Filed under book | Tags: · infrastructure, materiality, media, media theory, temperature
“This special issue of Culture Machine addresses thermal processes, bodies and media. When heat and cold appear in the humanities and social sciences, they are often treated exclusively as metaphors—think of Ferdinand Tönnies’s description of the modern, urbanized society as a cooling process that freezes the warm, authentic community; or Marshall McLuhan’s distinction between hot and cold media. While thermal metaphors turn out to be useful—perhaps even constitutive—tools that make abstract notions imaginable and tangible, recent discussions on the materiality of the social offer a productive background for new theorizations of temperatures that exceed their metaphorical valences.
This special issue aims to rethink the relation of metaphor and materiality: How can we theoretically account for thermal mechanisms as balance, transfer or collapse? What does it mean to perform hot or cool critical theoretical interventions? These and other questions will be investigated across three temperature-related dimensions: the senses, thermic media and thermopolitics.” (from CfP)
With contributions by Elena Beregow, Wolfgang Ernst, Erhard Schüttpelz, Samir Bhowmik, Paula Schönach, Nigel Clark, Nicole Starosielski, Niall Martin, John Hockey and Jacquelyn Allen-Collinson, Hilary Bergen, Gunnar Schmidt, and Agustina Andreoletti.
Edited by Elena Beregow
Publisher Open Humanities Press, April 2019
Filed under book | Tags: · anthropocene, blackness, colonialism, critique, earth, earth system, geology, materiality, politics, race, slavery
“No geology is neutral, writes Kathryn Yusoff. Tracing the color line of the Anthropocene, A Billion Black Anthropocenes or None examines how the grammar of geology is foundational to establishing the extractive economies of subjective life and the earth under colonialism and slavery. Yusoff initiates a transdisciplinary conversation between black feminist theory, geography, and the earth sciences, addressing the politics of the Anthropocene within the context of race, materiality, deep time, and the afterlives of geology.”
Publisher University of Minnesota Press, 2018
ISBN 9781517907532, 1517907535
Commentary: McKenzie Wark (Verso Blog, 2019).Comment (0)
Filed under book | Tags: · computation, digital humanities, history of technology, literary history, literary theory, materiality, media archeology, media theory, technology, word processing, writing
“The story of writing in the digital age is every bit as messy as the ink-stained rags that littered the floor of Gutenberg’s print shop or the hot molten lead of the Linotype machine. During the period of the pivotal growth and widespread adoption of word processing as a writing technology, some authors embraced it as a marvel while others decried it as the death of literature. The product of years of archival research and numerous interviews conducted by the author, Track Changes is the first literary history of word processing.
Matthew Kirschenbaum examines how the interests and ideals of creative authorship came to coexist with the computer revolution. Who were the first adopters? What kind of anxieties did they share? Was word processing perceived as just a better typewriter or something more? How did it change our understanding of writing?
Track Changes balances the stories of individual writers with a consideration of how the seemingly ineffable act of writing is always grounded in particular instruments and media, from quills to keyboards. Along the way, we discover the candidates for the first novel written on a word processor, explore the surprisingly varied reasons why writers of both popular and serious literature adopted the technology, trace the spread of new metaphors and ideas from word processing in fiction and poetry, and consider the fate of literary scholarship and memory in an era when the final remnants of authorship may consist of folders on a hard drive or documents in the cloud.”
Publisher Belknap Press of Harvard University Press, 2016
ISBN 9780674417076, 0674417070
Reviews: Brian Dillon (The Guardian, 2016), Jessica Pressman (ALH Online Reviews, 2016), Eric Banks (Bookforum, 2016), Dylan Hicks (LA Review of Books, 2016), Kirkus Reviews (2016), Francis Russell (Hong Kong Review of Books, 2016), A. Bowdoin Van Riper (PopMatters, 2016), Leann Davis Alspaugh (Hedgehog Review, 2016), Thomas Padilla (American Archivist, 2017), Lai-Tze Fan (Papers of The Bibliographical Society of Canada, 2017), Seth Erickson (Interactions, 2017), David Walden (TUGboat, 2017), Grant Wythoff (Revista Hispánica Moderna, 2018), Elena Spadini (Umanistica Digitale, 2018).Comment (0)