Bernard Stiegler: The Neganthropocene (2018)

25 April 2018, dusan

“As we drift past tipping points that put future biota at risk, while a post-truth regime institutes the denial of ‘climate change’ (as fake news), and as Silicon Valley assistants snatch decision and memory, and as gene-editing and a financially-engineered bifurcation advances over the rising hum of extinction events and the innumerable toxins and conceptual opiates that Anthropocene Talk fascinated itself with—in short, as ‘the Anthropocene’ discloses itself as a dead-end trap—Bernard Stiegler here produces the first counter-strike and moves beyond the entropic vortex and the mnemonically stripped Last Man socius feeding the vortex.

In the essays and lectures here titled Neganthropocene, Stiegler opens an entirely new front moving beyond the dead-end “banality” of the Anthropocene. Stiegler stakes out a battleplan to proceed beyond, indeed shrugging off, the fulfillment of nihilism that the era of climate chaos ushers in. Understood as the reinscription of philosophical, economic, anthropological and political concepts within a renewed thought of entropy and negentropy, Stiegler’s ‘Neganthropocene’ pursues encounters with Alfred North Whitehead, Jacques Derrida, Gilbert Simondon, Peter Sloterdijk, Karl Marx, Benjamin Bratton, and others in its address of a wide array of contemporary technics: cinema, automation, neurotechnology, platform capitalism, digital governance and terrorism. This is a work that will need be digested by all critical laborers who have invoked the Anthropocene in bemused, snarky, or pedagogic terms, only to find themselves having gone for the click-bait of the term itself—since even those who do not risk definition in and by the greater entropy.”

Edited, translated, and with an introduction by Daniel Ross
Publisher Open Humanities Press, London, 2018
CCC2: Irreversibility series
Creative Commons BY-SA 4.0 License
ISBN 9781785420481
345 pages

Publisher

PDF, PDF

P. Adams Sitney (ed.), Film Culture Reader (1970)

29 November 2017, dusan

“This compilation from Film Culture magazine―the pioneering periodical in avant-garde film commentary―includes contributors like Charles Boultenhouse, Erich von Stroheim, Michael McClure, Stan Brakhage, Annette Michelson, Arthur Miller, Dylan Thomas, Andrew Sarris, Rudolph Arnheim, Jonas Mekas, and Parker Tyler. This collection covers a range of topics in twentieth century cinema, from the Auteur Theory to the commercial cinema, from Orson Welles to Kenneth Anger.”

Publisher Praeger Publishers, New York, 1970
Reprint, Cooper Square Press, New York, 2000
ISBN 0815411014, 9780815411017
viii+438 pages

Publisher
WorldCat

PDF (23 MB)

Rudolf E. Kuenzli (ed.): Dada and Surrealist Film (1987)

15 November 2017, dusan

“This collection of thirteen original essays analyzes connections between film and two highly influential twentieth-century movements. The essays, which comment on specific films and deal with theoretical and topical questions, are framed by a documentary section that includes a photographic reproduction of the manuscript scenario for Robert Desnos’s and Man Ray’s L’Etoile de mer, and an introduction by the editor that provides a cogent working model for the difference between Dada and Surrealist perspectives.” (back cover)

Publisher Willis Locker & Owens, New York, 1987
This edition by MIT Press, 1996
ISBN 026261121X, 9780262611213
254 pages

Reviews: Andrew Horton (Film Quarterly, 1990), Bettina L. Knapp (L’Esprit Créateur, 1990).

Publisher
WorldCat

PDF (75 MB, no OCR)