herkenhoff, Martin Jay, Ana Longoni, Ute Meta Bauer, Simón Marchán, Antoni Muntadas, Juan de Nieves, Martha Rosler, Suely Rolnik, Yolanda Romero, René Schérer, Allan Sekula, Teresa Velázquez, and Santos Zunzunegui.
Edited by Cesar Antonio Molina, Manuel Borja-Villel, Yolanda Romero, et al.
Publisher ADACE (Asociación de Directores de Arte Contemporáneo de España), 2009
ISBN 9788479930745, 8479930748