Sylvia Wynter: On Being Human as Praxis (2015)

14 July 2020, dusan

“The Jamaican writer and cultural theorist Sylvia Wynter is best known for her diverse writings that pull together insights from theories in history, literature, science, and black studies, to explore race, the legacy of colonialism, and representations of humanness. Sylvia Wynter: On Being Human as Praxis is a critical genealogy of Wynter’s work, highlighting her insights on how race, location, and time together inform what it means to be human. The contributors explore Wynter’s stunning reconceptualization of the human in relation to concepts of blackness, modernity, urban space, the Caribbean, science studies, migratory politics, and the interconnectedness of creative and theoretical resistances. The collection includes an extensive conversation between Sylvia Wynter and Katherine McKittrick that delineates Wynter’s engagement with writers such as Frantz Fanon, W. E. B. DuBois, and Aimé Césaire, among others; the interview also reveals the ever-extending range and power of Wynter’s intellectual project, and elucidates her attempts to rehistoricize humanness as praxis.”

Essays by Katherine McKittrick, Denise Ferreira da Silva, Walter D. Mignolo, Bench Ansfield, Nandita Sharma, Rinaldo Walcott, Carole Boyce Davies, Demetrius L. Eudell, and a conservation with Sylvia Wynter.

Edited by Katherine McKittrick
Publisher Duke University Press, Durham and London, 2015
ISBN 9780822358343, 0822358344
xiii+290 pages

Reviews: Anthony Bayani Rodriguez (Antipode, 2015), Lea Hülsen (Kult, 2016), Kaiama L. Glover (Contemporary Women’s Writing, 2016), Inge Mathijssen (philoSOPHIA, 2018), Lauren Nelson (E3W Review of Books, 2019).

Publisher
WorldCat

PDF, PDF

Open Scores: How to Program the Commons (2020)

11 June 2020, dusan

“The exhibition OPEN SCORES brought together a series of practices through which artists articulate their specific forms of digital commons. From online archives, to digital tools/infrastructure and educational formats, the projects envision a (post-)digital culture in which notions of collaboration, free access to knowledge, sustainable use of shared resources and data privacy are central. For the exhibition, each of the projects created a unique score to present their practice.”

Participants: Dušan Barok (monoskop.org), Marcell Mars & Tomislav Medak (memoryoftheworld.org), Sebastian Lütgert & Jan Gerber (0xdb.org), Kenneth Goldsmith (ubu.com), Sean Dockray (AAAAARG), Zeljko Blace (#QUEERingNETWORKing), Ruth Catlow & Marc Garrett (furtherfield.org), Laurence Rassel (erg.be), Marek Tuszynski (Tactical Tech), Michael Murtaugh, Femke Snelting & Peter Westenberg (Constant), Stefanie Wuschitz (Mz* Baltazar’s Lab), Panayotis Antoniadis (nethood.org), Alessandro Ludovico (neural.it), Eva Weinmayr (andpublishing.org), spideralex, Sakrowski (curatingyoutube.net), Creating Commons.

Curated by Creating Commons (Shusha Niederberger, Cornelia Sollfrank, Felix Stalder).

Publisher Creating Commons, Jun 2020
Creative Commons BY-SA 4.0 International License
[40] pages

Project website
Exhibition
Publisher

PDF (40 MB)

Vladan Joler, Matteo Pasquinelli: The Nooscope Manifested: AI as Instrument of Knowledge Extractivism (2020)

1 May 2020, dusan

“The Nooscope is a cartography of the limits of artificial intelligence, intended as a provocation to both computer science and the humanities. Any map is a partial perspective, a way to provoke debate. Similarly, this map is a manifesto — of AI dissidents.”

“The Nooscope is a visual manifesto of AI as instrument of knowledge extractivism. The Nooscope is also an experiment in academic publication and critical tools for AI studies. The large diagram and the essay can be browsed online or downloaded in PDF format and printed on a large scale.”

Publisher KIM research group, Karlsruhe University of Arts and Design, Karlsruhe, and Share Lab, Novi Sad, 1 May 2020
Open access

Diagram & Essay HTML
Diagram PDF
Essay PDF