Filed under magazine | Tags: · algorithm, artificial intelligence, design, digital culture, machine, technology
“This publication shows the outcome of a four-day retreat organised by Het Nieuwe Instituut and Volume in June 2016. During this meeting, designers, artists and scientists researched the meaning of artificial intelligence on the practice of cultural research.”
Contributors: Marina Otero Verzier, Klaas Kuitenbrouwer, Luis Rodil-Fernández, Matthew Plummer-Fernandez, Ben Schouten, Nick Axel, Katía Truijen, Lilet Breddels, Merel Noorman, Tamar Shafrir, Füsun Türetken, Femke Snelting, Simone C. Niquille, Dorien Zandbergen.
An insert in Volume #49: Hello World!
Edited by Nick Axel
Publisher Archis Foundation, and Het Nieuwe Instituut, Rotterdam, September 2016
Eric Kluitenberg (ed.): Book of Imaginary Media: Excavating the Dream of the Ultimate Communication Medium (2006)
Filed under book | Tags: · cinema, machine, media, media archeology, paleontology
“Where people fail our machines will succeed – it seems to be one of the most stubborn myths in Western society. We are incessantly being bombarded with films, books, street advertising and commercials about new gadgets, new media and new futures that seem suspiciously similar to all that precedes. Imagine the power … of the umpteenth gadget. Imagine … that technology can go where no human has ever gone before, that technology can succeed where no human has succeeded – not only in space or in nature, but also in the interpersonal, specifically in communication with the other.
This book investigates those technological myths and the dream of the ultimate communication medium from multiple perspectives. Building on insights provided by media archeology, Siegfried Zielinski, Bruce Sterling, Erkki Huhtamo and Timothy Druckrey spin a web of connections between the wonderful fantasy machines of Athanasius Kircher, the mania of stereoscopy, ‘dead’ media and archeological media art. Edwin Carels and Zoe Beloff descend into the cinematographic caverns of spiritualism and the iconography of death, while Eric Kluitenberg and John Akomfrah lift the lid on the imaginary connection machines and the ‘mothership connection’.”
Publisher NAi, Rotterdam, with De Balie, Amsterdam, 2006
ISBN 9789056625399, 905662539X
via Media Archaeology Reconfigured
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Filed under journal | Tags: · aesthetics, affect, feeling, machine, machine learning, sensation, subjectivation, technology
“Digital culture has become instrumental for capturing and managing what Raymond Williams would once have called “structures of feeling”. The journal issue A Peer-Reviewed Journal About Machine Feeling alludes to this, and points to a material analysis of aesthetics and culture, including its technical and social forms, and in the way that this concept was originally employed as an acknowledgment of the importance of the hard to capture dimensions of everyday life. What potential new sensibilities and structures of feeling may arise in such normalized registers of our habits? What new cultural and social forms and practices emerge in the coming together of machine learning and structures of feeling? In each their own way, the authors in this journal explore these questions.”
Edited by Christian Ulrik Andersen and Geoff Cox
Publisher Digital Aesthetics Research Centre, Aarhus University, Aarhus, 15 August 2019
Creative Commons BY-NC-SA License
With contributions by Mitra Azar, Daniel Chávez Heras, Michela De Carlo, Iain Emsley, Malthe Stavning Erslev, Tomas Hollanek, Rosemary Lee, Carleigh Morgan, Carman Ng, Irina Raskin, Tiara Roxanne, Rebecca Uliasz, Maria Dada, Tanja Wiehn, and Brett Zehner.Comment (0)