Filed under book | Tags: · 1970s, art, counterculture, family, feminism, film, health care, publishing, theatre, women
“Published in 1973, The New Woman’s Survival Catalog is a seminal survey of Second Wave feminist efforts, which, as the editors noted in their introduction, represented an “active attempt to reshape culture through changing values and consciousness.”
Assembled by Kirsten Grimstad and Susan Rennie in only five months, The New Woman’s Survival Catalog makes a nod to Stewart Brand’s influential Whole Earth Catalog to map a vast network of feminist alternative cultural activity in the 1970s. Grimstad and Rennie set out on a two month road trip in the summer of 1973, meeting and interviewing all the featured organizations and individuals, and gathering information and further references along the way to complete the publication.
From arts organizations to bookstores and independent presses, health, parenting, and rape crisis centers, and educational, legal and financial resources, this book provides crucial insight into feminist initiatives and activism nationwide during the Women’s Movement. Styled as a sales catalog, The New Woman’s Survival Catalog comprises listings and organizational descriptions, articles, and extensive illustrations, as well as a ‘Making the Book’ section, detailing the publication’s production.”
Publisher Coward, McCann & Geoghegan/Berkeley Publishing Corporation, New York, 1973
ISBN 9780698105676, 0698105672
via Let’s Re-make, HT falprit
Katalin Cseh-Varga, Adam Czirak (eds.): Performance Art in the Second Public Sphere: Event-Based Art in Late Socialist Europe (2018)
Filed under book | Tags: · art history, body art, communism, east-central europe, eastern europe, happening, performance, performance art, public sphere, socialist realism, southeastern europe, theatre, underground
“Performance Art in the Second Public Sphere is the first interdisciplinary analysis of performance art in East, Central and Southeast Europe under socialist rule. By investigating the specifics of event-based art forms in these regions, each chapter explores the particular, critical roles that this work assumed under censorial circumstances.
The artistic networks of Yugoslavia, Hungary, Latvia, Lithuania, Poland, Romania, East Germany and Czechoslovakia are discussed with a particular focus on the discourses that shaped artistic practice at the time, drawing on the methods of Performance Studies and Media Studies as well as more familiar reference points from art history and area studies.”
Contributors: Roddy Hunter, Miško Šuvaković, Dietmar Unterkofler, Ileana Pintilie, Cristian Nae, Andrej Mirčev, Andrea Bátorová, Berenika Szymanski-Düll, Kata Krasznahorkai, Laine Kristberga, Adam Czirak, Amy Bryzgel, Jasmina Tumbas, Beáta Hock, Angelika Richter, Maja Fowkes and Reuben Fowkes.
Publisher Routledge, London, 2018
ISBN 9781138723276, 1138723274
Filed under book | Tags: · activism, aesthetics, architecture, art criticism, art history, avant-garde, film, intermedia, literature, music, performance, photography, theatre
“This book is premised on the view that the idea of the avant garde has an increased importance in these times of global political crisis. Much cultural production today is shaped by a biopolitics that construes all creative and knowledge production in terms of capital accumulation. A different kind of culture is possible. This collection of writings, essays, interviews and artworks by many of today’s most radical cultural practitioners and astute commentators on matters avant garde mediates the different strategies and temporalities of avant-garde art and politics. Tracing diverse genealogies and trajectories, the book offers an inter-generational forum of ideas that covers different arts fields, from visual art, art activism, photography, film and architecture, to literature, theatre, performance, intermedia and music.”
Texts by Marc James Léger, Adrian Piper, Andrea Fraser, David Tomas, Catherine Lescarbeau, Hal Foster, Laura Mulvey, Bruce LaBruce, Santiago Sierra, Derek Horton, Christine Wertheim, Lyn Hejinian, Marjorie Perloff, Wu Ming 2, Nikolaus Müller-Schöll, Rabih Mroué, Judith Malina, Moe Angelos, Bill Brown, The Errorist International, Jonas Mekas, Thomas Elsaesser, Alexander Kluge and Oskar Negt, Travis Wilkerson, Evan Mauro, Mikkel Bolt Rasmussen, Gene Ray, John Roberts, Zanny Begg and Dmitry Vilensky, Owen Hatherley, Michael Webb, Mitchell Joachim, Beatriz Colomina, Boris Groys, Vitaly Komar, Victor Tupitsyn, Gregory Sholette and Krzysztof Wodiczko, Critical Art Ensemble, BAVO, Alexei Monroe, Jean-Hervé Péron, Chris Cutler, Charles Gaines, Jason Robinson, Sara Marcus, Cosey Fanni Tutti, Thanos Chrysakis, Kim Cascone, Marc Couroux, Thérèse Mastroiacovo, Chrysi Papaioannou, and Bill Dane.
Publisher Manchester University Press, Manchester, with Left Curve, Oakland, CA, 2014
ISBN 9780719096914, 071909691X
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