Jan Pettersson (ed.): Printmaking in the Expanded Field (2017)

27 October 2020, dusan

“Radical changes within the field of printmaking the last twenty years have changed the approach towards media. Printmaking is now an art form that consists of sculpture, performance, clothes, installation, the commercial aspect, cyberspace, artist books, multiples, ready-mades, newspapers etc. This publication discusses the situation of printmaking today, from its tradition, theoretical aspects and future visions.

The publication concludes a research seminar held at Oslo National Academy of the Arts in September 2015.

Publisher Oslo National Academy of the Arts, Oslo, 2017
Open access
ISBN 9788292613665
384 pages

Conference (incl. video recordings)
Book launch (incl. video recording)
Publisher

PDF, PDF

Nicholas Thoburn: Anti-Book: On the Art and Politics of Radical Publishing (2014–) [EN, SC]

25 January 2017, dusan

“No, Anti-Book is not a book about books. Not exactly. And yet it is a must for anyone interested in the future of the book. Presenting what he terms “a communism of textual matter,” Nicholas Thoburn explores the encounter between political thought and experimental writing and publishing, shifting the politics of text from an exclusive concern with content and meaning to the media forms and social relations by which text is produced and consumed. Taking a “post-digital” approach in considering a wide array of textual media forms, Thoburn invites us to challenge the commodity form of books—to stop imagining books as transcendent intellectual, moral, and aesthetic goods unsullied by commerce. His critique is, instead, one immersed in the many materialities of text.

Anti-Book engages with an array of writing and publishing projects, including Antonin Artaud’s paper gris-gris, Valerie Solanas’s SCUM Manifesto, Guy Debord’s sandpaper-bound Mémoires, the collective novelist Wu Ming, and the digital/print hybrid of Mute magazine. Empirically grounded, it is also a major achievement in expressing a political philosophy of writing and publishing, where the materiality of text is interlaced with conceptual production. Each chapter investigates a different form of textual media in concert with a particular concept: the small-press pamphlet as “communist object,” the magazine as “diagrammatic publishing,” political books in the modes of “root” and “rhizome,” the “multiple single” of anonymous authorship, and myth as “unidentified narrative object.””

Publisher University of Minnesota Press, 2016
Cultural Critique Books series
ISBN 9780816621965, 0816621969
xvi+372 pages

Interview with author: Ron Hanson (White Fungus, 2020).
Reviews: Filipe Carreira da Silva (Contemporary Political Theory, 2017), Anthony Iles (Mute, 2018), Samuel A. Moore (Cultural Studies, 2018).

Publisher (EN)
Publisher (SC)
WorldCat (EN)

Anti-knjiga: Materijalni tekst i političko izdavaštvo (Serbo-Croatian, 2014, 1 MB, added on 2017-5-2)
Anti-Book: On the Art and Politics of Radical Publishing (English, 2016, HTML; PDF, updated on 2019-7-2)

Adrian Frutiger: Signs and Symbols: Their Design and Meaning (1978–) [EN, FR, BR-PT]

25 March 2015, dusan

“Universally-recognized signs and symbols have always been among the most important elements of communication. By why is it that certain configurations of dot and line, and certain primary shapes, are perceived and remembered more easily than others? Taking the six faces of dice as his starting point, Frutiger writes about signs and symbols in general and the development of writing in particular. Throughout, he relates the basic principles and components of graphics to a wide range of historical, physical, linguistic and practical considerations. He embraces everything from Egyptian hieroglyphics to modern company logos in his intriguing analysis of the way that humans have always tried to express thought and communication through graphic means. This standard work is aimed at all those concerned with graphics, design, ornament and communication in general.”

Originally published as Der Mensch und seine Zeichen, 3 vols., Weiss Verlag, Dreieich, 1978-81.

English edition
Translated by Andrew Bluhm
Publisher Van Nostrand Reinhold, New York, 1989
ISBN 0442239181
360 pages

WorldCat (EN)

Signs and Symbols: Their Design and Meaning (English, trans. Andrew Bluhm, 1989, low res, 39 MB)
L’Homme et ses signes: signes, symboles, signaux (French, trans. Danielle Perret, 2nd ed., 1999/2014, 5 MB)
Sinais e símbolos: desenho, projeto e significado (BR-Portuguese, trans. Karina Jannini, 2nd ed., 1999/2007, 59 MB, added 2016-8-3)

See also Frutiger’s Type Sign Symbol, 1980.