Clemens Apprich, Wendy Hui Kyong Chun, Florian Cramer, Hito Steyerl: Pattern Discrimination (2018)

14 November 2018, dusan

“Algorithmic identity politics reinstate old forms of social segregation—in a digital world, identity politics is pattern discrimination. It is by recognizing patterns in input data that Artificial Intelligence algorithms create bias and practice racial exclusions thereby inscribing power relations into media. How can we filter information out of data without reinserting racist, sexist, and classist beliefs?”

Publisher meson press, Lüneburg, in collaboration with the University of Minnesota Press, 2018
In Search of Media series
CC-BY-NC 4.0 International License
ISBN 9781517906450
xii+123 pages

Publisher
WorldCat

PDF, PDF

Umbrella: The Anthology, 1978-1998 (1999)

4 November 2018, dusan

Essential anthology of writings from 1978-1998 published in the periodical Umbrella.

“It is hard to believe that more than twenty years have passed since the first issue of Umbrella was issued as a fledgling newsletter catering to the ever-changing vicissitudes of contemporary visual art, especially that of artist books, mail art, video art, rubber-stamps, audio art, and everything else that was considered not very important in the realm of the nearly new ‘market’ which came with the eighties and the boom in contemporary and modern art. … Many of these articles respond to a conference, symposium, a book art exhibition, all referring to date-sensitive events. But in a strange way, it also marks a trace of a historic moment, one in which there was a vitality and an energy, in which book publishers, resource collectors, multi-faceted artists, and curators did whatever seemed right at the moment. Many of our colleagues are gone, the publishers have quit their businesses, and alternative spaces and foundations which nourished their work are no longer extant. So read these chapters as if you were reading ‘you are there’ historic moments, traces of memory, and the markers in the history of alternative in the contemporary art world of the past twenty years.” — Judith A. Hoffberg (1934-2009) from book’s foreword.

Contributions by Clive Phillpot, Ken Friedman, Ita Aber, Walter Askin, Anna Banana, Mariona Barkus, Guy Bleus, Sas Colby, Patricia Collins, Jules Engel, J.C. Gagnon, William Harroff, Dick Higgins, E.F. Higgins III, Ruggero Maggi, Janet Pyle, Marilyn Rosenberg and Miriam Schaer.

Articles about and interviews with Ulises Carrión, Warja Lavater, Paul Zelevansky, Phil Dadson, Rod Summers, Maurizio Nannucci, Klaus Groh, Bern Porter, Wolf Vostell, Kevin Osborn, Juliao Sarmento, Paula Claire, Angela Pahler, Peter Kusterman, Leavenworth Jackson, Richard Kostelanetz, Elaine Langerman, Lawrence Weiner, George Maciunas, Jean Brown, and Judith A. Hoffberg.

Edited by Judith A. Hoffberg
Publisher Umbrella Editions, Santa Monica, CA, 1999
ISBN 0963504223, 9780963504227
164 pages

WorldCat

PDF (58 MB)

The Guests Go in to Supper (1986)

4 November 2018, dusan

Featuring the works of seven composers, John Cage, Robert Ashley, Yoko Ono, Laurie Anderson, Charles Amirkhanian, Michael Peppe, and K. Atchley, who employ text as an integral part of their compositions, The Guests Go in to Supper is a collection of scores, texts, and interviews with the composers on their ideas on music, daily life, and the future’s possibilities.

Edited and designed by Melody Sumner, Kathleen Burch, and Michael Sumner
Foreword by Frances Butler
Introductions by Charles Shere
Publisher Burning Books, Oakland & San Francisco, 1986
ISBN 0936050055, 9780936050058
384 pages

Reviews: Mitchel Gass (Leonardo, 1988), (), (), ().

Publisher
WorldCat

PDF