Filed under online resource | Tags: · animal, anthropocene, art, ecology, environment, human, infrastructure
“Feral Atlas invites you to explore the ecological worlds created when nonhuman entities become tangled up with human infrastructure projects. Seventy-nine field reports from scientists, humanists, and artists show you how to recognize “feral” ecologies, that is, ecologies that have been encouraged by human-built infrastructures, but which have developed and spread beyond human control. These infrastructural effects, Feral Atlas argues, are the Anthropocene.
Playful, political, and insistently attuned to more-than-human histories, Feral Atlas does more than catalog sites of imperial and industrial ruin. Stretching conventional notions of maps and mapping, it draws on the relational potential of the digital to offer new ways of analyzing—and apprehending—the Anthropocene; while acknowledging danger, it demonstrates how in situ observation and transdisciplinary collaboration can cultivate vital forms of recognition and response to the urgent environmental challenges of our times.”
Curated and Edited by Anna L. Tsing, Jennifer Deger, Alder Keleman Saxena and Feifei Zhou
Publisher Stanford University Press, 2020
ISBN 9781503615045, 1503615049
Filed under book | Tags: · aesthetics, affect, archive, art, care, commons, digital culture, infrastructure, knowledge, library, piracy, shadow library, theory
“What do a feminist server, an art space located in a public park in North London, a ‘pirate’ library of high cultural value yet dubious legal status, and an art school that emphasizes collectivity have in common? They all demonstrate that art can play an important role in imagining and producing a real quite different from what is currently hegemonic; that art has the possibility to not only envision or proclaim ideas in theory, but also to realize them materially.
Aesthetics of the Commons examines a series of artistic and cultural projects—drawn from what can loosely be called the (post)digital—that take up this challenge in different ways. What unites them, however, is that they all have a ‘double character.’ They are art in the sense that they place themselves in relation to (Western) cultural and art systems, developing discursive and aesthetic positions, but, at the same time, they are ‘operational’ in that they create recursive environments and freely available resources whose uses exceed these systems. The first aspect raises questions about the kind of aesthetics that are being embodied, the second creates a relation to the larger concept of the ‘commons.’ In Aesthetics of the Commons, the commons are understood not as a fixed set of principles that need to be adhered to in order to fit a definition, but instead as a ‘thinking tool’—in other words, the book’s interest lies in what can be made visible by applying the framework of the commons as a heuristic device.”
Contributors: Olga Goriunova, Jeremy Gilbert, Judith Siegmund, Daphne Dragona, Magdalena Tyzlik-Carver, Gary Hall, Ines Kleesattel, Sophie Toupin, Rahel Puffert and Christoph Brunner.
Publisher diaphanes, Zürich, January 2021
Creative Commons BY-NC-ND 4.0 License
Review: Gerald Raunig (transversal, 2021, DE).
See also Open Scores: How to Program the Commons (2020).Comment (0)
Filed under artists publishing | Tags: · collaboration, feminism, infrastructure
“Iterations was a series of residencies, exhibitions, research meetings and artistic exchanges committed to investigate the future of artistic collaboration in digitally networked contexts. Iterations is now also a publication that creates and inspires new concepts and openings for works yet to be developed.”
“The editors created a set of descriptions of common threads that were called ‘handles’, and invited each contributor to respond to one of them. During the ‘editorial sprint’ to process the material, scores were produced that allowed for a transversal reading of the contributions (see insert booklet). This practice was named ‘x-dexing’.”
With contributions by Kym Ward, Behuki, common ground, Rica Rickson, Collective Conditions, spideralex.
Edited by Jara Rocha and Manetta Berends
Design by Manetta Berends
Publisher Constant, Brussels, May 2020
Free Art License
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