Filed under book | Tags: · biography, body, capitalism, desire, diary, feminism, gender, necropolitics, politics, queer, queer theory, sexuality, theory, transgender, utopia
“A ‘dissident of the gender-sex binary system’ reflects on gender transitioning and political and cultural transitions in technoscientific capitalism.
Uranus, the frozen giant, is the coldest planet in the solar system as well as a deity in Greek mythology. It is also the inspiration for uranism, a concept coined by the writer Karl Heinrich Ulrich in 1864 to define the “third sex” and the rights of those who “love differently.” Following Ulrich, Paul B. Preciado dreams of an apartment on Uranus where he might live beyond existing power, gender and racial strictures invented by modernity. “My trans condition is a new form of uranism,” he writes. “I am not a man. I am not a woman. I am not heterosexual. I am not homosexual. I am not bisexual. I am a dissident of the gender-sex binary system. I am the multiplicity of the cosmos trapped in a binary political and epistemological system, shouting in front of you. I am a uranist confined inside the limits of technoscientific capitalism.”
This book recounts Preciado’s transformation from Beatriz into Paul B., but it is not only an account of gender transitioning. Preciado also considers political, cultural, and sexual transition, reflecting on issues that range from the rise of neo-fascism in Europe to the technological appropriation of the uterus, from the harassment of trans children to the role museums might play in the cultural revolution to come.”
Preface by Virginie Despentes
Publisher Bernard Grasset, Paris, 2019
ISBN 9782246820666, 2246820669
Introduction by Virginie Despentes
Publisher Anagrama, Barcelona, 2019
ISBN 9788433998767, 8433998765
Foreword by Virginie Despentes
Translated by Charlotte Mandell
Publisher Semiotext(e), South Pasadena, CA, 2020
ISBN 9781635901139, 1635901138
Reviews: Eugénie Bourlet (En attendant Nadeau, 2019, FR), Kevin Lambert (Spirale, 2020, FR), Pierre Niedergang (Diacritik, 2019, FR), Thomas Liano (French Studies, 2020, FR), Bernabé Sarabia (El Cultural, 2019, ES), Emilia Holstein (Feminacida, 2020, ES), Alexandra Marraccini (review31, 2020), Megan Milks (4Columns), Bryony White (Frieze, 2020), Kevin Brazil (ArtReview, 2020).
Un appartement sur Uranus: chroniques de la traversée (French, 2019, MOBI)
Un apartamento en Urano: crónicas del cruce (Spanish, 2019)
An Apartment on Uranus: Chronicles of the Crossing (English, trans. Charlotte Mandell, 2020)
Filed under book | Tags: · acoustics, city, ecology, listening, music, noise, sound, urban design, urbanism
“The Acoustic City consists of a series of essays on sound and the city. The book comprises five thematic sections: urban soundscapes with an emphasis on the distinctiveness of the urban acoustic realm; acoustic flânerie and the recording of sonic environments; sound cultures arising from specific associations between music, place, and sound; acoustic ecologies including relationships between architecture, sound, and urban design; and the politics of noise extending to different instances of anxiety or conflict over sound. This essay collection will be of interest to a wide range of disciplines including architecture, cultural studies, geography, musicology, and urban sociology.”
Publisher Jovis, Berlin, 2014
ISBN 3868592717, 9783868592719
Filed under book | Tags: · art, image, internet, media, networks, politics
“The proxy, a decoy or surrogate, is today often used to designate a computer server acting as an intermediary for requests from clients. Originating in the Latin procurator, an agent representing others in a court of law, proxies are now emblematic of a post-democratic political age, one increasingly populated by bot militias, puppet states, and communication relays. Thus, the proxy works as a dialectical figure that is woven into the fabric of networks, where action and stance seem to be masked, calculated and remote-controlled.
This publication looks at proxy-politics on both a micro and a macro level, exploring proxies as objects, as well as networks as objects. What is the relation between the molecular and the planetary? How to fathom the computational regime? Yet, whilst being a manifestation of the networked age, thinking like a proxy offers loopholes and strategies for survival within it.
The Research Center for Proxy Politics (RCPP) explores and reflects upon the nature of medial networks and their actors. Between September 2014 and August 2017, the center hosted workshops, lectures and events at the Universität der Künste, Berlin, under the auspices of Hito Steyerl’s Lens-based class.”
Contributors: Tom McCarthy, Kodwo Eshun, Goldin+Senneby, Brian Holmes, Nick Houde, Jonathan Jung, Laura Katzauer, Boaz Levin, Mikk Madisson, Doreen Mende, Sondra Perry, Oleksiy Radynski, Robert Rapoport, Hito Steyerl, thricedotted, Vera Tollmann, Miloš Trakilović.
Edited by Research Center for Proxy Politics (Vera Tollmann and Boaz Levin)
Publisher Archive Books, Berlin, October 2017
ISBN 3943620719, 9783943620719
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