Alessandro Petti, Sandi Hilal, Eyal Weizman: Architecture after Revolution: Decolonizing Architecture Art Residency (2013)

17 September 2019, dusan

“The work presented in this book is an invitation to undertake an urgent architectural and political thought experiment: to rethink today’s struggles for justice and equality not only from the historical perspective of revolution, but also from that of a continued struggle for decolonization; consequently, to rethink the problem of political subjectivity not from the point of view of a Western conception of a liberal citizen but rather from that of the displaced and extraterritorial refugee. You will not find here descriptions of popular uprising, armed resistance, or political negotiations, despite these of course forming an integral and necessary part of any radical political transformation. Instead, the authors present a series of provocative projects that try to imagine “the morning after revolution.”

Located on the edge of the desert in the town of Beit Sahour in Palestine, the architectural collective Decolonizing Architecture Art Residency (DAAR) has since 2007 combined discourse, spatial intervention, collective learning, public meetings, and legal challenges to open an arena for speculating about the seemingly impossible: the actual transformation of Israel’s physical structures of domination. Against an architectural history of decolonization that sought to reuse colonial architecture for the same purpose for which it was originally built, DAAR sees opportunities in a set of playful propositions for the subversion, reuse, profanation, and recycling of these structures of domination and the legal infrastructures that sustain them.

DAAR’s projects should be understood as a series of architectural fables set in different locations: an abandoned military base near Beit Sahour, the refugee camp of Dheisheh in Bethlehem, the remnants of three houses on the Jaffa beach, the uncompleted Palestinian Parliament building, the historical village of Battir, the village of Miska destroyed during the Nakba, and the red-roofed West Bank colony of Jabel Tawil (P’sagot) next to Ramallah-El Bireh.”

Publisher Sternberg Press, Berlin, 2013
ISBN 9783943365795, 3943365794
205 pages
via authors

Review: Nick Axel (Domus, 2014).
Commentary: Stephanie Bailey (Ibraaz, 2014).

Publisher
WorldCat

PDF (17 MB)

Sandi Hilal, Alessandro Petti: Permanent Temporariness (2018)

17 September 2019, dusan

“Since their first work, Stateless Nation at the Venice Biennial in 2003, and throughout their more recent architectural interventions in refugee camps, the artistic practice of Sandi Hilal and Alessandro Petti has explored and acted within and against the condition of permanent temporariness that permeates contemporary forms of life. In their ambitious research and project-based practice, art exhibitions are both sites of display and sites of action that spill over into other contexts: built architectural structures, the shaping of critical learning environments, interventions that challenge dominant collective narratives, the production of new political imaginations, the re-definition of words, and the formation of civic spaces.

This book is organized around fourteen concepts that activate seventeen different projects. Each project is the result of a larger process of collaboration and is accompanied by individual and collective texts and interviews that contextualize and expand the reach of every intervention.

Contributors to projects and texts include Maria Nadotti, Charles Esche, Robert Latham, Salwa Mikdadi, Eyal Weizman, Okwui Enwezor, Munir Fasheh, Grupo Contrafilé, Murad Odeh, and Rana Abughannam.”

Publisher Art and Theory Publishing, Stockholm, and Royal Institute of Art, Stockholm, 2018
ISBN 9789188031709, 9188031705
384 pages
via authors

Publisher
WorldCat

PDF, PDF (20 MB)

Radu Stern: Against Fashion: Clothing as Art 1850-1930 (1992–)

17 September 2019, dusan

“An indispensable guide to the historical avant-garde’s appropriation of clothing as an art form; includes over 100 illustrations and an anthology of artists’ writings.

The late nineteenth-century invention of ‘fashion’ as we understand it today inspired avant-garde artists of the period to create an art form to counter commercial fashion. These artists saw clothing not as a symbol of class distinction but as a force for shaping experience—an opportunity to make things new, to go beyond the traditional boundaries of art. For many artists, therefore, dress design was too important to be left to the fashion designers; they would appropriate clothing as an art form that could break through the traditional boundaries of “pure” art to act directly on life.

Against Fashion is the history of the modern relationship between artists and this ideal ‘anti-fashion.’ Radu Stern traces the development of clothes as art by artists of the late nineteenth and early twentieth centuries. He discusses contributions to the new art form by various artistic movements of the historical avant-garde, including Art Nouveau, the Werkbund, Cubism, Futurism, Constructivism, and the Bauhaus; he examines the work of such key figures as Henry van de Velde, Gustav Klimt, and Sonia Delaunay. The book includes more than 100 illustrations, many in color, as well as an anthology of essential writings and documents by artists and writers of the period, some of them translated into English for the first time. The artists and works examined display a diversity of styles and ideas, but all share the desire to reject the mercantile logic of commercial fashion and replace it with a utopian ‘anti-fashion.'”

Originally published as A contre-courant: vêtements d’artistes / Gegen den Strich: Kleider von Künstlern, 1900-1940, Benteli, Bern, 1992.

Publisher MIT Press, 2004
ISBN 0262194937, 9780262194938
205 pages

Reviews: Robert Radford (The Art Book, 2004), Diana Crane (Modernism/Modernity, 2005), Elana Shapira (Studies in the Decorative Arts, 2005), Roy R. Behrens (Leonardo, 2005), Elana Shapira (West 86th, 2005), Jane Tynan (J Consumer Culture, 2005).

Publisher
WorldCat

PDF (13 MB)