Filed under book | Tags: · art, art criticism, climate, cosmology, ice, indigenous peoples, maori, media, meteorology, science, sensors, weather, wind
“An exploration of artworks that use weather or atmosphere as the primary medium, creating new coalitions of collective engagement with the climate crisis.
In a time of climate crisis, a growing number of artists use weather or atmosphere as an artistic medium, collaborating with scientists, local communities, and climate activists. Their work mediates scientific modes of knowing and experiential knowledge of weather, probing collective anxieties and raising urgent ecological questions, oscillating between the “big picture systems view” and a ground-based perspective. In this book, Janine Randerson explores a series of meteorological art projects from the 1960s to the present that draw on sources ranging from dynamic, technological, and physical systems to indigenous cosmology.
Randerson finds a precursor to today’s meteorological art in 1960s artworks that were weather-driven and infused with the new sciences of chaos and indeterminacy, and she examines work from this period by artists including Hans Haacke, Fujiko Nakaya, and Aotearoa-New Zealand kinetic sculptor Len Lye. She looks at live experiences of weather in art, in particular Fluxus performance and contemporary art that makes use of meteorological data streams and software. She describes the use of meteorological instruments, including remote satellite sensors, to create affective atmospheres; online projects and participatory performances that create a new form of “social meteorology”; works that respond directly to climate change, many from the Global South; artist-activists who engage with the earth’s diminishing cryosphere; and a speculative art in the form of quasi-scientific experiments. Art’s current eddies of activity around the weather, Randerson writes, perturb the scientific hold on facts and offer questions of value in their place.”
Publisher MIT Press, 2018
ISBN 9780262038270, 0262038277
Golo Föllmer, Alexander Badenoch (eds.): Transnationalizing Radio Research: New Approaches to an Old Medium (2018)
Filed under book | Tags: · archive, community radio, media, media studies, radio
“Transnationalizing Radio Research presents a theoretical and methodological guide for exploring radio’s multiple »global ages«, from its earliest years through its recent digital transformations. It offers radio scholars theoretical tools and concrete case studies for moving beyond national research frames. It gives radio practitioners inspiration for production and archiving, and offers scholars from many disciplines new ways to incorporate radio’s vital voices into work on transnational institutions, communities, histories and identities.”
Publisher transcript, Bielefeld, 2018
Creative Commons BY-NC-ND License 4.0
ISBN 9783837639131, 3837639134
Katsuhiro Yamaguchi: ロボット・アヴァンギャルド―20世紀芸術と機械 (Robot Avant-Garde: 20th Century Art and the Machine, 1985) [Japanese]
Filed under book | Tags: · art history, avant-garde, environment, japan, kinetic art, media, media art, performance, performance art, robots, video art
A historical treatise on art and technology written by the Japanese pioneer of media art Katsuhiro Yamaguchi (山口勝弘, 1928-2018), a founding member of the avant-garde group Jikken Kōbō (Experimental Workshop, 1951-1957).
The Yamaguchi Katsuhiro Archive contains documentation of the artist’s oeuvre, including scans of his publications.
Publisher Parco, Tokyo, 1985
ISBN 4891940980, 9784891940980
via Yamaguchi Katsuhiro Archive