Filed under magazine | Tags: · art, black culture, contemporary art, politics, technology
“unbag is a semi-annual magazine that promotes critical engagement with contemporary art and politics. Commissioning artists, writers, and thinkers who work outside of mainstream discourses, unbag functions as a space to explore ideas through discussion and exchange.”
Edited by American Artist (1), Aaron Cooper (1-3), Andy Wentz (1), Charlie Markbreiter (2), Natalia Tuero Germán (2-3), and Mylo Mendez (3)
Publisher unbag, New York, 2017-2018
c.98 pages per issue
Filed under journal | Tags: · cloud computing, data, infrastructure, internet, media, storage, technology
“This special issue of Culture Machine brings together scholars from a broad range of disciplines such as anthropology, architecture, media and communication studies, and fine arts, who have engaged with data and cloud infrastructures in their academic or artistic work. Taking data centers as technological apparatus as a starting point, this issue aims to discuss the cloud’s philosophical, political, social, and environmental impacts and maps the diverse sociotechnical assemblages which emerge in the course of cloud infrastructuring processes. How do the infrastructures of the cloud integrate into local political contexts and industrial landscapes? How do the cloud’s technologies relate to the emergence of specific forms of subjectivity, sociality, and urbanity? How can the barely visible and secret industrial spaces of the cloud be made visible and opened up for public engagement? And what does the study of data centers tell us about our current social moment?”
Contributions by Adam Fish and Bradley L. Garrett, Alix Johnson, Anthony M Levenda and Dillon Mahmoudi, Vicki Mayer, Matt Parker, Anne Pasek, A.R.E Taylor, Julia Velkova, Asta Vonderau, Sean RM Willett.
Edited by Mél Hogan and Asta Vonderau
Publisher Open Humanities Press, March 2019
Filed under book | Tags: · activism, art, citizenship, finance, technology, theory
“Today, we live in a world where every time we turn on our smartphones, we are inextricably tied by data, laws and flowing bytes to different countries. A world in which personal expressions are framed and mediated by digital platforms, and where new kinds of currencies, financial exchange and even labor bypass corporations and governments. Simultaneously, the same technologies increase governmental powers of surveillance, allow corporations to extract ever more complex working arrangements and do little to slow the construction of actual walls along actual borders. On the one hand, the agency of individuals and groups is starting to approach that of nation states; on the other, our mobility and hard-won rights are under threat. What tools do we need to understand this world, and how can art assist in envisioning and enacting other possible futures?”
Contributors: James Bridle, Max Dovey, Marc Garrett, Valeria Graziano, Max Haiven, Lynn Hershman Leeson, Francis Hunger, Helen Kaplinsky, Marcell Mars, Tomislav Medak, Rob Myers, Emily van der Nagel, Rachel O’Dwyer, Lídia Pereira, Rebecca L. Stein, Cassie Thornton, Paul Vanouse, Patricia de Vries, Krystian Woznicki.
Edited by Yiannis Colakides, Marc Garrett, and Inte Gloerich
Publisher Institute of Network Cultures, Amsterdam, 2019
Creative Commons BY-NC-SA 4.0 License