Filed under book | Tags: · artists book, distribution, diy, postdigital, publishing
“This is an idiosyncratic guide to self-publishing. We think that self-publishers should craft their own hybrid publishing and distribution solutions. This booklet, we hope, is an aide for those curious about the process and who may want to start doing their own publishing.
Temporary Services has been actively thinking about, making, talking about, selling, and giving away publications for over 16 years. We have written or said things in interviews and lectures about our publishing, but we have never sat down to craft a long-form essay about our efforts and where they fit in the larger world of artist books, artist publishing and book making. This booklet is an attempt to articulate our ideas about publishing, particularly in light of the current post-digital environment.”
Illustrations by Kione Kochi
Publisher Temporary Services, Chicago, Sep 2014
Filed under book, catalogue | Tags: · art, artists book, dissent, russia
An early survey of Soviet unofficial art. Illustrated with photographs and documentation of artists’ works.
Essays by Szymon Bojko, John E. Bowlt, Rimma & Valery Gerlovin.
Assembled by Rimma & Valery Gerlovin
Publisher Willis Locker & Owens Pub, New York, 1986
ISBN 0930279050, 9780930279059
Filed under book, magazine | Tags: · artists book, mail art
Essential anthology of writings from 1978-1998 published in the periodical Umbrella.
“It is hard to believe that more than twenty years have passed since the first issue of Umbrella was issued as a fledgling newsletter catering to the ever-changing vicissitudes of contemporary visual art, especially that of artist books, mail art, video art, rubber-stamps, audio art, and everything else that was considered not very important in the realm of the nearly new ‘market’ which came with the eighties and the boom in contemporary and modern art. … Many of these articles respond to a conference, symposium, a book art exhibition, all referring to date-sensitive events. But in a strange way, it also marks a trace of a historic moment, one in which there was a vitality and an energy, in which book publishers, resource collectors, multi-faceted artists, and curators did whatever seemed right at the moment. Many of our colleagues are gone, the publishers have quit their businesses, and alternative spaces and foundations which nourished their work are no longer extant. So read these chapters as if you were reading ‘you are there’ historic moments, traces of memory, and the markers in the history of alternative in the contemporary art world of the past twenty years.” — Judith A. Hoffberg (1934-2009) from book’s foreword.
Contributions by Clive Phillpot, Ken Friedman, Ita Aber, Walter Askin, Anna Banana, Mariona Barkus, Guy Bleus, Sas Colby, Patricia Collins, Jules Engel, J.C. Gagnon, William Harroff, Dick Higgins, E.F. Higgins III, Ruggero Maggi, Janet Pyle, Marilyn Rosenberg and Miriam Schaer.
Articles about and interviews with Ulises Carrión, Warja Lavater, Paul Zelevansky, Phil Dadson, Rod Summers, Maurizio Nannucci, Klaus Groh, Bern Porter, Wolf Vostell, Kevin Osborn, Juliao Sarmento, Paula Claire, Angela Pahler, Peter Kusterman, Leavenworth Jackson, Richard Kostelanetz, Elaine Langerman, Lawrence Weiner, George Maciunas, Jean Brown, and Judith A. Hoffberg.
Edited by Judith A. Hoffberg
Publisher Umbrella Editions, Santa Monica, CA, 1999
ISBN 0963504223, 9780963504227
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