Cyber Folk: Digbee’s Electronic Chronicle (2019)

2 January 2020, dusan

Cyber Folk: Digbee’s Electronic Chronicle gives a thorough look into a unique, highly personal approach to musical electronic instrument building, an approach that is many things: naïve, enthusiastic, sincere, alien, and familiar. This strange future/primitive work journal contains the release of tons of data, beautiful photos, schematics, building techniques, and the inside stories behind many of Digbee’s most beloved instruments.

Also inside are artist features for Digbee’s favorite musical electronic practitioners. Within are never-before-published photos and stories of the work of Craig Anderton, Charles Cohen, Michael Johnsen, and Nautical Almanac’s Twig Harper and Carly Ptak.

Peppered throughout the book are examples of connected imagery from comic books and science fiction illustration.

This book was not written for a specific niche. Anyone with a curious mind and interest in musical electronics, experimental music, art, and craft will find a place of connection.

Cyber Folk: Digbee’s Electronic Chronicle is produced by Harpy Gallery and Selfish 60 Studio for the art exhibition entitled New American Instruments which was up from July 20th to August 10th, 2019.”

Publisher Harpy Gallery & Selfish 60 Studio, Rutherford, NJ, 2019
143 pages

Publisher

PDF (21 MB)

Michel Chion: La musique du futur: a-t-elle un avenir? (1977) [French]

8 August 2019, dusan

Entretiens menés en 1975-76 auprès de compositeurs/trices de tous horizons, dont Pierre Schaeffer, Luc Ferrari, Luciano Berio, René Bastian, Ghédalia Tazartès, Louise Garriépi, Klaus Ager, Ilhan Mimaroglu, Laurie Spiegel, etc.

Publisher Institut national de l’audiovisuel (INA)/GRM, Paris, 1977
Cahiers Recherche/Musique, 4
148 pages
via author

WorldCat

PDF

Joel Chadabe: Electric Sound: The Past and Promise of Electronic Music (1997)

6 July 2019, dusan

A classic of electronic music history based on 150 interviews by an active participant in the northeast American scene.

Publisher Prentice Hall, Upper Saddle River, NJ, 1997
ISBN 0133032310, 9780133032314
xiv+370 pages
via x

Reviews: Marc Battiq Ircam (Leonardo Music Journal, 1997), Anna Laura Arpel (Computer Music Journal, 1997), Warren Burt (Computer Music Journal, 1998), Rebecca Coyle (Convergence, 1999), Darwin Grosse (Cycling74, 2018), Jay Williston (Synthmuseum, n.d.).

Author
WorldCat

PDF (44 MB)