Dubravka Djurić, Miško Šuvaković (eds.): Impossible Histories: Historical Avant-gardes, Neo-avant-gardes, and Post-avant-gardes in Yugoslavia, 1918-1991 (2003)
Filed under book | Tags: · architecture, art history, avant-garde, conceptual art, literature, manifesto, music history, neo-avant-garde, post-avant-garde, postmodern, retro-avant-garde, video art, yugoslavia
“Impossible Histories is the first critical survey of the extraordinary experiments in the arts that took place in the former Yugoslavia from the country’s founding in 1918 to its breakup in 1991. The combination of Austro-Hungarian, French, German, Italian, and Turkish influences gave Yugoslavia’s avant-gardes a distinct character unlike those of other Eastern and Central European avant-gardes. The book explores movements such as Belgrade surrealism, signalism, Yugo-Dada, and zenitism; the groups Alfa, Exat 51, Gorgona, OHO, and Scipion Nasice Sisters Theater; or the magazines Danas, Rdeči pilot, Tank, Vecnost, and Zvrk.
The pieces in this collection offer comparative and interpretive accounts of the avant-gardes in the former Yugoslavian countries of Croatia, Serbia, and Slovenia. The book is divided into four sections: Art and Politics; Literature; Visual Art and Architecture; and Art in Motion (covering theater, dance, music, film, and video). All of the contributors live in the region and many of them participated in the movements discussed. The book also reprints a selection of the most important manifestos generated by all phases of Yugoslav avant-garde activity.”
Publisher MIT Press, 2003
ISBN 0262042169, 9780262042161
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Filed under book | Tags: · computer music, electronic music, music, music criticism, music history, musical instruments, sound, sound synthesis
A classic of electronic music history based on 150 interviews by an active participant in the northeast American scene.
Publisher Prentice Hall, Upper Saddle River, NJ, 1997
ISBN 0133032310, 9780133032314
Reviews: Marc Battiq Ircam (Leonardo Music Journal, 1997), Anna Laura Arpel (Computer Music Journal, 1997), Warren Burt (Computer Music Journal, 1998), Rebecca Coyle (Convergence, 1999), Darwin Grosse (Cycling74, 2018), Jay Williston (Synthmuseum, n.d.).
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Christopher Dunn: Brutality Garden: Tropicália and the Emergence of a Brazilian Counterculture (2001)
Filed under book | Tags: · brazil, counterculture, cultural history, music, music criticism, music history, tropicalia
“In the late 1960s, Brazilian artists forged a watershed cultural movement known as Tropicália. Music inspired by that movement is today enjoying considerable attention at home and abroad. Few new listeners, however, make the connection between this music and the circumstances surrounding its creation, the most violent and repressive days of the military regime that governed Brazil from 1964 to 1985. With key manifestations in theater, cinema, visual arts, literature, and especially popular music, Tropicália dynamically articulated the conflicts and aspirations of a generation of young, urban Brazilians.
Focusing on a group of musicians from Bahia, an impoverished state in northeastern Brazil noted for its vibrant Afro-Brazilian culture, Christopher Dunn reveals how artists including Caetano Veloso, Gilberto Gil, Gal Costa, and Tom Zé created this movement together with the musical and poetic vanguards of São Paulo, Brazil’s most modern and industrialized city. He shows how the tropicalists selectively appropriated and parodied cultural practices from Brazil and abroad in order to expose the fissure between their nation’s idealized image as a peaceful tropical “garden” and the daily brutality visited upon its citizens.”
Publisher University of North Carolina Press, Chapel Hill, NC, 2001
ISBN 0807849766, 9780807849767
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